• Arjun Bijlani, currently seen in Netflix's "Chumbak," called Ganesh Chaturthi a deeply personal, family-centred tradition since childhood.
• Delnaaz Irani described Bappa's arrival as bringing gratitude, warmth and positivity into the home.
• Aalisha Panwar said welcoming Bappa with a pure heart invites positivity and new beginnings into life.
• Aditya Khurana and Hoonur Talent Head Mohammed Nagaman Lateef celebrated together, praying for happiness, success and strength.
• All the celebrities emphasised family togetherness, gratitude and faith as central to their Ganesh Chaturthi celebrations.

A Festival That Unites Mumbai's Celebrities in Devotion

Ganesh Chaturthi has once again brought a wave of devotion and celebration across Mumbai, with celebrities welcoming Ganpati Bappa into their homes with warmth and reverence. Among those marking the festival this year are actors Arjun Bijlani, Delnaaz Irani, Aalisha Panwar, Aditya Khurana and Hoonur Talent Head Mohammed Nagaman Lateef, each offering their own reflections on what the festival means to them personally.

Arjun Bijlani on a Lifelong Tradition

For Arjun Bijlani, currently seen in the Netflix series "Chumbak," Ganesh Chaturthi has always carried deep personal significance, rooted in a tradition of bringing Bappa home that stretches back to his childhood. "Ganesh Chaturthi has always been very special to me. Bappa has been a part of my life since childhood, and every year, bringing him home feels like a beautiful reminder to slow down, spend time with family and be grateful. The aarti, the prayers, the food and simply having everyone together make these days very special for me. No matter how busy my schedule is, I always try to make sure I am there for Bappa," he said.

Beyond the ritual itself, Arjun spoke about the emotional and spiritual grounding the festival provides amid a demanding professional schedule. "For me, Bappa teaches us to remain patient, positive and humble. Life will always have challenges, but having faith gives you the strength to face them. When Bappa comes home, there is a different kind of energy and peace that you can feel," he added.

Delnaaz Irani on Gratitude and Warmth

Delnaaz Irani, also currently seen in "Chumbak," welcomed Bappa with a strong sense of gratitude and happiness, describing the festival as an opportunity to create an atmosphere filled with love and positivity for everyone around her. "Whenever Bappa comes home, there is a beautiful energy in the house. It is a time when you pause, pray and feel grateful for everything you have. I love the warmth that this festival brings because it brings people closer and fills the home with positivity. For me, welcoming Bappa is about faith, love and hoping that he keeps everyone happy and protected," she said.

Delnaaz also emphasised that the emotional intent behind the celebration matters more to her than the visual elements of the festivities. "The decorations and festivities are lovely, but what matters most to me is the feeling with which we welcome Bappa. I always pray for peace, good health and happiness for my loved ones. That is what makes Ganesh Chaturthi truly special," she shared.

Aalisha Panwar on New Beginnings

Actress Aalisha Panwar celebrated Bappa's arrival with a similar sense of devotion, describing the festival as a refreshing source of positivity and a reminder to trust in life's journey. "Bappa's arrival always brings a very positive feeling. There is so much happiness and warmth around this festival, and I feel it is the perfect time to pray for new beginnings and good things ahead. I believe that when you welcome Bappa with a pure heart, you also welcome positivity into your life," she said.

For Aalisha, the festival also offers a rare pause from the pace of everyday life. "I think we all need moments where we can just stop, be thankful and ask for blessings. Ganesh Chaturthi gives us that opportunity. My wish is always that Bappa removes obstacles, gives us strength and keeps our families surrounded by love and happiness," she added.

Aditya Khurana and Mohammed Nagaman Lateef Celebrate Together

Meanwhile, actor Aditya Khurana, currently seen in "Kyunki Rishton Ke Bhi Roop Badalte Hain," came together with Hoonur Talent Head Mohammed Nagaman Lateef to mark the occasion jointly, offering prayers for happiness, success and new beginnings. "Ganpati Bappa is all about positivity, faith and removing obstacles. Welcoming Bappa together makes the celebration even more special because it is a time to come together, pray and be grateful. We hope Bappa blesses everyone with happiness, good health and success and gives us the strength to face every challenge," the duo said.

A Shared Thread of Gratitude Across the Celebrations

While each celebrity's reflections carried their own personal tone, a common thread ran through all their observations, that Ganesh Chaturthi, beyond its rituals and festivities, serves as an annual opportunity for gratitude, family togetherness and renewed faith, offering a moment of pause and positivity amid otherwise busy professional lives in the entertainment industry.

• Legendary bhajan singer Anup Jalota launched the "Bhaktidwar Television App" and unveiled its logo.
• He described the platform as "a gateway to devotion, happiness and peace" amid rising stress and anxiety.
• Jalota noted that younger generations are increasingly embracing devotional music and spiritual content.
• Founder Dinesh Asopa revealed the app took nearly a decade to develop, aiming to be a dedicated hub for Sanatan Dharma-related content.
• Several original series on the platform have been directed by filmmaker Jaidev Chakravorty, blending spiritual themes with a contemporary format.

A New Digital Space for Devotion

Legendary bhajan singer and Padma Shri awardee Anup Jalota launched the "Bhaktidwar Television App" at an event that brought together devotion, spirituality and modern technology under a single platform. Jalota also unveiled the app's logo during the proceedings, lending his considerable stature within India's devotional music tradition to the new initiative's public debut.

Jalota's Case for the App's Relevance

Addressing attendees at the launch, Jalota offered a heartfelt endorsement of the platform, framing it as more than just another app. "I have myself entered Bhaktidwar. It is not just an app; it is a gateway to devotion, happiness and peace. Today, people are going through stress, anxiety, and mental pressure. In such times, remembering God, listening to bhajans, and connecting with spirituality can bring true peace to the mind. I believe Bhaktidwar will connect millions of people with spirituality and bring positivity into their lives," he said.

Why This Framing Resonates in the Current Moment

Jalota's emphasis on stress and mental pressure as a backdrop for the app's relevance reflects a broader trend in how devotional and wellness-oriented content is increasingly being positioned, not purely as religious practice, but as a response to the pressures of contemporary life. This framing allows a traditionally faith-based platform to appeal to audiences seeking calm and grounding amid modern anxieties, potentially widening its reach beyond audiences who might engage with devotional content purely on religious terms.

A Younger Audience for Devotional Content

Jalota also observed that today's younger generation is increasingly embracing devotional music and spiritual content, a trend that suggests such platforms may be finding audiences well beyond the older demographics traditionally associated with bhajan and religious programming. "When a person is under stress, there is no greater comfort than remembering God and immersing oneself in devotion. Bhaktidwar is a wonderful initiative that carries this positive thought forward," he added.

The Founder's Decade-Long Journey

Dinesh Asopa, founder of the Bhaktidwar Television App, expressed his gratitude to Jalota for his guidance and support throughout the platform's development, describing the app's launch as the culmination of a long-held personal ambition. Asopa revealed that the project had taken approximately a decade to bring to fruition. "I have been working on this app for the last 10 years. Our objective was not merely to create another OTT platform, but to build a digital destination where people can access devotional, spiritual and Sanatan Dharma-related content under one roof. Seeing this dream finally become a reality is a very special moment for me," he said.

A Deliberately Focused Content Strategy

Asopa's framing of the app as a dedicated destination for devotional, spiritual and Sanatan Dharma-related content, rather than a general-purpose streaming platform, suggests a deliberate positioning strategy in an increasingly crowded OTT market. Rather than competing broadly with mainstream entertainment platforms, Bhaktidwar appears to be targeting a specific, underserved niche: audiences actively seeking religious and spiritual programming consolidated in one accessible digital space.

Original Content With a Contemporary Touch

Several of the special series created for Bhaktidwar have been produced under the direction of filmmaker Jaidev Chakravorty. These shows are designed with spiritual themes presented in a contemporary format, while still aiming to retain their core devotional essence, an approach that seeks to modernise the presentation of religious storytelling without diluting its traditional spiritual core, potentially helping the content appeal to audiences accustomed to more polished, modern production values.

• Singer Shaan joined the viral 80s Instagram trend using real throwback photos instead of AI-generated recreations.
• His album included a stage performance shot, a stylish sunglasses pose, and two school-days trophy photos.
• Shaan captioned the post noting he "didn't need AI" to participate in the trend.
• On Komal Nahta's podcast "Game Changers," Shaan revealed interests in advertising and journalism.
• He admitted feeling like the "weakest link to music" in a family with a strong musical legacy.

A Personal Twist on a Viral Trend

Acclaimed singer Shaan put his own spin on the ongoing viral 80s trend sweeping Instagram, choosing authenticity over artificial intelligence to participate. While many users have used AI tools to generate stylised 80s-themed versions of their photos, Shaan opted instead to share genuine throwback pictures from the actual decade, turning the trend into a nostalgic look back at his own life rather than a digitally generated recreation.

What Shaan Shared

Posting to his official Instagram account, Shaan uploaded a set of old photographs accompanied by a pointed caption: "Didn't need AI to do the 80's trend for me," tagged with references to the trend, ChatGPT, and throwback content. The album's primary image showed Shaan performing on stage, captured mid-song while holding a microphone. This was followed by a photo of him seated on a wall in stylish attire, wearing black sunglasses and exuding a confident, era-appropriate style. The collection also included two nostalgic school-days photos: one showing Shaan being honoured with a first-place prize, likely for singing, with trophies visible beside him, and another of him holding a separate trophy while flashing a broad smile.

Why This Approach Stands Out

In a trend largely defined by AI-generated novelty, Shaan's decision to lean on real archival photographs offers a notably different kind of engagement, one rooted in personal history rather than technological experimentation. For an artist with an actual decades-long career and a genuine visual record from the era in question, opting for authenticity over AI recreation adds a layer of credibility and personal narrative that a generated image simply cannot replicate, turning what is typically a lighthearted digital trend into a more meaningful walk through his own past.

A Candid Reflection on Career Paths Not Taken

Beyond the social media post, Shaan recently offered a more introspective glimpse into his life during an appearance on Komal Nahta's podcast "Game Changers." He revealed that he had, at various points, considered pursuing careers outside music entirely, expressing interest in both advertising and journalism as fields he wished he could have explored.

On Being the "Weakest Link" in a Musical Family

Perhaps most striking was Shaan's candid admission about his place within his own family's musical legacy. Despite being one of India's most celebrated playback singers, he confessed to viewing himself as the least musically gifted among his relatives. "I was the weakest link to music in my family. My father was a composer and a very good singer. My grandfather, mother and sister were also good singers, so I honestly felt I was the weakest link when it came to music in my family," he said, offering a rare moment of self-deprecating honesty from an artist whose own career has spanned decades of chart-topping success, despite what he describes as a comparatively humble starting point within his own household's musical standards.

• A three-day shoot, fond memories: Manoj Bajpayee recalled shooting his role in "Veer-Zaara" over one day at Film City and two days in Amritsar.
• Working with Yash Chopra was the biggest draw: He shared how much he had wanted to work with the legendary director, calling the experience deeply memorable.
• Yash Chopra's honesty stood out: Bajpayee recalled the director candidly telling him he doesn't typically make films for actors like him, and said he admired that honesty.
• Warmth beyond the camera: He remembered Chopra taking care of his food, arranging a party for him in Amritsar, and treating him with genuine warmth.
• A role that became iconic: Bajpayee said he was unaware at the time how his small but impactful character would become a cult part of Indian pop culture.
• Shared during 'Last Man in Tower' promotions: He reflected on this alongside co-star Divya Dutta and director Ben Rekhi in Mumbai.

Mumbai: The National Award-winning actor Manoj Bajpayee has recollected his fondest memories of working on the iconic film "Veer-Zaara."

The actor spoke with IANS along with Divya Dutta and director Ben Rekhi during the promotions of the film "Last Man in Tower" in the Andheri West area of Mumbai.

"I Always Wanted To Work With Him"

He told IANS, "I enjoyed myself while working on that film. For three days I was there on the sets of the film. One day at Film City and 2 days in Amritsar. So, it was (took a dramatic pause) quite good. I shot those two, three sequences that I had. And the biggest advantage was that I was working for Mr. Yash Chopra. I always wanted to work with him."

"But he told me very honestly that he doesn't make films for actors like me. And he was very candid about it. I didn't mind it at all because there's somebody that honest, and a man of that stature. You just love him for his honesty. He didn't promise me anything. But I was very happy just facing the camera under his direction. So, I got a few days to spend with him. And he took great care of me in terms of my food, the party, everything. He just treated me with so much warmth."

A Small Role That Became A Cult Character

While walking down the memory lane, he was unaware that his small but impactful role in the film had become a cult before he was told about the impact of the character on the landscape of India's pop culture.

The film told the story of two star-crossed lovers, from arch-nemesis neighbours, India and Pakistan. Manoj's character in the film is responsible for putting SRK behind bars on the grounds of charges of spying.

"Manoj Is A Guest": Yash Chopra's Warmth In Amritsar

"He got everybody together to party with me in the evening in Amritsar saying, 'Manoj is a guest'. So, everybody should be really there, you know, all of that. I was expecting nothing from the role because it was a Yash Chopra film, there was a superstar in the film, and it was a highly anticipated film, the eyeballs were there," he added.

(With inputs from IANS)

• A long journey for a special day: Preity Zinta shared pictures and videos documenting her cross-globe travel to be present for twins Jai and Gia's first day of school.
• "Wouldn't Miss It For Anything In The World": She posted her flight journey on X, capturing the moment she rushed to make it in time.
• Recently in India for 'VIBE' promotions: The actress had been in the country promoting her upcoming film before the trip.
• On balancing motherhood and career: Preity spoke about how having a strong support system allows her to manage professional commitments alongside being present for her children.
• Acknowledges her privilege: She credited her resources for making this balance possible, while praising women managing the same without similar means.
• Recent comeback with 'Batwara 1947': Preity returned to films after an eight-year hiatus with the period drama, which released on August 14, 2026.

Mumbai: Actress and entrepreneur Preity Zinta gave a glimpse of her journey from across the globe as she made it in time for her twins Jai and Gia's "First Day of School."

Preity took to X (formerly Twitter) and shared a series of pictures and videos documenting her journey.

Sharing a picture of herself during the flight along with a view from the aircraft window, the actress wrote: "Rushed across the globe to make it for 'First Day of School' Wouldn't miss it for anything in the world! Ting."

The actress also shared glimpses from her journey, giving fans a peek into the long travel she undertook to be present for the special day of her children.

Preity's Life Between India And The US

Preity was in the news recently for her upcoming movie "VIBE," which she was in India to promote.

Preity, who is known for maintaining a relatively private life with her family, is based in Los Angeles, California, where she lives with her American husband Gene Goodenough and their twins Jai and Gia.

The actress often is seen juggling between India and USA for work. She had recently spoken about how motherhood has changed her priorities and how she tries to be present for important moments in her children's lives.

"Women Are Natural Multitaskers"

Speaking to IANS, the "Soldier" actress opened up about balancing motherhood with her professional commitments.

Preity stated that while managing multiple responsibilities is not easy, having a strong support system has made it possible for her to pursue different things in life.

"Women are natural multitaskers. If you look at your mom or my mom, she might not have a job but her job is to look after my dad, three children, the household, so many things. So, women are natural multitaskers. Now women have become super women because there are a lot of women who are working and then they come home and they're still taking care of the kids," she said.

"I Am Very Lucky And Fortunate"

Preity acknowledged that juggling a career and motherhood can be challenging, but said she considers herself fortunate to have the resources and support needed to manage both.

"I am very lucky and fortunate and I'm very grateful to God that I have a lot more means so I can have help. I couldn't have come here if I didn't have help."

The "Dil Se" actress also stressed that while support can ease the challenges of balancing professional and personal responsibilities, it cannot replace a mother.

"Of course, no one can substitute for the mother but my mom is there, we have other people. So yes, it's not easy but then if you want different things in life then you have to put everything aside and see different things at different times. So obviously it's not easy but it's not that tough also when you have the means," she added.

"Hats Off" To Women Without The Same Resources

The "Veer-Zaara" actress also praised women who manage work and family responsibilities without the same resources.

"There are a lot of women who don't have the means and they are doing it. So when I look at those situations I say hats off to them and I'm very grateful to God that I do have those choices," she said.

About Preity's Recent Comeback

For the uninitiated, Preity had taken an eight-year hiatus from films before making her return to the silver screen with the period drama "Batwara 1947," directed by Rajkumar Santoshi and backed by Aamir Khan Productions. The film, starring Sunny Deol, released in theatres on August 14, 2026.

(With inputs from IANS)

Also Read: Preity Zinta Once Faked Being 18 to Sneak Into an Army Party

• A genuine throwback, not AI-generated: Kirron Kher joined the viral 1980s nostalgia trend by sharing an authentic black-and-white picture from her younger days.
• "It didn't need anything else": She emphasised the photo required no AI tools or filters, pairing it with Lata Mangeshkar's "Ajeeb Dastan Hai Yeh."
• A career spanning decades: From her 1983 Punjabi film debut to acclaimed roles in "Devdas," "Rang De Basanti" and "Veer-Zaara," Kirron built a diverse filmography.
• A familiar TV presence: She became known for hosting shows and judging "India's Got Talent" from 2009 onwards.
• Family in the spotlight: She was previously married to Gautam Berry, with whom she has son Sikandar Kher, before marrying actor Anupam Kher in 1985.

Mumbai: Actress Kirron Kher has joined the ongoing social media nostalgia around the 1980s.

Instead of using AI to recreate an old-school look, she shared an actual picture of herself from the era, stating that it did not need any external support to recreate the picture and wished to keep it real.

"Just A Real Picture From The 80s"

Taking to her social media account, Kirron shared a striking black-and-white picture from her younger days and wrote, "Couldn't resist sharing this one just as it is. No ChatGPT. No AI. No filters. Just a real picture from the 80s and honestly, it didn't need anything else."

The actress paired the picture with Lata Mangeshkar's evergreen song "Ajeeb Dastan Hai Yeh."

The picture comes amidst the 1980s-inspired trend which has taken over social media.

Kirron Kher's Journey In Cinema

Talking about the actress on her professional front, she made her film debut with the Punjabi film "Aasra Pyaar Da" in 1983 and later appeared in "Pestonjee" in 1988, before taking a sabbatical.

Her breakthrough in Hindi cinema came much later, when she returned to films in the 1990s.

Her comeback film was Shyam Benegal's "Sardari Begum" in 1996, followed by acclaimed performances, including Rituparno Ghosh's "Bariwali."

Kirron went on to deliver memorable performances in films such as "Devdas," "Main Hoon Na," "Hum Tum," "Veer-Zaara," "Rang De Basanti," "Fanaa," "Kabhi Alvida Naa Kehna," "Singh Is Kinng" and "Dostana."

From Films To Television

She became a familiar television face through shows including "Purushkshetra," "Kirron Kher Today" and "Jagte Raho with Kirron Kher." She later became synonymous with the talent reality show "India's Got Talent," serving as a judge for many seasons from 2009 onwards.

Personal Life

On the personal front, she first married businessman Gautam Berry in 1979, and the couple had a son, Sikandar Kher. Their marriage ended in divorce in 1985.

That same year, Kirron married actor Anupam Kher. Anupam became a father figure to Sikandar, who later followed his parents into acting. Sikandar made his Hindi film debut with "Woodstock Villa" in 2008 and has since appeared in films and shows including "Aarya."

(With inputs from IANS)

• Instagram ID's origin story: Divyenndu revealed that Shraddha Kapoor created his Instagram account during the shoot of "Batti Gul Meter Chalu" (2018).
• Wasn't on Instagram before that film: He had already worked in "Pyaar Ka Punchnama" and "Chashme Baddoor" but wasn't on the platform until then.
• Reason behind his name spelling: Divyenndu explained his belief in staying in sync with energies as the reason for changing his name's spelling.
• Anupam Kher created his Twitter: He also revealed that Anupam Kher set up his Twitter account during the making of "21 Topon Ki Salaami."
• Shared on 'Double Date': The revelations came during his appearance on Neha Dhupia and Angad Bedi's show.

Mumbai: Actor Divyenndu revealed that actress Shraddha Kapoor created his ID on Instagram during the shoot of the 2018 film "Batti Gul Meter Chalu" and opened up about the reason behind changing the spelling of his name and his belief in the science of balancing energies.

Divyenndu appeared on Neha Dhupia and Angad Bedi's show "Double Date," where he disclosed why he decided to make the change and how strongly he believes in being in sync with the energies around him.

"I Want To Stay In Sync With The Energies"

Divyenndu shared, "Yeh mera naam hai aur mujhe sync mein rehna hai energies ke saath. Toh koi cheez agar mujhe energies ke saath sync mein laayegi, toh main uski baat maanunga." (This is my name, and I want to stay in sync with the energies. So, if something helps me align with those energies, I will follow it.)

Neha asked Divyenndu whether he had also changed the spelling of his name across his social media and email IDs.

How Shraddha Kapoor Set Up His Instagram

Divyenndu revealed that his Instagram account was actually created by Shraddha Kapoor while they were working together on "Batti Gul Meter Chalu."

He said, "Mera Insta banaya tha Shraddha Kapoor ne jab humne Batti Gul Meter Chalu kari thi. Pyaar Ka Punchnama aur Chashme Baddoor kar chuka tha main usse pehle, lekin main Instagram pe nahi tha."

(Shraddha Kapoor created my Instagram account when we started working on Batti Gul Meter Chalu. I had already done Pyaar Ka Punchnama and Chashme Baddoor before that, but I wasn't on Instagram.)

Anupam Kher's Role In His Twitter Account

The actor also shared a fun anecdote about his Twitter account, revealing that veteran actor Anupam Kher was behind its creation.

"Aur mera Twitter Kher sahab, Anupam Kher ji ne banaya tha. Humne film banayi thi 21 Topon Ki Salaami. Toh unhone kuch karke mera account banaya tha."

(And my Twitter account was created by Kher sahab, Anupam Kher ji. We had made a film called 21 Topon Ki Salaami, and he did something to get my account created,) he said.

(With inputs from IANS)

• Calls it "Hanuman Ji's grace": Hema Malini praised "Hanuman Ansh" as a superhit, attributing its success to blessings from Lord Hanuman.
• Praises first-time producer: She lauded Anupriya Nagar for backing the project despite having no prior filmmaking experience, calling her "a normal, simple girl."
• Celebrity endorsements pour in: Preity Zinta, Aditya Dhar and Varun Dhawan are among those who have praised the film.
• Preity Zinta's theatre reaction: She shared her experience watching the film, urging followers not to miss it in theatres.
• Marks a Bollywood debut: The film introduces Shobhinaw Satyaa in the lead role of Neem Karoli Baba, and released in theatres on August 7.

Mumbai: Veteran actor and BJP MP Hema Malini has praised the success of "Hanuman Ansh," calling the film a superhit.

Addressing the media, she described its success as a blessing from Lord Hanuman. Hema also lauded producer Anupriya Nagar for backing the project despite having no prior experience in filmmaking. Despite being new to the world of film production, Nagar went ahead with the project, which has now received a positive response from viewers. Hema congratulated the producer and the entire team for the film's success.

"It Is Hanuman Ji's Grace"

The "Sholay" actress shared, "Hanuman and Neem Karoli Baba temple is here. I always go there. And today, I am so happy that a film has been made on them. It has become a superhit. It is Hanuman Ji's grace, let me tell you. Whoever produced this film, she is a normal, simple girl. She doesn't even know what filmmaking is. But because of her contribution, it has become so good. Everyone is eager to watch it. I also want to watch it."

Celebrities Endorse The Film

"Hanuman Ansh" has been receiving praise from several celebrities, including Preity Zinta, filmmaker Aditya Dhar, and Varun Dhawan, among others. The Vishal Chaturvedi directorial has caught the attention of Bollywood personalities for its devotional theme and portrayal of Lord Hanuman and Neem Karoli Baba.

After watching "Hanuman Ansh" in a theatre, Preity took to social media to share her reaction and urged her followers to experience the film on the big screen. The 51-year-old actor shared a glimpse of herself watching the film in a theatre on her Instagram Stories. Keeping her reaction brief, she posted a still from the movie along with the words "Sita Ram" and "Wow." In another post, she encouraged her followers to watch the film in theatres, writing, "Don't miss it, folks."

Filmmaker Aditya Dhar has also praised the film, adding to the growing appreciation from members of the film fraternity.

About 'Hanuman Ansh'

Directed and produced by Dr Vishal Chaturvedi, "Hanuman Ansh" marks Shobhinaw Satyaa's Bollywood debut. He plays the lead role of Neem Karoli Baba. The film also stars Chandan Anand, Nikhil Dubey, Udaysinh Rajput, Purnima Tiwari, and Mannish Chaudhary in key roles.

"Hanuman Ansh," produced by Anupriya A. Nagar, was released in theatres on August 7.

(With inputs from IANS)

• A Kathak revival: Meenakshi Seshadri revealed Kathak is the classical dance form she has performed least, despite being trained in it, and revisited it by recreating "Ghar More Pardesiya."
• Deep admiration for the style: She described Kathak's grace, showmanship and rhythmic diversity as qualities she has always loved.
• Bollywood's connection to Kathak: Meenakshi noted that Kathak has inspired some of Bollywood's most celebrated dance numbers.
• Traditional look for the video: She performed in a traditional outfit with statement jewellery, showcasing intricate Kathak movements.
• Known for nostalgia recreations: Seshadri regularly shares videos recreating iconic songs and past performances on social media.

Mumbai: Veteran actor and trained classical dancer Meenakshi Seshadri has opened up about her enduring love for Kathak.

She revealed that Kathak is the classical dance form she has learned but has not performed as frequently as some of the other styles she knows. Meenakshi revisited the dance form by recreating the iconic "Ghar More Pardesiya." Sharing her thoughts, Meenakshi said that while Kathak is the Indian classical dance style she has performed the least, it remains one of the forms she has always admired.

View this post on Instagram

A post shared by Meenakshi Seshadri (@iammeenakshiseshadri)

"The Grace, The Showmanship, The Rhythmic Diversity"

The "Damini" actress also pointed out that Kathak has had a strong presence in Bollywood, with several memorable and celebrated dance numbers based on the style. Meenakshi described "Ghar More Pardesiya" as an iconic number and expressed her happiness at getting an opportunity to recreate it.

Sharing her video, the veteran actress wrote, "The one Indian classical dance style I have learned but not performed much compared to the other styles I know is Kathak. However, in Bollywood, Kathak is perhaps the one style of which we see the most prolific dance numbers."

"I have always loved the grace, the showmanship, the strong connection with the audience and the rhythmic diversity in Kathak. Ghar more pardesia is an iconic number and I'm so happy to be able to re-create it and restoke my love for Kathak."

The Performance

The dance video features Meenakshi Seshadri dressed in a traditional outfit as she gracefully performs Kathak. She showcases a range of intricate Kathak movements. Completing her traditional look, the "Ghatak" actress accessorised with statement jewellery that complemented her outfit and added to the overall elegance of her appearance.

About Meenakshi Seshadri

Meenakshi Seshadri often takes to social media to share videos recreating iconic songs and revisiting memorable dance performances.

Seshadri has featured in several popular films, including "Dacait," "Ghayal," and "Ghatak," among others.

(With inputs from IANS)

• 28 years in the industry: Preity Zinta reflected on how filmmaking has evolved since her 1998 debut, from film cameras to digital technology.
• Witnessed the shift to live sound: She recalled being part of the industry when "Dil Chahta Hai" (2000) introduced live sound, ending the era of dubbing.
• Bollywood's thematic shift: Preity said the industry has moved from NRI-centric romances to stories rooted in Indian pride, history and the armed forces.
• Pressure to get it right first time: She noted that with live sound, actors can no longer "fix it in dubbing," unlike in the past.
• Comeback after 8-year hiatus: Preity returned to films with "Batwara 1947," which released on August 14, 2026, after her long break to focus on family.

Mumbai: Actress Preity Zinta has opened up about the changes she has witnessed in Bollywood throughout her journey in the film industry.

Looking back at her career, which began in the late 1990s, the actress reflected on how filmmaking, technology and storytelling have evolved over the years. Speaking exclusively to IANS, Preity recalled being part of a period when the industry was undergoing several significant changes. From the introduction of live sound to the transition from film cameras to digital technology, she said filmmaking has come a long way.

From Dubbing To Live Sound: Witnessing The Shift

The "Veer Zara" actress stated, "By 28 years, I say, I was very lucky that I actually came right at the end of the '90s, really. Films were changing then because I did a film called Kya Kehna, and it was a very different film. Not so different, as they had made films like that before, but for me, as a newcomer, to debut in a film like that was very different."

"Then, in 2000, Dil Chahta Hai came, and it was a film that used live sound, so dubbing stopped. I think I was part of that change when it was happening in the industry. From there to now, I don't see any big difference in terms of how films are approached, except that digital cameras have come in, and you're not shooting on film anymore."

"A Lot More Pride In Being Indian"

The "Soldier" actress also highlighted a shift in the themes explored by Hindi cinema. Preity said Bollywood's focus has gradually shifted from the NRI-centric romances that were popular during an earlier era to stories that are more rooted in India. She noted that filmmakers are now exploring themes such as national pride and history.

Preity said, "So, the one thing that I see that's different about films is that there's a lot more pride in being Indian. Earlier, we did a lot of NRI romances, but now the focus has shifted to India — you know, our pride, historical movies, movies on the army. Comedies are different in terms of the vibe — the vibe is vibing, as you say. So, there are some differences, but not that many."

"You Have To Get It Right, Very Few People Dub Now"

Speaking about the changes, she further mentioned that the pressure of delivering remains the same. "So, the pressure — I mean, the pressure is still the same of delivering what you're doing. Earlier, we had film cameras, except now the cameras have turned digital, and there are a lot of things where people go, 'Don't worry, we'll fix it in post.' We didn't have that option of fixing things in post or with live sound. Things have become different."

"You have to get it right because earlier, you could dub it and fix it in dubbing. Now, you have to get it right because very few people dub. You only dub sequences where there's noise or something; otherwise, you don't really dub."

About Preity Zinta's Career

Preity Zinta made her acting debut with Mani Ratnam's 1998 Hindi film "Dil Se." After establishing herself in Bollywood with a string of successful films, the actress took a long break from acting to focus on her personal life, marriage and family.

After an eight-year hiatus, Preity returned to the silver screen with the period drama "Batwara 1947." Directed by Rajkumar Santoshi and backed by Aamir Khan Productions, the film, starring Sunny Deol, hit theatres on August 14, 2026.

(With inputs from IANS)

• A disguised trip to the cinema: Madhuri Dixit revealed she once wore a burqa to watch her own film "Tezaab" in a theatre, curious about the craze for her song "Ek Do Teen."
• Shared on 'The Kapil Sharma Show': She recounted the story after host Kapil Sharma asked if she had ever watched her own movie in a cinema hall.
• Coins thrown at the screen: Sitting in the front row of Chandan Cinema, Madhuri recalled coins being thrown from the back as soon as "Ek Do Teen" began playing.
• Recognised despite the disguise: Though she thought no one would recognise her, fans identified her the moment she stepped into the lobby after the show.
• About 'Tezaab': The 1988 N. Chandra-directed film starred Madhuri and Anil Kapoor, and went on to become the year's highest-grossing Hindi film with a golden jubilee run.

Mumbai: Did you know that Bollywood's "Dhak Dhak" girl once went to the cinema hall wearing a burqa to watch her own movie, "Tezaab"?

She had gone to the theatre to witness the craze for her song "Ek Do Teen" from the movie.

During her appearance on "The Kapil Sharma Show," host Kapil Sharma asked her if she had ever gone to watch her own movie.

"I Started Sweating In The Burqa"

To this, Madhuri shared the fun incident, saying, "Yes, I went to watch my own movie. Actually, everyone said that the song 'Ek Do Teen' has become very popular. 'You don't know, it is so much fun in the theatre.' So I went to watch it in the Chandan Cinema; it is a single theatre. So I wanted to see it there."

"I went inside wearing a burqa and sat down. Sometimes they used to switch off the AC there, so I started sweating in the burqa. I was waiting for the song 'Ek Do Teen', and as soon as it started, we were sitting in the front row; the coins started coming from the back and fell on our heads. We ran away from there."

Recognised Despite The Disguise

Madhuri added that while they thought that since she was in disguise, no one would come to know that she had come to watch the movie. However, to her surprise, as soon as they stepped out of the theatre and went to the lobby, people recognized her and started saying, "Madhuri has come."

About 'Tezaab'

Talking about "Tezaab," the 1988 romantic actioner was directed by N. Chandra.

With Madhuri and Anil Kapoor as the lead pair, the project also saw Anupam Kher, Chunky Panday, Kiran Kumar, and Suresh Oberoi as the supporting cast.

Released on 11 November 1988, "Tezaab" turned out to be the highest-grossing Hindi film of the year, enjoying a golden jubilee run in the cinema halls.

• Reason revealed: Neha Kakkar said her break from music and social media earlier this year was due to a fight with her brother Tony Kakkar, not her husband Rohanpreet Singh, as many assumed.
• Music tied to her bond with Tony: She said music, for her, is closely linked to her relationship with Tony bhai, and the fight left her wanting to step away from everything.
• Never truly leaving music: Despite the emotional break, Neha said she could never abandon music or her fans.
• Break announced in January 2026: She had originally cited stepping away from "responsibilities, relationships, and work," requesting privacy from paparazzi and fans.

Mumbai: Singer Neha Kakkar opened up about why she had decided to step away from music and social media earlier this year.

Speaking to the media, Neha said that while people assumed that her decision was because of her husband Rohanpreet Singh, she was actually upset because of a tiff with her brother Tony Kakkar.

"Music Means My Tony Bhai"

She said, "Whenever a married girl talks about a relationship, people take it straight to the husband. Whereas I had a fight with Tony bhai, and for me, music means my Tony bhai. Tony bhai and I are exactly like this when it comes to doing a thing, and because I had a big fight with Tony bhai I thought, 'I am leaving everything, I don't want to do anything. This world is bad.' You know what I am saying?"

Neha added that, being an artist, she is extremely emotional; however, she could never really say goodbye to music.

"When you have a fight with your brother, that's what happens. But of course, we are all artists, and we artists are very emotional. So those feelings came out in those emotions, but I am never leaving music. How can I do such an injustice to my fans who love me so much? I had to be back," she added.

Looking Back At Her January Announcement

Refreshing your memory, Neha announced her break from social media on January 19, 2026, claiming she was stepping away from "responsibilities, relationships, and work."

She had shared on her official handle, "Time to take a break from responsibilities, relationships, work and everything I can think of right now. Not sure if I'll be back or not. Thank you."

"I request paparazzi and fans not to film me at all. I hope you respect my privacy and let me live freely in this world. No cameras plz! I request! This is the least you all can give me for my peace," Neha added. She later deleted the post.

(With inputs from IANS)

• Father-daughter Bigg Boss connection: Rhiti Tiwari has entered "Bigg Boss 20," 16 years after watching her father, Bhojpuri star Manoj Tiwari, participate in "Bigg Boss 4."
• "A different kind of exposure": Rhiti said the show let audiences see the person behind her father's star image, beyond his films and music.
• Childhood memories of watching him: She recalled eagerly waiting for every episode as a child, missing her father daily but finding it exciting to see him in a new world.
• Roles have now reversed: Rhiti said it feels surreal that she is now inside the house while her father watches from outside, the reverse of her childhood experience.
• Her own music career: Rhiti has built an independent identity in music, releasing tracks including "Sab Ghoom Raha Hai" and "Maansik Santulan."

Mumbai: Singer-songwriter-composer Rhiti Tiwari, who has entered "Bigg Boss 20" 16 years after watching her father and Bhojpuri star Manoj Tiwari participate in the reality show, has stated that the show gave her father an entirely different kind of exposure.

Speaking about Manoj's stint on "Bigg Boss 4," Rhiti said that while her father was already a well-known star, the reality show allowed audiences to see the person behind his public image.

"Before Bigg Boss, Dad was already a star, but I think the show gave him an entirely different kind of exposure. Suddenly, people who might not have known him through his films or music were watching him every single day and getting to know the person behind the star," Rhiti said.

Childhood Memories Of Watching Her Father On TV

She recalled watching her father on the show as a child and said she would eagerly wait for every episode.

"I remember watching every episode as a kid. I would literally wait to see him on screen. I would miss him every day, but at the same time, there was something exciting about seeing my father live in this completely different world," she said.

Rhiti was only a child when she watched her father inside the Bigg Boss house, and now entering the same show years later has been a surreal experience, as stated by her.

"Little did I know then that I would be signing up for the same show 16 years in the future. Back then, I, of course, didn't understand the magnitude of what Bigg Boss was," she said.

"The Roles Have Somehow Reversed"

Looking back, she feels the roles between her and her father have now reversed.

"It feels incredibly surreal because the roles have somehow reversed. I was once the kid sitting at home waiting to watch my father, and now I'm the one inside the house, while he is on the other side watching me," Rhiti said.

About Manoj Tiwari's Bigg Boss 4 Run

For the uninitiated, Manoj Tiwari participated in "Bigg Boss 4," which aired in 2010 and was hosted by Salman Khan.

The season also featured television actors Shweta Tiwari and Sara Khan, actor Samir Soni, Ashmit Patel, singer Rahul Bhatt, wrestler The Great Khali and television personality Dolly Bindra, among others.

From Bigg Boss To Parliament: Manoj Tiwari's Second Innings

Manoj Tiwari's journey didn't stop at reality television and Bhojpuri cinema. He went on to join the BJP and has represented the North East Delhi constituency in the Lok Sabha for three consecutive terms — winning in 2014, 2019, and again in 2024, when he defeated Congress's Kanhaiya Kumar. His "Bigg Boss" appearance, which Rhiti credits with humanising his public image, is often cited as having boosted his profile beyond the Bhojpuri film industry in the years before he entered mainstream politics.

About Rhiti Tiwari

Rhiti has been carving her own identity in the independent music space and has released tracks including "Sab Ghoom Raha Hai" and "Maansik Santulan."

A Calculated Risk, Not Just Circumstance

In a format where soft-spoken contestants often disappear from the narrative within the first few episodes, Joyita's approach stands out as a deliberate choice rather than an accident of circumstance. Bigg Boss has long rewarded those who create moments — whether through alliances, confrontations, or unfiltered opinions — over those who avoid friction altogether. Joyita's early conduct suggests she understands this unwritten rule of the game better than most newcomers.

Television Fame Meets an Unscripted Test

Her entry into the house came with built-in recognition, thanks to her established presence on television and social media. But Bigg Boss offers no scripts, no editing before broadcast, and no controlled narrative. Every conversation is live, and every reaction is permanent once aired. This shift from a curated public image to an unfiltered, round-the-clock presence is where many known faces struggle — and where Joyita appears to be adapting fast, using her real personality rather than a performed one.

Handling the Pressure of Early Nominations

Facing nomination this early in a season typically signals vulnerability, and Joyita has already been through that process, alongside visible clashes with fellow housemates. Yet rather than retreating into safer territory, she has continued to engage actively — in tasks, conversations, and confrontations alike. This response, choosing visibility over caution, is being read by many as an attempt to control her own narrative inside the house rather than let the edit define her.

Why Conflict Often Becomes Currency in Reality TV

Joyita's situation also underscores a familiar truth about reality television: conflict, while risky, often converts into relevance. Contestants who state their opinions and stand their ground tend to remain part of the show's central discussion, even when it invites criticism. For Joyita, the disagreements making headlines are simultaneously giving audiences a clearer picture of who she is beyond scripted television roles — someone willing to be seen as imperfect rather than invisible.

What Lies Ahead for Joyita Chatterjee

The real test for Joyita will be sustaining this authenticity without letting the house's pressure cooker environment wear her down. Reality TV audiences tend to stay loyal to contestants who remain consistent in their behaviour, even amid controversy, over those who appear to shift personalities for sympathy or screen time. With alliances still forming and the season only beginning to intensify, Joyita's next few weeks — filled with likely tasks, fallouts, and emotional turns — could decide whether her early boldness becomes a long-term strength or an early liability.

• A confession decades in the making: Chunky Pandey revealed on India's Best Dancer Season 5 that as a 15-year-old, he wore a burqa to sneak into a cinema hall and watch Zeenat Aman's 1978 film Satyam Shivam Sundaram.
• Repeated attempts, repeated failures: Chunky admitted he tried three to four times to enter the theatre to watch the adult-rated film before resorting to his disguise plan.
• Terence Lewis gets nostalgic too: IBD judge Terence Lewis recalled Zeenat's iconic yellow sunglasses look, calling it simple yet striking and crediting it with shaping fashion trends of the time.
• Zeenat sets the record straight: The actress revealed she styled her now-legendary look herself, inspired by a trip to Southern California.
• A film still remembered fondly: Directed by Raj Kapoor and starring Zeenat Aman and Shashi Kapoor, Satyam Shivam Sundaram remains iconic for its music and its exploration of beauty and perception.

Actor Chunky Pandey revealed a hilarious teenage memory of going to extraordinary lengths to watch legendary actress Zeenat Aman on the big screen — recalling how he eventually wore a burqa to enter a cinema hall and watch her 1978 film Satyam Shivam Sundaram.

Chunky shared the anecdote on the dance reality show India's Best Dancer Season 5, where Zeenat Aman appears as a special guest. Recalling his teenage years and the impact the actress had on him, Chunky said he was only 15 when he repeatedly tried to watch the film, which was then rated for adults only.

"Zeenat ji, aapko pata hai, main pehli baar ladki bhi aapki wajah se bana, I swear to God. Aapki jo film lagi thi Satyam Shivam Sundaram aur woh adult picture thi. Toh main 15 saal ka tha, toh maine teen-chaar baar koshish ki cinema theatre mein jaane ke liye. Hamesha mujhe bahar phenk dete the. Fir end mein maine burqa pehen ke chala gaya," he said.

(Translation: "Zeenat ji, you know, I became a girl for the first time because of you, I swear to God. Your film Satyam Shivam Sundaram had released and it was an adult film. I was 15 years old, so I tried three or four times to enter the cinema theatre. They would always throw me out. Finally, I went wearing a burqa.")

Why the film needed an adult certificate in the first place: Satyam Shivam Sundaram was, by most accounts, one of the more sexually explicit mainstream Hindi films of its era, and its production history reflects that. Several leading actresses of the time — including Hema Malini, Dimple Kapadia and Vidya Sinha — reportedly turned down the female lead specifically because of the degree of skin exposure the role required, before Zeenat Aman took it on. The film's release was subsequently challenged in the Himachal Pradesh High Court on obscenity grounds; director Raj Kapoor approached the Supreme Court, which quashed the case on the technical ground that the censor certificate had already been granted, meaning Kapoor could not be held liable after the fact. Zeenat Aman herself has since spoken publicly about the controversy, saying she never saw anything inherently obscene about the human body and that her character's sensuality was part of the story rather than its central point.

The episode of India's Best Dancer will also see choreographer and judge Terence Lewis recall Zeenat's influence on fashion. Speaking about her iconic look, Terence remembered her yellow sunglasses and effortless style. "Zeenat ji, jo aapka yellow sunglasses the, aapne pehna, I can't forget that. It was so simple but so striking and you look awesome. I feel whole fashion has come back into that safe zone and those big sunglasses who styled you like this," he said.

Zeenat, however, revealed that the striking look was entirely her own creation. "I just came back from Southern California and, may I say that, I styled it myself," she said.

Zeenat also revisited memories from the shoot of Satyam Shivam Sundaram in Kathmandu, recalling the intense atmosphere on set and the large crowds of locals who would gather while the song was being filmed.

Released on March 24, 1978, Satyam Shivam Sundaram: Love Sublime was directed and produced by Raj Kapoor under his own R.K. Studio banner, and starred Zeenat Aman and Shashi Kapoor in the lead roles, with Padmini Kolhapure, A.K. Hangal, Leela Chitnis and others in supporting parts. Zeenat played Rupa, a village woman whose appearance and beauty become central to the film's exploration of love, perception and social attitudes, while Shashi Kapoor played Rajeev, an engineer who initially rejects her once he discovers a scar on her face.

The film is also remembered for its music, composed by Laxmikant-Pyarelal, who won the Filmfare Best Music Director Award for the score. The title track, "Satyam Shivam Sundaram," sung by Lata Mangeshkar, became one of the biggest hits of the year and remains an iconic song of Hindi cinema. The soundtrack also carries a poignant footnote: it featured the last recorded song of legendary playback singer Mukesh, and the film was dedicated to his memory.

• Emotional Tribute: Actress Monalisa marked her father's first death anniversary with a heartfelt Instagram post, expressing how much she continues to miss him.
• Cherished Memories: She recalled his happy moments, innocent conversations, calls and the wishes he shared during festive occasions.
• Photo Carousel: The post included family pictures, including one of her feeding him, alongside photos from his prayer meet.
• Background: Monalisa's father passed away on September 3, 2025, after a prolonged illness, a loss she shared publicly at the time with an equally moving tribute.
• Real Identity: Monalisa, whose real name is Antara Biswas, is known for her work in the show "Nazar" and Bhojpuri cinema.

Actress Monalisa marked a deeply personal milestone on Thursday, remembering her late father on his first death anniversary with an emotional tribute shared on Instagram. The "Nazar" actress reflected on the memories she continues to hold close, expressing how she still misses him every day.

A Note Filled With Memory

In her post, Monalisa looked back on happy family moments, innocent conversations, phone calls, and the wishes her father would send on every special occasion. She also recalled the small, everyday details she now treasures, like the requests and reminders he would share with her. Her tribute read, "It's Been 1 Year Already You Left Us 'BABA'... I Miss You Everyday... All The Best Memories... Your Happy Moments, Your Innocent Talks... Your Wishes In Every Occasions... Your List Of Requirements... Your Calls... I Can Understand You Were In Great Pain... And You Left Us And Went To A Better Place... I Love You BABA 03/09/2026."

The Photographs Shared

The accompanying carousel featured photos of Monalisa with her father during a family outing, including one image of her feeding him affectionately, alongside pictures taken during the prayer meet held in his memory.

Looking Back to Last Year

Monalisa's father passed away on September 3, 2025, following a prolonged illness. At the time, the actress, whose real name is Antara Biswas, shared the news publicly along with an emotional tribute describing him as strong, cheerful and fun-loving. In that earlier post, she wrote about missing his birthday wishes, festive greetings, grocery orders and small daily gestures, describing the loss as "such a void," while finding comfort in the belief that he would watch over her "like an angel" from the other side.

A Continuing Thread of Remembrance

This latest tribute reflects the anniversary as a moment of renewed reflection rather than a single passing mention, showing how the actress continues to process and honour her father's memory a year on. Her openness in sharing both the grief and the fond memories offers a glimpse into a private, personal side of her life beyond her on-screen work in "Nazar" and Bhojpuri cinema.

The Bottom Line

Monalisa's tribute stands as a quiet, personal reminder of enduring love and loss, marking one year since her father's passing with memories that clearly remain vivid and close to her heart.

• Double Birthday Wish: Randeep Hooda took to Instagram to wish both his mother, Asha Hooda, and his niece, Sana Sangwan, a happy birthday — as they share the same date.
• Emotional Note: He called them his "two laughing partners and sources of joy and art," describing their love as "two very different kinds," yet equally precious.
• Family Affection on Display: The actor shared two separate happy photos, one with his mother and one with his niece, marking the occasion.
• Recent Family Milestone: The post follows wife Lin Laishram's touching birthday tribute to Hooda on his 50th birthday last month, referencing their newborn daughter Nyomica.
• What's Next Professionally: Hooda is set to headline the war drama "Operation Khukri," based on the book detailing the Indian Army's peacekeeping mission.

Actor Randeep Hooda turned to social media to celebrate a special coincidence in his family — his mother and his niece sharing the same birthday. The "Sarabjit" actor penned a heartfelt note dedicated to both women, describing them as his two most precious sources of joy and inspiration.

What He Wrote

Sharing two happy photographs, one with his mother and another with his niece, Hooda wrote, "Happy Birthday to my mother @hooda_asha and niece @sangwan_sana. My two laughing partners and sources of joy and art. Two generations, born on the same day, yet, two very different kinds of love, but both equally precious to me. Love you." The post captured the actor's evident affection for both generations of women in his family, framing their shared birthday as a meaningful, almost poetic coincidence.

Why It Matters: A Consistent Pattern of Public Affection

This is not the first time Hooda has used his social media platform to express love and admiration for his family. The actor has repeatedly shared personal, sentimental posts celebrating milestones involving his loved ones, positioning his public persona as one that balances his intense on-screen roles with a visibly warm, family-oriented off-screen presence.

A Recent Family Milestone: Hooda's 50th Birthday

The post comes weeks after Hooda's own 50th birthday on August 20, which was marked by an equally heartfelt tribute from his actress-wife Lin Laishram. Referring to him affectionately as "Nyomica ke Papa" — a nod to their newborn daughter — Laishram shared a compilation of images and clips, wishing him a life filled with adventure, abundance and love. Her note included wishes for "many more homes in jungles, farms to wander through and adventures in every corner of the world," along with hopes that he would retain his curiosity, enthusiasm and innocence.

Industry Impact: Balancing Personal Life and Career Milestones

Hooda's willingness to share these intimate family moments publicly reflects a broader trend among Bollywood actors using social media to humanize their public image alongside their professional output. For an actor known for intense, socially conscious roles, these glimpses into his family life offer fans a more personal, relatable dimension.

What's Next for Randeep Hooda

Professionally, Hooda is set to headline the epic war drama "Operation Khukri." The actor has secured the official movie rights to "Operation Khukri: The Untold Story of the Indian Army's Bravest Peacekeeping Mission Abroad," a book authored by Major General Rajpal Punia and Damini Punia, signalling his continued interest in stories rooted in military valour and true events.

The Bigger Picture

Between his recent 50th birthday celebrations and this latest tribute to his mother and niece, Hooda's social media presence this year paints a picture of an actor at a reflective personal milestone, even as his professional slate moves toward a significant new project centred on real-life heroism.

The Bottom Line

Randeep Hooda's birthday tribute to his mother and niece adds another warm chapter to his public family narrative, coming on the heels of his own milestone birthday celebrations. As he gears up for "Operation Khukri," this blend of personal sentiment and professional ambition continues to shape his evolving public image.

• Television actress Shivangi Joshi attended a party hosted by Sunita Ahuja, wife of veteran actor Govinda.
• 'Lock Upp 2' co-contestant Harshad Chopda was also among the guests spotted at the gathering.
• Shivangi was seen stepping out in a stylish pink outfit.
• Sunita Ahuja is known for hosting warm celebrity gatherings in Mumbai.
• Shivangi has built a strong television career across several successful shows.

Television actress Shivangi Joshi was among the celebrity guests spotted at a warm gathering hosted by Sunita Ahuja — the wife of veteran actor Govinda — at a Mumbai venue this week. Stepping out in a stylish pink outfit, Shivangi was one of several television personalities who joined the evening. Her 'Lock Upp 2' co-contestant Harshad Chopda was also among the guests at the party, adding to the roster of familiar faces from Indian television who came together for the occasion.

For fans of Indian television, celebrity party appearances offer occasional warm glimpses into the social lives of the personalities they enjoy watching on screen.

The Evening in Mumbai

Sunita Ahuja has long been known within Bollywood social circles for hosting warm, well-attended celebrity gatherings — often bringing together friends and colleagues from across the film and television industries. Wednesday's party continued that tradition, drawing several familiar names from the television world.

Shivangi Joshi was captured stepping out of the venue in a beautifully styled pink outfit — carrying the elegant, understated presence that has become one of her signature looks at public appearances.

Familiar Television Faces

Adding another notable presence to the evening, actor Harshad Chopda was also spotted at the gathering. Harshad has been a well-regarded name in Indian television for years, and his presence at events like these is always warmly noted by fans of the medium.

Shivangi and Harshad had earlier appeared together on 'Lock Upp 2' — the popular reality show that has featured a range of well-known Indian television personalities across its seasons. The two also worked together in 'Bade Achhe Lagte Hain 4', a professional collaboration that added to their existing on-screen chemistry.

Both actors have consistently spoken about their bond as one of professional friendship — grounded in mutual respect and their shared experience working across multiple projects. That kind of durable industry friendship is a familiar and welcome feature of the Indian entertainment ecosystem.

Shivangi Joshi's Career Journey

For fans following her work, Shivangi Joshi has built a genuinely strong television career over the years.

Her journey began with 'Khelti Hai Zindagi Aankh Micholi' before she went on to appear in a range of well-regarded shows, including 'Begusarai', 'Yeh Rishta Kya Kehlata Hai' — the long-running family drama that significantly expanded her audience — 'Balika Vadhu 2', and 'Barsatein — Mausam Pyaar Ka'.

Her role in 'Yeh Rishta Kya Kehlata Hai' in particular introduced her to a very large audience across India, and remains one of the most well-remembered chapters of her career.

More recently, she starred opposite Harshad Chopda in 'Bade Achhe Lagte Hain 4' — the latest season of the beloved franchise that has been a defining part of Hindi television for years.

The Sunita Ahuja Connection

For those unfamiliar with the host of the evening, Sunita Ahuja is the wife of veteran actor Govinda — one of the most beloved figures in Hindi cinema history. Sunita has long been an active presence within Bollywood's social ecosystem, known for her warm approach to hosting gatherings that bring together friends from across the industry.

Her events tend to combine the informality of family gatherings with the visibility of celebrity social spaces — a combination that makes them warmly followed by fans of Hindi entertainment.

Why It Matters

Celebrity social gatherings, while relatively small news items in themselves, offer fans occasional glimpses into the personal warmth that exists between industry colleagues. When television personalities are seen at each other's events, at friends' homes, and at industry gatherings, it reinforces the sense that the industry is, in many ways, an extended community held together by real friendships and long-standing collaborations.

For fans of Shivangi Joshi and Harshad Chopda specifically, seeing them both attend a warm evening like this quietly reflects the healthy professional camaraderie that continues to define their working relationship.

The Television Industry Context

For India's television industry, moments like these are a reminder of the strong sense of community that has long characterised the medium. Long-form daily television creates deeply collaborative work environments — where cast and crew often spend months and years working closely together. The friendships that emerge from these shared experiences often endure well beyond the individual projects that brought people together.

Sunita Ahuja's hosted gatherings are one of several venues in Mumbai's social ecosystem where these industry bonds continue to be nurtured through shared meals, warm conversation and genuine friendship.

The Bigger Picture

Wednesday's party at Sunita Ahuja's venue was a warm example of the kind of everyday celebrity social life that continues to underpin Mumbai's entertainment community. Familiar faces from television. Elegant style choices. Genuine friendships across professional collaborations. And the reliable hospitality that Sunita Ahuja has become known for.

For Shivangi Joshi, the appearance added another stylish public moment to her ongoing calendar. For Harshad Chopda, it offered another opportunity to catch up with industry friends outside the demands of their professional schedules. For Sunita Ahuja, it was another warm evening of hosting duties in what has become her characteristic style.

For fans of Indian television, glimpses like these are the kind of everyday celebrity moments that offer occasional warm windows into the personal lives of the personalities they enjoy watching on screen.

As Shivangi Joshi continues her television career — building on a body of work that already includes several of Hindi television's most well-remembered shows — appearances at industry gatherings like this one remain a familiar and welcome part of the ongoing rhythm of her public life.

And for the broader Indian television community, the continued warmth of gatherings like Sunita Ahuja's is a reminder that some of the most enjoyable moments of the industry happen not on the studio floors or the red carpets, but in the quieter social spaces where colleagues become friends, and friendships continue to grow over years of shared work, shared meals and shared moments of everyday celebrity life.

Also Read: Shivangi Joshi Spotted Quiet at Farah Khan’s Lock Upp Bash

• Television actor Zain Imam has announced a short break from social media.
• He is deactivating his Instagram account for a few days to disconnect and recharge.
• He clarified he is not unfollowing or removing anyone during the pause.
• Zain rose to fame with 'Kaisi Yeh Yaariaan' and 'Tashan-E-Ishq' as Yuvraj Luthra.
• He was most recently seen as Teerth Mittal in the show 'Suman Indori'.

Television actor Zain Imam has quietly delivered one of the more grounded, self-aware celebrity posts of the day. In a heartfelt note shared with his followers, the actor announced that he is temporarily stepping away from social media — deactivating his Instagram account for a few days to disconnect from the online world, recharge, and focus on things that matter away from the screen.

In a media environment where staying constantly visible is treated as a professional imperative, Zain's decision to consciously log off, even briefly, stands out as a warm and thoughtful act of self-care.

The Note That Set the Tone

Sharing a simple text post on his social media, Zain wrote openly about the reason behind his break.

"Going off Instagram for a few days. Nothing to worry about — just taking a little time away from social media to disconnect, recharge, and focus on the things that matter away from the screen. Sometimes it's nice to step away from the noise, disconnect for a bit, and spend some time being present in the real world," he wrote.

That kind of quiet honesty — no drama, no over-explanation, just a clear personal decision — is exactly the kind of message that many of his followers likely needed to read today. In an era of constant digital consumption, the reminder that stepping away is not just okay but valuable is a genuinely important one.

Reassuring His Followers

Aware of how easily an unexplained absence from Instagram can be misinterpreted by fans, Zain also made sure to clarify the intent behind his break.

"I'll be deactivating my account, but I'm not unfollowing anyone or removing anyone, so please don't misunderstand the silence. I'll be back soon. Until then, sending good vibes your way. Thank you," he added.

That's a thoughtful communication touch. In an ecosystem where sudden social media disappearances often trigger speculation — about personal issues, professional conflicts or bigger crises — Zain has clearly chosen to pre-empt any such misreading by being direct about his intent.

Why the Break Matters

Zain's decision to take a break isn't just a personal wellness moment — it also carries a quietly important message for his large fan base. Social media, for all its benefits, can be exhausting. Constant availability, non-stop content pressure, and the emotional weight of engaging with millions of comments and reactions every day can be genuinely draining, especially for public figures.

By openly acknowledging that stepping away is part of taking care of oneself, Zain is offering his followers a small but meaningful example of what healthy digital habits can look like — even for someone whose profession is closely tied to visibility.

The Zain Imam Story

For fans unfamiliar with his full journey, Zain Imam is a familiar and much-loved name in the Hindi television industry. He began his acting journey with the youth show 'Kaisi Yeh Yaariaan', in which he played Abhimanyu Thakkar — a role that quickly connected him with a young, loyal audience base.

He then featured in shows such as 'Tashan-E-Ishq', 'Yeh Vaada Raha' and 'Naamkarann'. His role as Yuvraj Luthra in 'Tashan-E-Ishq' proved to be an important turning point in his career, cementing his status as one of the most promising young actors in the television space at the time.

Zain later took on the role of ACP Neil Khanna in 'Naamkarann' — a character that added significant range and depth to his growing filmography.

Expanding Beyond Traditional Television

Zain has since expanded his footprint across multiple formats. He has been part of shows like 'Ishqbaaaz' and 'Ek Bhram – Sarvagun Sampanna', in which he starred opposite Shrenu Parikh, further cementing his onscreen chemistry credentials with strong lead actresses.

He also successfully ventured into the digital space with projects including 'Poison 2' and 'Crashh' — a shift that reflects how many television actors have expanded their creative careers by embracing OTT platforms.

In 2019, Zain also participated in the stunt-based reality show 'Fear Factor: Khatron Ke Khiladi 9' — a show that gave audiences a very different, more physically challenging side of the actor.

The Recent Chapter

More recently, Zain has been seen as Teerth Mittal in the television show 'Suman Indori', a role that has been well-received by his loyal fan base. His other notable fiction roles include Agastya Raichand in 'Fanaa: Ishq Mein Marjawan'.

Across all these projects, one common thread has always defined his approach — genuine emotional presence in every character he plays. Zain has consistently connected with audiences by bringing sincerity to his work, and that sincerity now clearly extends to how he approaches his personal wellbeing too.

Why It Matters

In an entertainment ecosystem where social media has become an inseparable part of every actor's public identity, choosing to step away — even briefly — is a meaningful act. It signals a healthy prioritisation of the things that exist beyond likes, followers and public engagement metrics. It reminds audiences that public figures are, first and foremost, human beings navigating the same emotional realities everyone else is.

For younger fans watching Zain's example, the takeaway is worth carrying forward. It is okay to log off. It is okay to disconnect. It is okay to prioritise real life over online presence.

Cultural Impact

There is a growing cultural conversation across India — especially among younger audiences — about the mental health impact of constant social media consumption. When popular actors like Zain openly model healthy digital breaks, that conversation gains additional visibility and legitimacy.

Small acts like these help shift the norm — reminding audiences that stepping away isn't a sign of retreat, but of strength.

The Bigger Picture

Zain Imam's decision to briefly step away from Instagram is a small but genuinely valuable moment in the ongoing conversation about digital wellbeing. His warmth in framing the break, his care in reassuring his followers, and his clarity in explaining his intent — all reflect the qualities his fans have long appreciated about him.

As he takes this short pause to disconnect, recharge and be present in the real world, his followers will no doubt continue to hold his space with patience, love and understanding. And when he returns to Instagram in a few days, he will be greeted by exactly the kind of warm energy his open, honest note deserves.

Because as Zain quietly reminded everyone today — sometimes, stepping away from the noise is the most important thing you can do to hear yourself think again. And for a public figure to say that out loud is exactly the kind of message the digital world could use a little more of.

• Vijay Deverakonda spoke about his deep bond with director Sandeep Reddy Vanga at 'Romanchakam' pre-release event.
• He said his love for Sandeep is beyond director-actor, brother or friend relationships.
• He recalled 'Arjun Reddy' days when both had no money, influence or fans.
• Pranay Reddy Vanga and Prabhakar uncle mortgaged land to make 'Arjun Reddy'.
• 'Romanchakam' is presented by Sandeep Reddy Vanga and releases worldwide on September 3, 2026.

Popular Telugu star Vijay Deverakonda delivered one of the most emotionally honest reflections of the year at the pre-release event of director Venu Gopal Reddy's romantic drama 'Romanchakam' — a film presented by his long-time collaborator Sandeep Reddy Vanga. In a set of remarks that quickly went viral, Vijay opened up about the depth of his bond with the ace director, offering fans a rare, unfiltered look at the friendship, sacrifice and shared belief that shaped 'Arjun Reddy' — and everything that followed.

'I Can't Express the Love in Words'

Stating that his love for Sandeep Reddy Vanga is not something he could put into words, Vijay attempted to describe a bond that clearly transcends conventional industry categories.

"I can't express the love I have for Sandeep in words. It's not just a director-actor relationship. It's not just a brother relationship or a friend relationship. It's something else," Vijay said.

That framing — a bond too deep to slot into a single relationship — is exactly the kind of thing only creative partnerships forged under real pressure produce.

The 'Arjun Reddy' Days

Vijay then took the audience back in time — to a period long before 'Arjun Reddy' turned him into a national name and Sandeep Reddy Vanga into one of India's most talked-about directors.

"Back then, we went to war together. We didn't know what we were doing. Had the film not worked out, we would have gone crazy. Both of us didn't have money. We did not have influence. We didn't have any pull. There were no fans at that time because Pellichoopulu hadn't released then," he recalled.

Those two lines — "we went to war together" and "we didn't know what we were doing" — capture the raw, high-stakes creative gamble that 'Arjun Reddy' truly was. Before it became a cultural phenomenon, it was simply a director and an actor betting everything on a story they believed in, without any external validation to fall back on.

'I Miss Him for the Moments, Not the Success'

The most emotionally powerful section of Vijay's remarks came when he spoke about what he actually misses about that chapter of his life.

"I miss Sandeep Reddy not for Arjun Reddy's success or what it has gone on to become. I miss him for all the moments we spent together — building a film together, sharing our lives, our stress and sharing our battles. Pranay and Prabhakar uncle mortgaged their lands to get money to make that film. They made that film showing faith in Sandeep and he in turn, had faith in me. He also got them to believe in me and made that film," Vijay said.

That layered acknowledgment — of Sandeep's faith in him, of Pranay Reddy Vanga and Prabhakar uncle mortgaging their lands, of shared stress and battles — reveals the deep interpersonal foundation that made 'Arjun Reddy' possible.

The Stakes That Shaped a Movement

Highlighting just how personal the stakes were, Vijay went on to emphasise the seriousness of what had gone into the film.

"You put your entire family, earnings and future on film. Sandeep will go to any extent for me and I will go to any extent for Sandeep," he said.

That single line — a mutual, absolute commitment between two creative collaborators — is exactly the kind of statement that turns a professional partnership into a lifelong bond.

The 'Romanchakam' Connection

The occasion for these emotional reflections was the pre-release event of 'Romanchakam', a romantic drama directed by Venu Gopal Reddy and presented by Sandeep Reddy Vanga. The film is slated for a worldwide theatrical release on September 3, 2026.

That Sandeep is presenting the film — with Vijay Deverakonda championing it publicly — reflects the extended creative family that has grown around the Vanga name in Telugu cinema.

The Buzz Around 'Romanchakam'

Excitement about 'Romanchakam' has been steadily building since the makers released a glimpse video a couple of weeks ago. The glimpse opens with the characters played by Sumanth Prabhas and Ananthika Sanilkumar being madly in love — before shifting sharply in tone as the two begin to hate each other in the second half of the reveal.

Adding to the intrigue is the character played by actor Upendra Limaye, whose presence in the glimpse suggests he plays a cop in the film — a casting choice that has generated significant curiosity among fans.

The Cast and Crew

Beyond Sumanth Prabhas, Ananthika Sanilkumar and Upendra Limaye, the film also features Venkatesh Kakumanu, Narendra Ravi, Mani Aegurla and Sai Sohan among others.

'Romanchakam' is produced by Pranay Reddy Vanga, with cinematography by Pavan Pappula and music by Vasuki Vaibhav. Gobind Kotap has choreographed the dances, while Akunur Keerthana has designed the costumes for the film.

The combination of a fresh creative team, a compelling story hook, and the presenting association of Sandeep Reddy Vanga has positioned 'Romanchakam' as one of the more anticipated Telugu releases heading into September.

Why It Matters

Vijay Deverakonda's remarks at the event stand out not just because they are emotionally rich, but because they offer a rare, honest glimpse into how great cinema actually gets made. Behind every successful film sits a network of belief, risk, faith and sacrifice — and Vijay's tribute pulls back the curtain on that reality with unusual candour.

For younger actors and filmmakers watching, his framing offers a valuable lesson. The bonds that shape careers most powerfully are often forged not in successful projects but in the messy, terrifying, high-stakes early days when nothing is guaranteed. Those are the moments that create real creative partnerships.

The Vanga-Deverakonda Legacy

Since 'Arjun Reddy', both Vijay Deverakonda and Sandeep Reddy Vanga have gone on to become defining names in Indian cinema. Vijay has expanded his footprint across Telugu, Hindi and pan-India projects. Sandeep has directed some of the most talked-about and commercially successful films in recent memory, including 'Kabir Singh' and 'Animal'. Yet, as Vijay's remarks reveal, the emotional foundation of their journey remains rooted in those early, high-risk days when both were untested.

Cultural Impact

Vijay's public tribute also carries a cultural signal. In an industry often defined by transactional relationships and PR-managed friendships, his willingness to speak so openly about mutual faith, shared stress and lifelong loyalty is refreshingly honest. It reminds fans that the best partnerships in cinema are built on something much deeper than deal memos and box office numbers.

The Bigger Picture

Vijay Deverakonda's pre-release remarks about Sandeep Reddy Vanga are more than just a warm friendship tribute. They are a window into how one of the most impactful director-actor collaborations in modern Indian cinema was born — through mortgaged lands, shared uncertainty, absolute belief and the willingness of two young creative minds to go to war together.

As 'Romanchakam' prepares to hit theatres on September 3, Vijay's public tribute has already added another layer of anticipation to the film. Because when a star of his stature stands on a pre-release stage and speaks with that much emotion about the man presenting the film, it tells audiences one thing above everything else — this project belongs to a creative family that continues to build together. And in the world of Indian cinema, where new films arrive every week but real bonds are rare, that family energy is often exactly what turns a good film into an unforgettable one.

• Rapper Badshah has released his first-ever Marathi hip-hop track titled 'Chimna'.
• He called the song his "love letter to Maharashtra's rich creative canvas."
• The music video was shot entirely in Kolhapur and features Marathi actress Neha Khan.
• The track features Bollywood singer Divya Kumar and Marathi folk artist Nagesh Morwekar.
• 'Chimna' opens with the folk lines "ek chimna chiv chivla / majha sajan jaga zhala ho" and ends with Badshah saying, "tumcha mulga badshah."

Rapper Badshah, one of India's most commercially successful contemporary music stars, has taken a distinctive new creative step. He has just released his first-ever Marathi hip-hop track — 'Chimna' — a song that blends traditional folk elements with contemporary hip-hop and, in his own words, serves as his ode to the state of Maharashtra.

For fans following the ever-expanding fusion of Indian regional music with mainstream hip-hop, 'Chimna' arrives as one of the most anticipated crossovers of the year.

The Song That Bridges Two Worlds

'Chimna' is designed to sit exactly at the intersection of two musical universes — the traditional folk textures of Maharashtra and Badshah's signature commercial sound. The song celebrates the state's culture and community while creating a genuinely fresh listening experience.

That balance — respecting the tradition while advancing the sound — is exactly what separates a superficial fusion attempt from a meaningful one. And going by the way 'Chimna' is being received, Badshah seems to have landed on the right side of that line.

'A Love Letter to Maharashtra'

Speaking about the song, Badshah made his creative intent unmistakable.

"India's regional music is a goldmine and I want to celebrate every corner of it. 'Chimna' is my love letter to Maharashtra's rich creative canvas. I am incredibly grateful for how this project turned out, and this one's dedicated to all my day one Maharashtrian fans!" he said.

That framing — the song as a love letter, and a dedication to his day one fans in the state — sits at the emotional heart of the release. It's not being positioned as a commercial gimmick. It's being positioned as a genuine cultural tribute.

Shot Entirely in Kolhapur

The accompanying music video has been shot entirely in Kolhapur, a city widely considered one of Maharashtra's cultural strongholds. The video captures different aspects of everyday life in the state — wedding processions, daily wage workers, and mud wrestlers training at a traditional akhada.

That last detail is particularly striking. The akhada is a deeply Maharashtrian symbol — one that connects the state to its wrestling heritage, its physical culture, and its long-standing tradition of celebrating strength, community and discipline. Featuring an akhada in a mainstream hip-hop music video is exactly the kind of grounded, respectful cultural detail that elevates a crossover project.

Marathi actress Neha Khan also features prominently in the video, adding local authenticity and star presence to the visual world of the song.

The Collaborators

For his Marathi debut, Badshah has brought together a thoughtful mix of collaborators. He has partnered with Bollywood playback singer Divya Kumar and Marathi folk artist Nagesh Morwekar to create the song's distinctive layered texture. The track has been produced by Hiten.

That collaboration structure is significant. It ensures that the folk elements of the song aren't merely borrowed but are being brought in by a genuine Marathi folk voice. Nagesh Morwekar's participation gives the song rooted credibility that a purely commercial approach could never have replicated.

The Song's Musical Journey

'Chimna' opens with the beautifully evocative traditional folk lines: "ek chimna chiv chivla / majha sajan jaga zhala ho / surya ugavla" — which roughly translates to "A sparrow chirped, my beloved woke up, the sun has risen."

That opening immediately places the listener inside a Marathi folk soundscape — pastoral, warm, familiar. From there, the song transitions into Badshah's signature hip-hop verses, blending the two worlds with clear intentionality.

The rapper also brings local flavour to the song with lines such as "dance kar rahi dekho maushi maushi / nacho jab tak subah chidiya bole" — playful, warm, and unmistakably rooted in the everyday textures of Marathi social life.

And the track ends with a final Badshah signature line delivered in Marathi: "tumcha mulga badshah" — meaning "Your boy Badshah." It's a warm, respectful sign-off that positions the artist not as an outsider dropping into the language, but as a devoted admirer stepping into it as one of Maharashtra's own.

Why It Matters

Badshah has been one of the most consistent voices in Indian commercial music for over a decade — building a career built on Punjabi and Hindi hip-hop hits that have consistently dominated charts, playlists and social media. His decision to step into Marathi music, and to do so with such intentional cultural framing, marks a meaningful new direction for both him and for the wider Indian music industry.

For Marathi music, having a mainstream commercial artist of Badshah's scale invest so seriously in the language brings additional national visibility to Maharashtra's musical traditions. For hip-hop as a genre, it further demonstrates how Indian regional music continues to serve as a rich creative resource — one that keeps expanding the possibilities of what modern Indian pop can sound like.

Cultural Impact

The music video's focus on wedding processions, daily wage workers and akhada wrestlers reflects an important cultural choice. Rather than showcasing polished, urban glamour, Badshah has chosen to celebrate the everyday textures of Marathi life — the parts of the state that many songs overlook. That representation matters.

For Marathi audiences, seeing their traditions, streets and cultural symbols placed at the centre of a mainstream Indian hip-hop release carries genuine emotional weight. For non-Marathi audiences, the song offers a warm, respectful introduction to a state whose musical richness is often underexplored in mainstream Bollywood.

Industry Impact

For India's music industry, 'Chimna' further validates a growing trend — mainstream commercial artists are increasingly investing in regional linguistic crossovers. Whether it's Diljit Dosanjh performing globally in Punjabi, or now Badshah stepping into Marathi with 'Chimna', India's music market is becoming more genuinely multilingual and culturally diverse.

For younger Marathi musicians and folk artists, the visibility of Nagesh Morwekar alongside Badshah is likely to open new doors — showing that traditional Marathi folk voices have serious contemporary commercial value when paired thoughtfully with mainstream production.

The Bigger Picture

Badshah's 'Chimna' is more than a song. It is a cultural gesture. A love letter, as he called it, from an artist who has spent years crafting national-scale hits to a state whose musical heritage deserves wider celebration.

By blending traditional folk with hip-hop, casting Marathi talent, filming in Kolhapur, collaborating with a Marathi folk artist, and signing off in Marathi himself, Badshah has created a song that is respectful in its intent, thoughtful in its execution, and genuinely warm in its emotional register.

For Maharashtra's day one fans that Badshah dedicated the song to, 'Chimna' arrives as exactly what he promised — a musical letter of love, delivered in their language, filmed in their state, and finishing with the words every fan will remember: Tumcha mulga Badshah. Your boy Badshah. And on Sunday, that boy stepped confidently into a new chapter of India's musical story.

• Anupam Kher has shaved off his moustache for a new film role and shared the look on Instagram.
• He said he rarely shaves it as it gives him "the comforting feeling that, technically, I do have hair."
• Fans have flooded the comments with praise, though some have already asked for the moustache to return.
• Earlier today, Kher also announced his landmark 555th film — details are being kept under wraps.
• His current lineup includes 'Shri Rambhoomi', 'Khosla Ka Ghosla 2' and Sooraj Barjatya's next film.

Veteran actor Anupam Kher is having one of those weeks that only a truly beloved public figure could pull off. Between announcing his landmark 555th film and unveiling a striking new clean-shaven look for an upcoming project, he has managed to keep his fans thoroughly engaged, entertained, and — as always — smiling.

On Monday, the 'Special 26' actor turned to social media to reveal that he had shaved off his moustache for his next film, and asked his followers a delightfully self-aware question: should the moustache make a comeback, or enjoy an extended holiday?

The Post That Sparked a Debate

Sharing pictures of himself sporting his new clean-shaven look, Kher was refreshingly candid about his relationship with his facial hair.

"I rarely shave off my moustache. It has always given me the comforting feeling that, technically, I do have hair!! But a film demanded a new look, so the moustache had to make the sacrifice. And I must confess… I'm quite liking these pictures without it! What do you think? Should the moustache make a comeback, or enjoy an extended holiday?" he wrote.

That trademark self-deprecating humour is exactly why Anupam Kher's social media posts consistently connect with audiences across generations. He blends professional updates with personal warmth, big film announcements with small everyday reflections, and somehow makes it all feel like a conversation with an old friend.

Fans Weigh In

The comments section quickly filled up with reactions from netizens who couldn't help but respond to the actor's dashing new look.

"You looking so dashing and handsome," one fan wrote. "Looking good!" said another. A third simply said, "Amazing look."

However, there was also a section of fans firmly in the pro-moustache camp. "This is nice, sir. But the mustache MUST make a comeback," one user wrote — offering exactly the kind of playful pushback the post seemed designed to invite.

The 555th Film Announcement

Earlier today, Kher had used social media to make another significant announcement — one that reflected the extraordinary length and depth of his cinematic career.

Keeping the details of the project under wraps for the time being, he wrote: "Announcement! Some things are better kept close to the heart for a little while!! Because the joy of revealing them at the right time is something else! So, for now, all I will say is: I am delighted to announce my landmark 555th film. Details at the right time. Till then, please allow me to enjoy the suspense too! Jai Ho! #555 #Gratitude."

Reaching a landmark of 555 films is a rare achievement even among the most seasoned veterans of Indian cinema. It represents four decades of consistent work, extraordinary range, and a career that has spanned virtually every kind of role imaginable — from iconic character parts to lead performances, from Hindi cinema to international projects, from stage to television.

The Slate Ahead

Anupam Kher's upcoming lineup is genuinely impressive. He recently completed the shoot for 'Shri Rambhoomi', in which he plays the late Vishva Hindu Parishad leader Ashok Singhal. He had spoken about the film with unusual emotion when he wrapped, describing the experience as one that "purified the soul."

His slate also includes 'Khosla Ka Ghosla 2', a much-anticipated sequel to the beloved original, in which he will play a crucial role. And another significant addition is Sooraj Barjatya's forthcoming drama, where Kher's presence adds significant emotional weight to what is expected to be a family-oriented cinematic experience.

That combination of an intense historical role, a beloved comedy sequel, and a Sooraj Barjatya family drama gives fans a beautifully varied glimpse of the range Kher continues to work across at this stage of his career.

Why It Matters

There is something quietly powerful about a veteran actor who continues to reinvent himself, embrace new looks for new characters, and remain playfully in conversation with his audience. Kher's willingness to shed his moustache for a role — despite his affection for it — reflects the same craft-first, character-first commitment that has defined his career for decades.

For younger actors watching, that flexibility is a lesson. Look after every character. Sacrifice comfort when a role demands it. Show up fully for the story.

The Personality Behind the Career

What makes Anupam Kher's social media presence particularly special is that he never separates his professional milestones from his personal warmth. In the same week, he can announce his 555th film, share reflections on a spiritually significant role like Ashok Singhal, and casually ask his fans whether his moustache should make a comeback. That range — grand and grounded, historic and playful — is exactly what has kept him one of the most beloved figures in Indian cinema for over four decades.

Cultural Impact

For fans across generations, Anupam Kher has always occupied a special place. Older audiences grew up watching him deliver some of the most iconic character performances in Hindi cinema history. Younger audiences discovered him through international projects, thoughtful interviews and warm social media content. His ability to remain relevant across those generational shifts is itself a rare achievement.

His moustache-off post is a small but perfect example of how he continues to keep that connection alive — through humour, honesty and a willingness to invite fans into his creative process.

The Bigger Picture

Anupam Kher's Monday post might seem like just a fun social media moment. But within it lies the story of an actor who continues to evolve with every project, who takes his craft seriously without ever taking himself too seriously, and who genuinely enjoys the presence of his audience in his creative journey.

Whether the moustache makes a triumphant comeback or enjoys the extended holiday his fans have suggested, one thing is certain — Anupam Kher continues to be one of the most engaging, versatile and warmly celebrated actors in Indian cinema. And as he steps into his landmark 555th film and continues shaping upcoming projects like 'Shri Rambhoomi', 'Khosla Ka Ghosla 2' and Sooraj Barjatya's drama, his fans will be waiting eagerly — moustache or not — to see what he brings to the screen next.

Also Read: Anupam Kher Shares Rare Throwback from Age 18

• Comedian Bharti Singh got emotional on Raksha Bandhan as Mumbai paparazzi surprised her with gifts.
• She was seen performing aarti and tying rakhi to some members of the paparazzi.
• One paparazzo gifted her an idol of Lord Ganesha.
• Bharti thanked them, saying she had never seen the media giving gifts to someone before.
• She invited them to visit her Raksha Bandhan shoot in the years ahead to keep the bond alive.

Comedian and television personality Bharti Singh delivered one of the most emotionally resonant Raksha Bandhan moments of the year — and it didn't come from a stage, a set, or a scripted appearance. It came from an unplanned, unfiltered encounter with the very people who follow her every public step: the Mumbai paparazzi. In a video now going viral, Bharti is seen being visibly moved to tears as photographers surprised her with thoughtful gifts on the festival, turning a routine media interaction into one of the warmest celebrity moments Bollywood has shared this week.

The Moment That Set the Internet Talking

In the video making the rounds on social media, Bharti can be seen interacting with the paparazzi when they suddenly presented her with gifts to mark Raksha Bandhan. What began as a light, familiar interaction quickly turned into something more emotional as the comedian realised the depth of their gesture.

The clip shows Bharti performing aarti and tying rakhi to some members of the paparazzi. One of them gifted her an idol of Lord Ganesha, while others also presented her with meaningful gifts. As the sequence unfolded, Bharti was visibly overwhelmed. Her expression shifted, her voice caught, and eventually the tears came.

'I Have Never Seen This Happen'

Trying to hold back her emotions, Bharti thanked the paparazzi in a way that captured the rarity of the moment.

"Thank you guys. Thank you so much. I have never seen in my life that the media is giving a gift to someone," she said.

That one line captured why the moment resonated so widely. Celebrity-paparazzi interactions in India are usually one-directional — photographers wait, celebrities pose, gifts flow in the other direction only. For the paparazzi to be the ones giving, and giving thoughtfully, quietly upended that pattern.

A Brotherly Bond She Doesn't Take Lightly

Bharti went on to explain the emotional core of what she was feeling — a brotherly bond she has built with several members of the media over the years.

"But there are some people with whom I feel like a brother. I don't meet them often, but today I shook hands with them. Something strange happened," she said.

For anyone who has followed her public appearances, that admission won't come as a surprise. Bharti has long been known for her easy, genuine warmth with photographers — often greeting them by name, laughing at their jokes, and treating them as familiar faces rather than professional adversaries.

'This Brother-Sister Relation Should Continue'

What made the moment even more special was Bharti's spontaneous decision to formalise the emotional connection. She looked at the assembled paparazzi and asked them to make the tradition a recurring one.

"Thank you so much, guys. Now this brother-sister relation should continue. I am shooting anywhere on Raksha Bandhan. You have to come. Will you come?" she said.

To that, the paparazzi replied, "Yes, we will come." It was a small verbal exchange, but it captured a rare, quietly reciprocal bond between a public figure and the professionals who document her.

A Longstanding Warmth With the Media

Bharti Singh's easy relationship with the Mumbai paparazzi is well documented. She is frequently seen indulging in light-hearted banter with them, often responding to camera calls with quick jokes and inviting the photographers into the moment rather than trying to escape them.

Last year, Bharti was seen joking with the paparazzi during her baby shower, when she playfully responded to their comments about her pregnancy with the line, "Twins nahi hai bhai." That easy back-and-forth revealed the same camaraderie that made this year's Raksha Bandhan moment feel so believable — and so emotional.

Why It Matters

The relationship between celebrities and paparazzi in India is often portrayed as transactional — a mutually necessary but rarely warm arrangement. Bharti Singh's Raksha Bandhan moment stands out because it demonstrated the exact opposite. When you spend years being polite, warm, respectful and human with the people who cover you, that kindness eventually returns — not just as professional respect, but as personal affection.

For younger public figures navigating their own media relationships, Bharti's example offers a quiet lesson. Warmth is not a strategy. It's a habit. And when practised consistently, it can turn even the most transactional professional interactions into something meaningful.

Cultural Impact

The video has struck a chord partly because it upends a familiar celebrity storyline. In a country where paparazzi culture is often criticised for being intrusive, this moment showed a very different side — one where the photographers actively chose to honour someone they clearly enjoy covering, and where a celebrity chose to receive that gesture with open, unguarded emotion.

That kind of visible mutual respect has a ripple effect. It reminds audiences that there are human beings on both sides of the camera, and that the best public moments are often the ones nobody planned.

The Bigger Picture

Bharti Singh's Raksha Bandhan moment is a beautiful reminder that meaningful bonds don't always need a shared history, a family tree, or long years of formal friendship. Sometimes they are forged simply through consistent warmth — a smile at a red carpet, a joke at a gate outside a shoot, a moment of eye contact between a celebrity and the person taking her picture.

On this Raksha Bandhan, that warmth came back to Bharti Singh in the shape of a Ganesha idol, a bunch of gifts, and a group of photographers who chose to become her brothers for a day. And in her tears, in her thank-yous, and in her promise that "this brother-sister relation should continue," Bollywood was reminded — sometimes the sweetest family stories are the ones you never expected to write.

• Ileana D'Cruz wished her mother Samira D'Cruz on her birthday with a heartfelt Instagram post.
• She shared a hug picture and captioned it, "Mama. No one like you. Happy Birthday my Mamadoo."
• Ileana married Michael Dolan in 2023 and the couple welcomed their first son Koa the same year.
• The couple welcomed their second son Keanu Rafe Dolan in 2025.
• Ileana was last seen in Shirsha Guha's 'Do Aur Do Pyaar' alongside Vidya Balan and Pratik Gandhi.

Actress Ileana D'Cruz has once again reminded her fans that her most memorable public moments are the ones rooted in family. On her mother Samira D'Cruz's birthday, Ileana took to Instagram with an affectionate note that struck the perfect balance between simplicity and sincerity — declaring, in just a few words, that there is no one else in the world like her mom.

The Post That Set the Tone

Sharing a picture of herself wrapped in a warm hug with her mother, Ileana didn't need much text to say what she wanted to. "Mama. No one like you. Happy Birthday my Mamadoo," she wrote as the caption.

That single word — "Mamadoo" — captured something instantly relatable. It's the kind of personal nickname that lives inside families for years, never spoken publicly but always deeply felt. For Ileana to share it openly on her mother's birthday made the post feel unusually intimate, cutting through the usual noise of celebrity greetings with something warm and unguarded.

A Personal Chapter Full of Joy

Ileana's family life has undergone a beautiful evolution over the past few years. The actress married her beau Michael Dolan in 2023, and the couple welcomed their first child Koa the same year. In 2025, they became parents again as they welcomed their second son — named Keanu Rafe Dolan.

That two-child family life has clearly deepened Ileana's connection to the maternal figures in her own life — including her mother, whose birthday post now sits alongside her growing archive of family-first moments.

Ileana's Cinematic Journey

Now 39, Ileana made her screen debut in 2006 with the Telugu-language romantic-drama film 'Devadasu' and quickly built one of the most versatile filmographies of her generation. She went on to star in films including 'Pokiri', 'Jalsa', 'Kick' and 'Julayi'. She also delivered a strong performance in the Tamil film 'Nanban'.

Born to a Goan Catholic father and a Muslim mother, Ileana branched out into Hindi cinema in 2012 with Anurag Basu's comedy-drama 'Barfi!' — a film that formally introduced her to a pan-India audience. From there, she was seen in a string of box-office successes such as 'Main Tera Hero', 'Phata Poster Nikhla Hero', 'Happy Ending', 'Mubarakan', 'Pagalpanti', 'The Big Bull', and the crime thrillers 'Rustom' and 'Raid'.

Her ability to move seamlessly between Telugu, Tamil and Hindi cinema — and between mainstream commercial films and character-driven roles — has kept her one of Indian cinema's most respected working actresses.

Her Recent Work

Ileana was last seen in 'Do Aur Do Pyaar' by Shirsha Guha. The film also stars Vidya Balan, Pratik Gandhi and Sendhil Ramamurthy. Its story centres on a married couple navigating emotional distance and extramarital attractions, leading to moments of reckoning and rediscovery — a nuanced, adult narrative that gave Ileana yet another opportunity to demonstrate her emotional range.

A Recent Glimpse Into Motherhood

The birthday post for her mother also comes on the heels of a warm motherhood glimpse Ileana shared on August 19. Taking to her social media account, she posted a candid picture in which she can be seen sitting outdoors on a chair with her little one Koa resting in her arms. Dressed in a white shirt and denims, Ileana is seen smiling as she looks lovingly at her son.

Koa, dressed in a white printed outfit and red-and-black shoes, was seen comfortably nestled on his mother's lap. Ileana captioned the post: "Mini me + me."

Together, that mother-son post and today's mother-daughter birthday post form a beautiful full circle — Ileana as a daughter honouring her mother, and Ileana as a mother building her own bond with her son.

Why It Matters

In a celebrity culture often defined by curated, brand-aligned social media, Ileana's family posts feel like a return to something more grounded. They aren't event-driven, they aren't campaign-driven, and they aren't styled to please an algorithm. They are personal declarations of love — small, sincere and beautifully understated.

Her willingness to publicly share the nicknames, hugs and everyday intimacy of her family life gives her fans an unfiltered window into who she is behind the camera. And that's precisely why every one of these posts tends to resonate so strongly.

Cultural Impact

Ileana has quietly built a reputation as one of Bollywood's most emotionally honest female voices. From her openness about mental health and body image in earlier years, to her joyful embrace of motherhood, to her ongoing celebration of family bonds, she has consistently used her platform to reflect the softer, more human parts of celebrity life. In an environment where perfect appearances often crowd out real emotional textures, that consistency matters.

The Bigger Picture

Ileana D'Cruz's birthday tribute to her mother isn't a headline-grabbing gesture. It doesn't need to be. It is a simple, honest note from a daughter to the woman she calls "Mamadoo" — the woman she says there is no one else like. And in that quiet, warm message shared with the world, Ileana once again reminded her audience that some of the most beautiful moments in a public life happen away from the spotlight — inside a hug, inside a nickname, inside a bond that no film role can ever replicate.

• Preity Zinta once revealed on 'Rendezvous with Simi Garewal' that she tried to sneak into an army party at just 12.
• She borrowed her mother's bra and stuffed it with oranges to pretend she was above 18.
• Her father, then a major in the army, was called out — and her mother was furious with her.
• Preity recently returned to the big screen after eight years in period drama 'Batwara 1947'.
• 'Batwara 1947' released in theatres on August 14 and features Sunny Deol, Shabana Azmi and Ali Fazal.

Every once in a while, an old Bollywood confession resurfaces and reminds fans exactly why they fell in love with a star in the first place. Preity Zinta's famous story from her appearance on 'Rendezvous with Simi Garewal' — where she candidly revealed how she once tried to sneak into an army party at the age of 12 — is doing exactly that. It is equal parts hilarious, cheeky and quintessentially Preity.

The Curious Case of an Army Party She Wasn't Allowed To Attend

Preity, who grew up in an army household as the daughter of an army major, opened up on the show about her insatiable childhood curiosity. Army parties, she explained, had a strict age rule that only fuelled her interest in what was going on behind their closed doors.

"Well, in the army, as you know, children below 18 are not allowed for army parties, and it intrigued me to know what was happening behind those doors. So, I asked my mom once that even I want to come for this party, and they said no, 'children below 18 are not allowed', and I must have been 12," Preity had recalled.

For most 12-year-olds, that would have been the end of the story. For a young Preity Zinta, it was just the beginning.

Oranges, a Borrowed Bra, and a Plan

Determined to see for herself what all the fuss was about, Preity turned to a wonderfully inventive solution. She went to her mother's cupboard, took out one of her bras, and stuffed it with oranges to fake a grown-up look. Then, wearing her improvised disguise, she went to the club where the party was being held and stood outside, doing her best to pass off as someone above 18.

The plan, of course, didn't survive its first serious test.

The Guy at the Door — and a Very Familiar Phone Call

The guard or entry supervisor at the party took one look at little Preity, immediately recognised what was happening, and instead of turning her away directly, decided to escalate matters — by calling her father, who was a major in the army at the time.

Anyone who has grown up in a disciplined household — army or otherwise — can imagine exactly how that call went.

'She Got Really Upset With Me'

By the time Preity got home, the fallout was inevitable. Her mother had learned exactly what her mischievous daughter had tried to pull off, and let's just say the reaction was not a warm one.

"She got really upset with me," Preity had shared on the show — a memory clearly recalled with the affectionate laughter of someone who had long made peace with her own childhood mischief.

Why It Matters

The story has resurfaced online because it captures a very specific kind of Preity Zinta charm — one that has always sat somewhere between wide-eyed innocence and unapologetic mischief. It also offers a warm reminder that stars, before the fame and the awards and the years in the spotlight, were once simply children — curious, restless and constantly trying to slip through doors they weren't supposed to open.

For many fans, it is that quality — a mix of intelligence, warmth and a hint of naughtiness — that has made Preity one of the most enduringly beloved names in Indian cinema, even in periods when she was away from the big screen.

Growing Up in the Army Household

The story also indirectly gives fans a glimpse into the disciplined but affectionate environment Preity grew up in. Army households across India are known for their structured routines, strong parental oversight and a clear moral compass — none of which stopped young Preity from finding creative ways to test the rules. That same combination of discipline and curiosity is arguably what shaped the actress who would later choose so many unconventional roles in Bollywood.

Preity's Cinematic Return

While the throwback continues to circulate online, Preity is currently having a professional moment of her own. She has recently returned to the big screen after an eight-year hiatus with the period drama 'Batwara 1947', where she shares screen space with Sunny Deol, Shabana Azmi, Karan Deol, Ali Fazal, Abhimanyu Singh, Khushi Hajare and Kanikka Kapur.

'Batwara 1947' is widely believed to be a cinematic adaptation of Asghar Wajahat's celebrated drama 'Jis Lahore Nai Vekhya, O Jamya E Nai' — a phrase that translates roughly to the sentiment that experiencing Lahore is so fundamental to a fulfilling life that not seeing it is akin to not truly living. It is a work of significant literary and emotional weight, and Preity's return to a project of this depth signals a considered creative comeback rather than a routine screen appearance.

The film released in theatres on August 14.

Cultural Impact

The re-emergence of the oranges-and-army-party story also highlights something quietly powerful about Preity's public identity. Even at her peak stardom, she never fully shed the openness, self-deprecation and slight rebelliousness of the child she used to be. In an era where celebrity personalities are increasingly polished and PR-managed, that unfiltered charm still feels rare — and worth revisiting.

The Bigger Picture

Preity Zinta's army-party confession is a reminder of why storytelling like the 'Rendezvous with Simi Garewal' era of television remains so beloved. It gave audiences the space to see stars as human beings first — mischievous children, embarrassed daughters, curious teenagers — before the spotlight defined them. And in Preity's case, the girl who once stuffed oranges into her mother's bra to see the world she wasn't allowed to enter grew up to become one of the most fearlessly charming women Indian cinema has ever known. Some stories age. Others just get more delightful with time. Preity Zinta's army-party story is firmly in the second category.

• Amitabh Bachchan reflected on the brother-sister bond during the latest episode of Kaun Banega Crorepati.
• He said siblings fight, tease and pull each other's legs but are the first to stand up for one another when it matters.
• Big B admitted the youngest child in the family often gets away with a lot, while older siblings face more scolding.
• The actor shared that the same dynamic played out in his own household growing up.
• The moment resonated as one of the most relatable KBC 18 conversations of the week.

Bollywood legend Amitabh Bachchan once again reminded audiences why Kaun Banega Crorepati has quietly become one of Indian television's most emotionally intelligent spaces. In the latest episode of the reality game show, Big B took a deeply personal look at the unique bond shared between siblings — and in doing so, delivered a moment so universally relatable that it instantly resonated with millions of Indian households.

'The Brother-Sister Bond Is Truly Unique'

Speaking during the show, Amitabh painted a picture of the brother-sister relationship that anyone with a sibling would instantly recognise. "Bhai-behen ka joh rishta hota hai na bada anokha hota hai... Ek doosre se ladte bhi hain aur ek doosre ki taang bhi kheechte hain, lekin zaroorat pade toh sabse pehle saath bhi wahi khade rehte hain," he said.

Translated: "The relationship between a brother and sister is truly unique. They fight with each other and pull each other's legs, but when there is a need, they are also the first ones to stand by each other."

It's a simple observation, but coming from Big B — a lifelong observer of Indian family life through his cinema and his own household — it carried the weight of lived truth rather than a scripted line.

The Universal Truth Every Elder Sibling Knows

The moment that had the audience nodding in agreement, though, was when Amitabh candidly turned to the age-old family dynamic that has quietly wounded generations of elder siblings. "Jo ghar ka chhota hota hai na, toh kyunki woh chhota hai, sab log usko maaf kar dete hain aur jitne bade hain na usse, unko itni maar padti hai... Kuchh bhi karenge woh, lekin unko kuchh nahi bola jata hai," the legendary actor said.

Translated: "The youngest one in the house is often forgiven because they are younger, while the older ones get scolded or punished so much... They can do anything, but they are not told anything."

For elder siblings everywhere, that line landed with the force of a lifetime's evidence — the exact injustice they have been trying to articulate at family dinners since childhood.

'It Was the Same in Our Family, Sir'

What made the moment even more endearing was Amitabh admitting that this exact dynamic played out in his own household growing up. "Hamare bhi, Sir aisa hi hai. Jo chhote the, humko bahot maarte the, idhar-udhar karte the, unko kuchh nahi bola jata tha," he said.

Translated: "It was the same in our family, sir. The younger ones would trouble us and do all sorts of things to us, but they would never be told anything."

It's the kind of admission that turns a superstar into a relatable elder brother in seconds. For Big B, a man often described in larger-than-life terms, sharing a childhood grievance about being the older sibling was a moment of pure human warmth.

Why It Matters

Coming on the sidelines of Raksha Bandhan, Amitabh's observations felt perfectly timed. Across India, families were celebrating the sibling bond in ceremonies large and small, and Big B's words offered a kind of cultural companion piece — one that reminded viewers that the beauty of the sibling bond lies precisely in the fights, teasing, injustices and unwavering loyalty that come stitched together.

Cultural Impact

Amitabh Bachchan has, over his years hosting KBC, quietly created a space where India talks to itself. Whether it's marriage advice, tributes to trailblazing contestants, or reflections on sibling life, his role has evolved beyond that of quiz master into something closer to a national elder — one whose off-the-cuff observations often carry more emotional weight than scripted television.

His comments on sibling bonds particularly resonated because they cut across geography, class and generation. In every Indian household, there is that one elder sibling still nursing the memory of being blamed for something the youngest actually did — and that one youngest still enjoying the family's continued protection well into adulthood.

The Bigger Picture

At its heart, Big B's KBC reflection wasn't just a nostalgic monologue. It was a celebration of what makes Indian family life so uniquely tangled and tender — the everyday fights that don't erase the deeper loyalty, and the parental favouritism that becomes family folklore rather than family fracture. On a week defined by Raksha Bandhan celebrations, Amitabh Bachchan gave audiences a small but perfectly framed reminder of what siblings really are: your first rivals, your first defenders, and, no matter how old you get, your first sense of home. And yes — the youngest one will still probably get away with it.

Also Read: Aishwarya, Aaradhya Greet Staff with Namaste on Return

• Bollywood actor Rajat Bedi is presenting the Marathi film 'Bandhu', releasing on November 20.
• He said the film's universal family theme and merging of two stories into one is what convinced him to come on board.
• Rajat, who grew up in Maharashtra and studied Marathi as a third language, called the project a personal moment of pride.
• Written and directed by Nitin Sindhuvijay Supekar, the film is jointly backed by Pranav Desai, Juhi Desai and Kuldeep Sunil Ojha.
• 'Bandhu' is presented by Rajat Bedi and JSD Studio in association with Triflix Entertainment.

Bollywood actor Rajat Bedi is expanding his creative footprint in a direction that clearly means a lot to him — Marathi cinema. Coming on board as the presenter of the upcoming Marathi film 'Bandhu', Rajat has opened up about what convinced him to say yes to the project, and his answer is as much about family and roots as it is about story.

'The Way It Touches Every Family Member's Heart Is Beautiful'

For Rajat, the decision to back 'Bandhu' came down to the emotional universality of its narrative. "I would not like to discuss much about the story, but the beautiful way the director has merged two stories into one is what really stood out to me," he said. "Basically, this is a story that is universal for all families because of the problem we are discussing in the film. The way it eventually touches every family member's heart is beautiful."

That framing — a story that speaks to every generation within a household — is a rare pitch in an era where content is often engineered for narrow audience slices. It's also a category Marathi cinema has excelled in for years, delivering intimate, deeply human family dramas that connect far beyond regional boundaries.

'Extremely Proud, Regardless of Box Office'

Rajat also made it clear that his commitment to 'Bandhu' is not driven by commercial calculation. "I mean, this is one of those films that I will always be extremely proud of in my life. I don't know how it's going to fare; that's in the public's hands, but I am extremely proud of this content," he added.

Coming from an actor with decades of screen experience, that's a significant endorsement — one that positions 'Bandhu' as a legacy-oriented project rather than a fleeting film-industry association.

A Marathi Connection Rooted in Childhood

For Rajat, this isn't just another project on the calendar. Marathi has been part of his life since childhood. "I have grown up in Maharashtra. I was born in Maharashtra, and I'm extremely proud that today I am presenting a Marathi film. I was in Jamnabai Narsee School, and my third language was Marathi. I understand Marathi, and I can speak a little Marathi. So I'm very, very excited about doing something in this language," he shared.

That personal backstory adds a layer of authenticity to his involvement. He isn't stepping into Marathi cinema as an outsider testing new waters — he is returning, in a sense, to a language and cultural space that has been a part of his own life story.

The Team Behind 'Bandhu'

'Bandhu' has been written and directed by Nitin Sindhuvijay Supekar. Presented by Rajat Bedi and JSD Studio, in association with Triflix Entertainment, the film is jointly backed by Pranav Desai, Juhi Desai and Kuldeep Sunil Ojha. The combination of producers, along with a director committed to emotionally driven storytelling, positions the film as a serious contender in this year's Marathi release calendar.

Why It Matters

Rajat Bedi's cross-industry involvement matters at a moment when regional cinema is quietly reshaping India's overall content landscape. Marathi films, in particular, have earned a reputation for delivering socially relevant, emotionally intelligent narratives that outperform their budgets. When a mainstream Hindi film face steps in as presenter, it signals two things: a maturing regional-national creative ecosystem, and a recognition that language is no longer a limiting factor for stories that carry universal weight.

Cultural Impact

The presenter role, in particular, plays an important function in Indian cinema. It brings visibility, credibility and reach to films that might otherwise stay within regional distribution circles. For 'Bandhu', Rajat's involvement could unlock wider media attention and audience curiosity beyond Marathi-speaking markets — while staying anchored to the film's core cultural identity.

Industry Impact

For the Marathi film industry, moments like this reinforce a growing trend — mainstream Hindi cinema figures publicly endorsing and participating in regional storytelling. It contributes to a healthier creative economy where regional and mainstream systems support rather than compete with each other, and it opens the door to more meaningful cross-industry collaborations in the years ahead.

The Bigger Picture

'Bandhu' hits the cinemas on November 20 — a strategic winter release window that traditionally rewards family films with strong emotional storytelling. With Rajat Bedi's heartfelt presenting endorsement, Nitin Sindhuvijay Supekar's storytelling instincts, and a producer team invested in the film's soul, 'Bandhu' arrives with a clear identity: a family drama determined to hit every household where it matters most — the heart. For Rajat, it's also a homecoming of sorts. And for Marathi cinema, it's another quiet reminder that its stories don't need translation to travel.

• Kavin has revealed that Nayanthara's ability to multitask across acting, production, business and personal life is what he admires most about her.
• The actor praised her clarity in never letting challenges from one part of her life affect another.
• Their romantic family entertainer 'Hi' will now release in theatres on August 28, pushed from an original August 14 date.
• Directed by debutant Vishnu Edavan, the film has been cleared with a U/A certificate by the Censor Board.
• 'Hi' is set across Chennai, Coimbatore and Pollachi, and reportedly features no villains — pitched as a pure family entertainer.

Actor Kavin, who leads director Vishnu Edavan's much-awaited romantic entertainer 'Hi' opposite Lady Superstar Nayanthara, has offered a rare, thoughtful glimpse into what he genuinely admires most about his co-star — and it's not a trait tied to the screen. In a candid conversation with IANS, Kavin spoke about the one Nayanthara quality that has left a lasting impression on him: her extraordinary ability to multitask without letting one part of her life derail another.

'She Manages Everything From the Shooting Spot Itself'

"I think I admire her ability to multi-task. She is a producer who makes movies, and she also acts. She also has a business and a personal life. She manages everything from the shooting spot itself," Kavin said, offering a look at just how tightly Nayanthara's professional and personal worlds are stitched together on set.

For Kavin, the more revealing detail wasn't just what she does, but how cleanly she separates the moving parts. "She will not let the challenges she faces in one sector to affect the others. I think because she does everything correctly, she is in the position she is today," he added — a striking observation that goes beyond admiration and lands closer to genuine study.

'I Am Someone Who Thinks Doing One Thing Properly Is Enough'

In a moment of refreshing honesty, Kavin admitted he isn't sure he could ever match that bandwidth. "If you ask me if I have that amount of talent and if whether I will be able to do like how she does it in the future, I don't know. I will be scared. I am someone who thinks that if I can do one thing properly, that's enough."

The self-aware humility from a young actor sharing screen space with one of Indian cinema's biggest names has only added to the pre-release charm around 'Hi'.

'Hi' Locks August 28 as Its New Release Date

'Hi' has generated enormous curiosity, and the film is now slated to hit screens on Friday, August 28. It was originally scheduled for an August 14 release, but the makers eventually pushed the date. The Censor Board has already cleared the film with a U/A certificate, opening the doors for a wide family audience turnout in its opening weekend.

A Cross-City Story With No Villains

The film's storyline is designed as a full-fledged family entertainer. Sources close to the unit have told IANS that 'Hi' unfolds across three cities — Chennai, Coimbatore and Pollachi — and, notably, features no villain characters at all. In an era dominated by high-octane action and antagonist-driven plots, a large-scale romantic entertainer built entirely on relationships and warmth is itself a bold creative choice.

A Strong Supporting Cast

'Hi' brings together a robust ensemble alongside Kavin and Nayanthara. The film features Prabhu, Radhika, Sathyan, Adithya Kathir and Kureishi in prominent roles, adding both experience and range to the storytelling. The film is jointly produced by Zee Studios South, The Rowdy Pictures and Seven Screen Studios — a combination that guarantees both scale and reach.

The Vishnu Edavan Debut

'Hi' also marks the directorial debut of Vishnu Edavan, who has been groomed inside one of Tamil cinema's most influential filmmaking universes. He worked as an associate director to Lokesh Kanagaraj on several of his projects, including 'Kaithi', 'Master' and 'Vikram'. That pedigree has already set high expectations for his stylistic approach and storytelling instincts.

Speaking about his debut earlier, Vishnu had described 'Hi' as a wholesome family entertainer that would speak about true love — a promise the industry is now waiting to see delivered on screen.

Why It Matters

'Hi' represents multiple firsts and pivots. It is the first on-screen collaboration between Nayanthara and Kavin — a pairing that has already sparked significant curiosity across audiences and trade circles. It is also Vishnu Edavan's launchpad from the Lokesh Kanagaraj school of Tamil filmmaking, and one of the year's rare high-profile Tamil films that deliberately opts out of the villain-driven formula.

A Technically Loaded Package

Backing the emotional core is a strong technical team. The film's music has been composed by Jen Martin, while Rajesh Shukla handles cinematography. Editing is by the capable Philomin Raj, and art direction by Shekhar B. Dances have been choreographed by the legendary Brinda, while stunts have been designed by Dinesh Kasi — even for a "no-villain" film, the production has clearly ensured its craft firepower is intact.

The Bigger Picture

At its heart, 'Hi' feels like a film that is trying to reintroduce warmth and simplicity to the Tamil mainstream — anchored by a Lady Superstar at her multitasking peak, a young actor who openly admires that discipline, and a first-time director stepping out of an iconic mentor's shadow. When 'Hi' opens on August 28, it will be tested not just on its box office numbers, but on whether it succeeds in delivering something Tamil cinema has been quietly hungry for: an unabashedly wholesome love story that trusts its audience to show up for feeling alone.

• Ajay Devgn mourned the death of filmmaker Kuku Kohli, the director who launched him in 'Phool Aur Kaante' (1991).
• Kuku Kohli passed away in Mumbai on Tuesday at the age of 77 after suffering a cardiac arrest.
• Ajay wrote: "Some people change the course of your life forever. Kuku ji was one of those people for me."
• Veteran actress Aruna Irani, married to Kuku Kohli since 1990, was seen visibly bereaved at the funeral.
• Rohit Shetty, Vicky Kaushal, Katrina Kaif and Raza Murad were among those who attended the final rites.

Bollywood superstar Ajay Devgn on Wednesday mourned the passing of veteran filmmaker Kuku Kohli, the director who gave him his first break in Hindi cinema with 'Phool Aur Kaante'. In an emotional social media tribute, Ajay remembered Kohli as a mentor whose belief in him at the start of his journey altered the trajectory of his life.

Sharing a picture of the filmmaker, Ajay wrote, "Some people change the course of your life forever. Kuku ji was one of those people for me. Forever grateful for the faith you had in me. You will be deeply missed, Kuku ji. Om Shanti."

A Sudden Loss for the Industry

Kuku Kohli passed away in Mumbai on Tuesday at the age of 77 after suffering a cardiac arrest. His demise has left the film fraternity in mourning, particularly those who worked with him during the 1990s and early 2000s — a period when his brand of action-romance cinema defined mainstream Hindi entertainment. Over the course of his career, he directed a string of popular films including 'Phool Aur Kaante', 'Suhaag', 'Haqeeqat', 'Zulmi', 'Anari No. 1' and 'Yeh Dil Aashiqanaa'.

The Film That Made Ajay Devgn a Star

Kohli played a defining role in shaping Ajay Devgn's career by casting him as the lead in 'Phool Aur Kaante', which released in November 1991. The action-romance not only marked Ajay's debut as a leading man but also went on to become a commercial success. The now-legendary introduction sequence — in which Ajay is seen performing a split while standing between two moving motorcycles — remains one of the most iconic debut moments in Hindi cinema and is still referenced across generations of viewers.

Ajay and Kohli later reunited for 'Suhaag', which also featured Akshay Kumar, Karisma Kapoor and Nagma — cementing a professional bond that Ajay clearly held close.

Aruna Irani, Bereaved and Emotional at the Funeral

Kuku Kohli's personal life had long been intertwined with veteran actress Aruna Irani. The two married in 1990, and their relationship remained largely private for years, partly because Kohli had been previously married and had two daughters from his earlier marriage.

At the funeral in Mumbai on Wednesday, Aruna was seen visibly bereaved as she arrived at the crematorium. Dressed in white, the veteran actress appeared emotional and had to be helped as she made her way toward the venue — a moment that quietly underscored the depth of a partnership that had spanned more than three decades.

The Industry Turns Up to Pay Its Respects

Several personalities from the Hindi film fraternity arrived to pay their final respects to the filmmaker. Filmmaker Rohit Shetty, along with actors Vicky Kaushal, Katrina Kaif and Raza Murad, were among those spotted at the funeral — a cross-generational turnout that reflected Kohli's long-standing footprint in the industry.

Revisiting 'Phool Aur Kaante'

'Phool Aur Kaante', released in November 1991, was an action-romance drama that starred Ajay Devgn opposite Madhoo, and featured Amrish Puri, Aruna Irani, Jagdeep and Raza Murad in key roles. Its music, composed by the immensely popular Nadeem-Shravan duo, became a defining soundtrack of the era. Songs like "Maine Pyar Tumhi Se Kiya Hai", "Tumse Milne Ko Dil Karta Hai", "Premi Aashiq Aawara" and "Dheere Dheere Pyar Ko Badhana Hai" remain memorable tracks even today.

Why It Matters

Kuku Kohli's legacy sits at an interesting intersection of Bollywood history — he wasn't just a successful commercial director; he was the man who spotted, backed, and launched a young Ajay Devgn at a moment when the industry was still discovering what its next generation of stars would look like. Every action set piece Ajay has headlined since arguably traces back to that first split between two motorcycles.

The Bigger Picture

Ajay Devgn's tribute is more than a farewell. It's a reminder of how much of Bollywood's superstardom rests on the quiet, career-defining gambles taken by directors who choose to believe in newcomers. In losing Kuku Kohli, the industry has lost one of those believers — and one of the men who helped shape the modern face of Hindi action cinema.

• Director Milo's horror sci-fi supernatural fantasy thriller 'Nova', starring Raiza Wilson, will hit theatres this September.
• A new poster teases the character 'Sivagami — The Arrival' with the tagline: "This world was never ready for her arrival."
• Raiza plays a pivotal role in the film's flashback portions, describing it as a "story within a story."
• The shoot took place in the sandalwood forests of Marayoor, Kerala, with the crew braving leeches, constant rain and wild animals.
• The cast includes Dhruva, Adviti Shetty, Krithika Biswas, Joe John Chacko, Sendrayan and YouTube stars Finally Swathika and Finally Krishna.

The wait is nearly over for fans of Raiza Wilson. The makers of 'Nova', the ambitious horror science-fiction supernatural fantasy thriller directed by debutant Milo, on Wednesday confirmed that the film will hit theatres this September. Marking the announcement, director Milo took to Instagram with a striking new poster and a cryptic caption: "She didn't come looking for this world… This world was never ready for her arrival. Sivagami — The Arrival." The poster carried the confirmation: "In theatres from September."

A First Look That Sets the Tone

The 'Sivagami — The Arrival' reveal is designed as a mood piece — atmospheric, ominous, and deliberately mysterious. It positions the film as more than a genre exercise, hinting at a mythic, otherworldly premise built around a central female character whose emergence disrupts the world she enters. It's a promise that 'Nova' isn't chasing template Tamil horror; it's building its own vocabulary.

Raiza Wilson on Her Most Demanding Role Yet

Best known for her performance in 'Pyaar Prema Kaadhal', Raiza Wilson has previously described 'Nova' as unlike anything she has attempted before. "The film is structured like a story within a story. I play an important character that appears in the flashback portions," she said, adding that the movie fuses action, thriller and science-fiction into one narrative. "I have never acted in a story or role like this before, which is exactly why I was drawn to it."

Shooting Inside Sandalwood Forests: The Real Behind-the-Scenes Story

The production journey was as intense as the film's premise. Raiza revealed that 'Nova' was shot in the forests of Marayoor in Kerala, including sequences filmed deep inside protected sandalwood forests where permissions themselves are notoriously hard to obtain. "There were many challenges — blood-sucking leeches, constant mist and rain, the intimidating sounds of wild animals, and muddy, slippery paths," she recalled. "Before going there, I thought the shoot would be quite easy. I had no idea it would be so demanding. I have never faced such difficulties in any of my previous films. Despite all this, we completed the shoot on schedule without delays."

She credited director Milo for maintaining an energetic and positive atmosphere on set, saying the hardships never became overwhelming because of the environment he cultivated. "It is remarkable that he chose such a complex story for his very first feature film. It takes a lot of courage."

Action Sequences in the Rain

The physicality of the shoot was significant. "Since it rained most of the time, I often had to sit on set in wet clothes. The action scenes I performed were filmed there," Raiza said. Stunt master Vimal Rambo trained her specifically for the film, though prior fight training for 'Mr. X' gave her a head start. "So, performing the action scenes in Nova became easier."

The Ensemble Around the Lead

Alongside Raiza Wilson, 'Nova' features a diverse pan-Indian cast — Dhruva of 'Aanmai Thavarael', Adviti Shetty, Bengali actress Krithika Biswas, Malayalam actor Joe John Chacko, Sendrayan, and popular YouTube personalities Finally Swathika and Finally Krishna. The blending of film actors from multiple language industries with digital-first talent signals a deliberate attempt to reach both traditional theatrical audiences and the online generation.

Why It Matters

For Tamil cinema, 'Nova' represents a rare swing at genre ambition — a debut director attempting a horror-sci-fi-fantasy hybrid, anchored by a female lead in a flashback-driven narrative, shot in one of Kerala's most restricted natural locations. If the film delivers on the atmosphere the poster promises, it could open the door to a new wave of experimental genre filmmaking in the industry.

The Bigger Picture

September's release window places 'Nova' in a competitive but opportunity-rich slot. With curiosity building around 'Sivagami — The Arrival' and Raiza Wilson stepping into her most physically and creatively demanding role to date, the film has all the markers of a genre event worth watching for.

• Television star Shubhangi Atre marked Onam by sharing a photo carousel titled 'Kerala through my eyes' on social media.
• The post features Kathakali artistes, Kalaripayattu performances, floral rangolis and glimpses of Kerala's cultural richness.
• Shubhangi called it a "blissful journey" and a celebration of tradition, art, colours and flavours.
• The former 'Angoori Bhabhi' exited 'Bhabiji Ghar Par Hain!' in 2025 after nearly a decade on the show.
• The Onam post signals a more travel- and lifestyle-forward chapter for the actress post-Bhabiji.

Television actress Shubhangi Atre chose to celebrate Onam differently this year — not with a studio-style greeting, but with a heartfelt visual tribute to Kerala itself. In a warm, colour-drenched social media post titled 'Kerala through my eyes', the actress took her followers on a journey through the state's classical art, martial traditions and festive spirit, calling the experience a "blissful journey" she will cherish forever.

A Carousel Steeped in Tradition

The photo series captures Shubhangi immersed in Kerala's cultural landscape. She is seen posing between two Kathakali performers in full costume, framed by their signature elaborate makeup and expressive gestures. Other frames spotlight Kathakali artistes mid-performance, capturing the drama and precision that defines the classical dance-drama form. The carousel also gives fans a glimpse of Kalaripayattu — Kerala's ancient martial art — alongside vivid floral arrangements and other snapshots that together form what she described as "a beautiful tapestry of tradition, art, colors, and flavors."

In her caption, Shubhangi wrote: "From the mesmerizing expressions of Kathakali and the powerful grace of Kalaripayattu, to vibrant rangoli patterns and the irresistible flavors of Kerala cuisine... every moment felt like a celebration of culture and life."

Why It Matters

For an actress best known for the comedic warmth of 'Angoori Bhabhi', the Onam post reveals a quieter, more reflective public persona. It also taps into a growing trend among Indian television stars who are using festival moments to spotlight regional culture rather than personal branding — a shift that resonates strongly with audiences on Google Discover and Instagram alike.

A Career Built on Nearly Two Decades of Television

Shubhangi has been a fixture on Indian television for close to twenty years. She began with 'Kasautii Zindagii Kay' before landing her breakthrough in Ektaa Kapoor's 'Kasturi', where she played the titular role opposite Karan Patel. Subsequent projects such as 'Havan', 'Chidiya Ghar', 'Adhuri Kahaani Hamari' and 'Do Hanson Ka Jodaa' kept her steadily on-screen.

However, it was her portrayal of Angoori Bhabhi in 'Bhabiji Ghar Par Hain!' that turned her into a household name. She took over the role from Shilpa Shinde and played the much-loved character for nearly a decade. Her association with the show also placed her at the centre of the long-running conversation around Shinde's exit and replacement. Shubhangi has consistently maintained that she focused on making Angoori Bhabhi her own rather than mimicking her predecessor's portrayal.

After nearly 10 years, she announced her exit from the show in 2025.

Life Beyond the Screen

On the personal front, Shubhangi married Piyush Poorey in 2003, and the couple have a daughter, Ashi. After years of marriage, the two separated, with the actress publicly confirming the split in 2023. In the time since, her public presence has increasingly leaned toward travel, wellness and cultural exploration — of which the Onam post is a natural extension.

The Bigger Picture

The Kerala diary is more than a festive post. It signals the kind of content pivot many post-daily-soap actors are making — moving from character-driven fame to lifestyle-led storytelling. For Shubhangi, Onam has offered the perfect canvas: a festival rooted in celebration, and a state whose cultural depth allows her to reintroduce herself to audiences on her own terms.

• Actress Helly Shah unveils her first full-fledged comic role in upcoming streaming series 'Chumbak' at the show's trailer launch in Mumbai.
• Says she was "so nervous, so unsure" if she could pull off comedy for the first time in her career.
• Credits director "Atish sir's trust and belief" for helping her explore a comedic side of herself she did not know existed.
• While she was earlier seen in the comedy-drama 'Gullak', her part there leaned toward drama — making 'Chumbak' her true comic debut.
• Reveals she got emotional on the last day of shoot, calling the experience "something so close to my heart".

Actress Helly Shah is stepping into unfamiliar creative territory — and she is doing so with rare honesty. As she awaits the release of her upcoming streaming series 'Chumbak', the actress attended the show's trailer launch in Mumbai on Wednesday and offered a heartfelt account of what it meant to step into a comic role for the very first time. Her reflections carry the tone of an actor who genuinely stretched herself — and discovered a new dimension of her own craft in the process.

The First-Time Comedy Leap

Sharing her experience of working on the show, Helly said, "Comedy is completely new. This is my first time doing comedy. I have never done comedy before. And I was honestly so nervous, so unsure if I will be able to pull it off or not. But I personally feel it's Atish sir's trust and belief in me that I can do this. And I am just so, so glad that he could see that spark of twinkle in me because I honestly went on the set after surrendering." That phrase — "surrendering" — quietly captures the emotional truth of what many performers experience when they step into a genre they have never attempted before.

A True First, Despite 'Gullak'

While Helly was earlier seen in the widely loved comedy-drama streaming series 'Gullak', her part in that show leaned more toward the drama side of the narrative. That makes 'Chumbak' her first full-fledged comic role — a distinct creative pivot that positions her in a genre she has never anchored before. For an actress who has built a strong following through emotional, layered performances, this shift adds a fresh layer of curiosity around her upcoming work.

The Director's Belief

Helly went on to acknowledge that this leap would not have been possible without the confidence her director placed in her. "I didn't know how it will be, what I will do. But he has helped me explore a part of myself as an actor. Because I didn't know that I could do comedy. I didn't know that something like this could come out of me," she said. It is a reminder that great directorial partnerships often work precisely by unlocking capabilities that actors themselves may not yet recognise in their own craft.

The Emotional Final Day

The vulnerability of Helly's experience showed itself most tenderly on the last day of shoot. "And I am so thankful to sir. Because I think I told sir on the last day as well. I think I shiver because this is something so close to my heart. And I always get emotional that I have done something new. And he has trusted me with all his heart," she added. Her words reflect the deep emotional investment she brought to the role — an investment that, if the trailer indicators are anything to go by, is likely to translate meaningfully to the screen.

Why It Matters: Actors Who Choose to Stretch

In an industry that often rewards comfort-zone casting, Helly Shah's choice to actively step into a genre outside her established creative identity is a small but important marker of professional growth. Actors who stretch themselves tend to build longer, richer, more layered careers — because they train themselves to bring fresh instincts to every new opportunity. Her willingness to embrace comedy — despite her own nervousness — reflects that mindset in action.

The Comedy Test in Streaming

Comedy on streaming platforms today is a demanding creative space. Modern audiences expect sharp writing, layered characters, tonal balance and performances that feel real rather than performative. Every actor stepping into this space is essentially being tested not just for laugh-generating ability, but for their capacity to blend humour with warmth, rhythm and truth. Helly's early comments suggest that she has approached her 'Chumbak' role exactly in that spirit.

The Trust Factor: Actor-Director Chemistry

Helly's repeated reference to her director's belief in her is worth reflecting on. In performance-heavy creative work, the trust between an actor and a director is often the invisible engine that powers the on-screen result. When an actor feels genuinely believed in, they show up with the courage to try, fail, retry and eventually discover new abilities. That kind of trust often shapes an actor's identity for years to come.

Audience Sentiment: Warmth for a Familiar Face

Helly Shah's fan base — built over years of television and streaming work — has reacted warmly to the news of her first comedy outing. There is genuine anticipation to see her in a lighter, more playful register, and her honest sharing about the emotional weight of the experience has already helped humanise her upcoming performance in the eyes of her followers.

Industry Impact: The Rise of Genre-Fluid Performers

Helly's move into comedy is part of a broader trend in Indian streaming — actors are increasingly embracing genre fluidity, moving comfortably between drama, comedy, thriller, romance and slice-of-life narratives. This genre fluidity is a healthy sign for the industry, as it expands the creative scope of performers, deepens audience engagement, and encourages writers and directors to design more layered characters.

The Vulnerability Advantage

One of the most striking elements of Helly's press interaction was the sheer vulnerability of her language — "nervous", "unsure", "surrendered", "shiver", "emotional". These are not the words typically deployed in polished promotional interviews. They are the words of an actor still processing the depth of a creative experience. That kind of vulnerability tends to translate into performances that carry emotional truth.

Why It Matters: A Comedy Anchored in Human Truth

The best comedies are almost always anchored in human truth. They may be built on jokes, misunderstandings or absurd situations, but they land emotionally only when the characters within them feel real. Helly's approach to her comic role in 'Chumbak' — steeped in emotional investment, personal risk and vulnerability — suggests that her character is likely to carry that quality of human truth, even within a humorous framework.

Behind the Scenes: A Warm Set Culture

Helly's repeated references to being trusted by her director indicate a set environment that appears to have prioritised creative safety, collaboration and mutual support. Such set cultures are often visible on screen — actors who feel supported tend to take bigger creative risks, which in turn produce more memorable performances. If the on-set atmosphere is as warm as her comments suggest, 'Chumbak' may well benefit from that reflected chemistry.

What to Watch for in 'Chumbak'

For fans and viewers, the run-up to the release of 'Chumbak' will now bring the full promotional cycle — including full-length trailer moments, cast interactions, character reveals and behind-the-scenes glimpses. Attention will particularly focus on how Helly Shah's comic timing translates to screen, how her performance blends with the rest of the ensemble and how her character arc unfolds through the series.

The Larger Career Arc

For Helly Shah personally, 'Chumbak' represents an important career milestone. Every actor's journey benefits from certain landmark projects that expand their range, redefine their identity and open new creative doors. If she pulls off her comic role effectively, it could very well mark the start of a new phase in her career — one in which she comfortably navigates both dramatic and comedic registers with equal command.

Why It Matters: The Value of Directorial Vision

Helly's story also reinforces the essential value of strong directorial vision. Sometimes, the best gift a director can give an actor is the belief that they can be more than what they have already been. When directors take that leap of faith, and actors respond to it with their full commitment, the outcome often surprises even the creators themselves. That is exactly the kind of creative collaboration Helly's press comments have described.

The Streaming Audience Advantage

Streaming platforms have transformed how Indian audiences discover new sides of familiar actors. Where television schedules once locked performers into narrow character templates, streaming shows offer them the freedom to explore complex, layered and genre-bending roles. Helly Shah's move into comedy through a streaming series is therefore both timely and strategic — placing her in a space that is designed to reward exactly this kind of creative reinvention.

Audience Anticipation Continues to Build

Reactions to Helly's trailer launch appearance suggest that anticipation for 'Chumbak' is genuinely building — driven both by her personal fan base and by broader curiosity around watching a well-loved actress attempt something new. That combination often creates a strong pre-release momentum, particularly on streaming platforms where discoverability is significantly aided by early buzz.

Why It Matters: Reinvention Keeps Careers Alive

At its core, the biggest lesson from Helly Shah's honest reflections is the enduring value of reinvention. Actors who continue to explore new genres, take on unfamiliar roles and embrace creative risk tend to build the longest and most rewarding careers. Her willingness to walk into a comedy set nervous but committed is a lovely example of exactly that principle in action.

The Bigger Picture: A Craft-First Approach

In today's entertainment ecosystem — where visibility, virality and social media reach often dominate conversations around actors — Helly's decision to open up about her creative process, her fears, her trust in her director and her emotional investment in the role is a refreshing return to craft-first conversation. That kind of grounded, honest engagement with one's own work is exactly what continues to distinguish enduring performers from momentary trends.

The Bottom Line

Helly Shah's first full-fledged comic outing in 'Chumbak' is more than just a new project — it is a genuine creative milestone in her acting journey. Her willingness to be openly vulnerable about her nervousness, her trust in her director, her surrender to the process and her emotional investment in the character all suggest a performer who is stepping into a new genre not with vanity but with grace. As anticipation builds ahead of the streaming show's release, one thing is already clear — 'Chumbak' has offered Helly Shah the space to discover a side of herself she did not previously know existed. And in that discovery lies not just a fresh chapter in her career, but a beautiful reminder to every artist and every fan that growth, more often than not, begins exactly where certainty ends. If the honesty of her press interaction is any indicator, viewers of 'Chumbak' may well be watching an actress step into her most personally meaningful role yet — one built on trust, courage, and the quiet strength of choosing to try.

• Taapsee Pannu says she was drawn to 'Gandhari' by her character Bani's "refusal to give up, even when everything seemed stacked against her".
• The trailer, unveiled on Tuesday, shows Taapsee as a mother whose daughter is abducted from a railway station.
• Story unfolds in the fictitious town of Joypurra, where fear, silence and mysterious Behrupiyas form part of the cultural fabric.
• Directed by Devashish Makhija, written and produced by Kanika Dhillon; stars Taapsee alongside Ishwak Singh, Jatin Sarna, Swastika Mukherjee, Mita Vashisht and Chhaya Kadam.
• The film premieres on Netflix on September 3, 2026.

Bollywood actress Taapsee Pannu, whose filmography has consistently spotlighted resilient, morally layered women, is now gearing up for what may be one of the most emotionally intense outings of her career — the Netflix thriller 'Gandhari'. The trailer of the film, unveiled on Tuesday, has already begun stirring conversation for its atmospheric mystery, its unsettling small-town canvas, and above all, for Taapsee's portrayal of Bani — a mother whose daughter is abducted from a railway station and whose grief transforms into fierce, unrelenting resolve.

Bani's Refusal to Give Up

For Taapsee, the character of Bani is more than a role — she is a study in unshakeable perseverance. Talking about what drew her to the film, the actress said, "What stayed with me throughout Gandhari was Bani's refusal to give up, even when everything seemed stacked against her. The role demanded a great deal physically, but it was her resilience, conviction and unwavering spirit that truly drew me in." Her comments capture the emotional spine of the film — a story where a mother's love becomes a force that refuses to accept defeat.

A Trusted Creative Partnership Reunites

Taapsee also underlined how meaningful it was to be back on a project with writer-producer Kanika Dhillon and Netflix. "Reuniting with Kanika as well as Netflix once again was incredibly special," she said. Elaborating on the depth of that partnership, she added, "Over the years, we've built a creative partnership rooted in trust and a shared love for telling stories about complex, compelling women. Bringing this film to life with Devashish and such a talented ensemble cast made the experience all the more rewarding. I can't wait for audiences around the world to experience Gandhari on September 3." Her framing signals that 'Gandhari' is not merely a one-off project but the latest chapter in an evolving creative universe centred on women who refuse to fit into easy narratives.

The World of Joypurra

'Gandhari' is set in the fictitious town of Joypurra — a place where fear and silence coexist with the enigmatic Behrupiyas who form an integral part of the town's cultural fabric. The Behrupiyas — traditional Indian performers known for their layered disguises and shape-shifting personas — provide the film with a unique visual and cultural texture. Their presence lends the town a dreamlike, unsettling quality, hinting at a place where identity, illusion and truth blur into one another.

The Abduction That Begins Everything

The trailer opens the door to the film's inciting crisis — the abduction of Bani's daughter from a railway station. It is a moment that not only launches the narrative but also lays bare the fragility of everyday life in Joypurra. As the investigation begins to unravel unsettling questions about the town, its people and its silences, Bani takes matters into her own hands — refusing to wait for a system that seems too slow, too disinterested or too complicit.

Devashish Makhija's Vision

Director Devashish Makhija has crafted a distinctive cinematic universe for 'Gandhari' — one that combines suspense, atmosphere and emotional depth. "What drew me to Gandhari was the cinematic potential to visually build a mysterious, layered world that hasn't been seen before on screen. Yet, beneath all of the suspense, peril and action is a universal story of human choices, consequences, and the extraordinary lengths someone can go to for the one they love most. Bringing this vision to life with Tapsee and a fantastic, inspiring ensemble cast was a privilege. With Netflix, now audiences across the world can experience this journey on September 3," Makhija said.

His comments position the film as a rare hybrid — a mystery-thriller that is powered by mood and world-building, but anchored in universal emotion.

An Ensemble Built for Layered Performance

'Gandhari' brings together an ensemble that reads like a masterclass in performance-first casting. Alongside Taapsee, the film stars Ishwak Singh, Jatin Sarna, Swastika Mukherjee, Mita Vashisht and Chhaya Kadam. Each of these actors carries a distinct emotional register — from restrained intensity to sharp instinct — and together they create a cast capable of shouldering the film's dense atmospheric demands.

The Chhaya Kadam Layer

The presence of Chhaya Kadam, who has revealed that she learnt Bengali specifically for her role in 'Gandhari', adds another significant dimension of authenticity to the film. Casting decisions like these — where actors immerse themselves in language and culture — often become the small details that elevate a thriller from good to memorable.

The Emotional Core: Action Meets Sacrifice

While the film is being packaged as a thriller with strong action sequences, its emotional anchor lies elsewhere. 'Gandhari' blends intense action with a deeper story of courage, sacrifice and perseverance. In many ways, the mystery is the trigger; the emotional journey of Bani is the actual movie. That balance is what tends to separate atmosphere-heavy thrillers from truly resonant ones.

Why It Matters: A Mother's Story With Universal Weight

Bani's journey in 'Gandhari' taps into one of the oldest and most emotionally powerful narrative wells — a mother willing to go to extraordinary lengths to protect her child. That archetype cuts across languages, cultures and audiences. Layered onto that universal emotional pillar is Devashish Makhija's atmospheric small-town canvas and the Behrupiyas' cultural specificity — a combination that gives the film both mainstream reach and creative distinction.

Industry Impact: The Women-Led Thriller Momentum Continues

'Gandhari' arrives at a moment when women-led thrillers have been steadily carving out significant space on Indian streaming platforms. Netflix, in particular, has been aggressively curating a slate of female-led stories that are morally layered, tonally ambitious and internationally scalable. 'Gandhari' fits squarely into that curation — combining Taapsee's proven audience pull, Kanika Dhillon's writing signature and Devashish Makhija's directorial voice into one project.

The Kanika Dhillon Signature

Kanika Dhillon's fingerprints on 'Gandhari' are unmistakable. Over multiple projects, she has built a distinct writing identity around women who defy expectation, live with contradictions and refuse to be reduced to victimhood. Her decision to write and produce Bani's story signals that this is a character crafted with the intent of long-term cultural resonance — one that could sit alongside her earlier iconic female leads in Indian audience memory.

Audience Sentiment: Trailer-Led Anticipation

Reactions to the trailer have been notably enthusiastic. Fans have praised the visual palette, the eerie small-town setting, the ensemble casting and Taapsee's fierce presence. Social media conversations around 'Gandhari' have leaned into the mystery angle — with viewers already dissecting frames from the trailer for clues, symbolism and character hints. This kind of active, participatory audience engagement is a strong indicator of pre-release momentum.

Why It Matters: Netflix's Increasingly Nuanced India Story

Streaming platforms globally have been sharpening their focus on region-specific storytelling that carries universal appeal. Netflix's continued investment in projects like 'Gandhari' shows a clear editorial confidence in Indian stories that lean into cultural nuance, moral complexity and craft ambition. For audiences, that means an increasingly diverse and rewarding slate of Indian originals.

The Bigger Picture: Cinema That Trusts Its Audience

At its core, 'Gandhari' represents a kind of cinema that trusts its audience — one that assumes viewers can hold silence, ambiguity, complexity and cultural specificity all at once. In a global content environment that often defaults to fast-paced simplicity, this kind of storytelling is both rare and important. It marks a maturation of what Indian streaming cinema is willing to attempt — and what Indian audiences are increasingly ready to embrace.

Countdown to September 3

With just days to go until its Netflix premiere, the promotional cycle for 'Gandhari' is expected to intensify. More character reveals, behind-the-scenes glimpses, cast interviews and thematic explorations are likely to roll out in the coming days. For fans of Taapsee Pannu, Kanika Dhillon and Devashish Makhija, September 3 has been circled on the calendar for a while — and the trailer has only sharpened that anticipation.

The Taapsee Pannu Legacy

Bani, in that sense, joins a specific gallery of Taapsee Pannu characters — women who have been dismissed, underestimated or endangered, but who refuse to fold. From 'Pink' to 'Thappad', from 'Haseen Dilruba' to 'Mission Mangal', Taapsee has consistently chosen roles that trust the audience to travel with a complex, resilient female protagonist. Bani seems perfectly positioned within that lineage — perhaps even further along it.

The Bottom Line

'Gandhari' is shaping up to be one of the most emotionally charged and visually distinctive Indian streaming releases of the year. In Bani, Taapsee Pannu has found another character whose defining trait — the refusal to give up — mirrors the values that have defined her own career. In Joypurra, Devashish Makhija has built a fictional world that feels both familiar and unsettling. And in Kanika Dhillon, the film has a writing voice that consistently insists on placing complex, uncompromising women at the centre of Indian storytelling. When 'Gandhari' drops on Netflix on September 3, audiences will not just be watching a mystery unfold. They will be watching a mother refuse — with quiet ferocity — to accept a world that has taken her child. And that, ultimately, is the kind of story that cinema was made for.

• Playback icon Sonu Nigam has revealed that during his early Delhi days, he used to record 16-17 jingles a day in different voices and languages.
• Delhi jingles stint gave him fluency in languages ranging from Kashmiri and Haryanvi to Tamil, Telugu, Manipuri and Assamese, long before he moved to Mumbai.
• Has sung in Odia, Bengali, Kannada, Rajasthani, Gujarati, Marathi, Khasi, Konkani, Garhwali, Kumaoni, Dogri and many more.
• Recently released Haryanvi track 'Chunni' with Renuka Panwar; written and composed by Aamin Barodi, music video features Charmee Zaveri.
• Has lent his voice to more than 6,000 songs across over 32 languages; discography extends to English, Latin and Dutch.

Playback legend Sonu Nigam has, over the past three decades, become one of the most recognisable voices in Indian music — but the story of how he built the technical and linguistic muscle to sing across dozens of languages often gets lost in the noise of his mainstream success. In an exclusive conversation with IANS, the 'Kal Ho Na Ho' singer opened up about a defining early chapter of his career — his years in Delhi as a prolific jingle singer, when he would routinely record 16 to 17 jingles a day in different voices and languages. That chapter, he suggests, is where the multilingual legend was quietly built.

The Delhi Grind: A Blueprint for Range

For Sonu Nigam, the Delhi jingle circuit was not just a career waypoint — it was a masterclass in linguistic and vocal versatility. "I started very early, so I got a chance to sing in different languages when I was still in Delhi. I was doing jingles at that point. I hadn't come to Bombay yet, and I was recording in Delhi. I used to record 16-17 jingles in different voices every day. So, I got a chance to become acquainted with different languages of India, from Kashmiri to Haryanvi, Rajasthani, Marathi, Tamil, Telugu, Manipuri, Assamese, and many others. I used to sing in all those languages in Delhi. And when I came to Bombay, after that, I got the opportunity to sing in Mumbai," he shared.

The Discipline That Built the Legacy

Recording 16 to 17 jingles in a single day is not merely a productivity milestone — it is a rare form of vocal, mental and linguistic discipline. Each jingle demands its own emotional register, tonal identity, cultural nuance and phonetic accuracy. Doing that across multiple languages in the same day requires a level of preparation, breath control, cultural sensitivity and command over voice modulation that most singers do not encounter across an entire year. That is precisely the discipline Sonu built during his Delhi years — long before his voice ever became a household name.

An Encyclopaedic Linguistic Discography

The result of that early grounding is a discography that reads like a linguistic map of India itself. "I have sung in Odia, Bengali, Kannada, Telugu, Tamil, Rajasthani, Gujarati, Marathi, Haryanavi, Khasi, Manipuri, Konkani, Garhwali, Kumaoni, Kashmiri, Dogri, and many, many more. I had sung in Haryanavi earlier as well for films; now I am doing it privately. So yes, because it has been such a long career, I have had lots of opportunities to learn newer styles and sing in different languages," he added. Few contemporary Indian singers have this kind of linguistic footprint — and even fewer have delivered in each with the fidelity Sonu Nigam consistently has.

'Chunni': A Return to Haryanvi Roots

Even at this stage of his career, Sonu continues to make choices that reconnect him with his roots. He recently released the Haryanvi track 'Chunni', a romantic number that features his soulful vocals alongside singer Renuka Panwar. Written and composed by Aamin Barodi, the music video for the song features Charmee Zaveri. The release has been embraced warmly by fans of Haryanvi music, who see it as an affirming embrace of the region's rich musical culture by one of India's most established voices.

Haryana: An Emotional Homecoming

Sonu has previously told IANS that Haryana holds a special place in his heart, as the state is closely connected to his family. He has revealed that he spent part of his childhood there, and that his father and sister also grew up in Haryana. That emotional connection makes his choice to sing in Haryanvi — particularly at this point of his career, when he can technically choose from any language and genre — feel less like a professional decision and more like a personal homecoming.

The Numbers That Define a Legacy

Sonu Nigam's career, when reduced to numbers, is staggering. He has lent his voice to more than 6,000 songs across over 32 languages. His extensive body of work spans Hindi, Kannada, Bengali, Punjabi, Marathi and multiple other Indian languages. Beyond India, he has taken his voice to global platforms with performances in English, Latin and Dutch — an international footprint that has quietly grown alongside his mainstream Bollywood identity.

Why It Matters: The Unseen Foundations of Playback Genius

The Delhi jingle chapter of Sonu Nigam's career highlights something the wider music industry often forgets — that behind every celebrated playback voice lies a foundation of relentless, low-glamour, high-discipline work. Recording jingles is rarely spotlighted in celebrity narratives, but it is often the crucible in which future icons develop technique, versatility and emotional range. Sonu's own trajectory is a powerful reminder that the loudest careers often begin in the quietest studios.

The Language of Music, The Music of Language

For Sonu Nigam, learning to sing in a language is not just about pronunciation — it is about culture, feeling and respect. That is precisely why his cross-language performances land emotionally, not just technically. Whether he is singing a Bhojpuri folk melody, a Tamil devotional or a Konkani wedding number, his voice carries not just the words but the cultural weight of those words. That emotional accuracy is difficult to teach and is usually the outcome of exactly the kind of ecosystem exposure his Delhi years provided.

Industry Impact: A Lifelong Case for Range

Sonu Nigam's career offers a masterclass in the commercial power of range. In an industry that often pressures singers to build a niche identity, his willingness to move fluidly across languages, genres and moods is a case study in longevity. It reinforces the idea that specialisation may make you visible, but versatility keeps you relevant across decades. For emerging singers, that is a foundational lesson worth internalising.

Audience Sentiment: A Rare Kind of Trust

Sonu Nigam's audience has, over decades, developed a rare kind of trust in his voice — one that transcends language boundaries. Fans in Chennai listen to him as attentively as fans in Chandigarh. Diaspora audiences in London, Toronto or Dubai carry the same emotional connection to his voice as listeners in Lucknow. That kind of trust is a cumulative result of years of consistent quality, cultural respect and vocal integrity — none of which happens by accident.

The Independent Music Chapter Continues

Alongside his film work, Sonu has been actively engaging with independent music — including regional-language releases like 'Chunni'. This dual-track presence is important. It keeps him connected to shifting audience tastes, extends his relevance in the streaming-first era, and allows him to explore artistic choices that might not always fit the constraints of mainstream Bollywood. It is exactly the kind of hybrid identity that today's music industry increasingly rewards.

Why It Matters: The Case for Craft Over Shortcuts

At a time when a large portion of viral music is built on algorithm-friendly hooks and rapid-fire content cycles, Sonu Nigam's story reminds the industry — and its emerging voices — that craft still matters. His mastery over multiple languages, his early jingle-era work ethic, and his willingness to keep learning even as one of India's most celebrated singers all reinforce a simple but powerful principle: shortcuts may build moments, but craft builds careers.

The Bigger Picture: A Living Chapter of Indian Music History

At his current stage in the industry, Sonu Nigam is not just an active artist — he is a living chapter of Indian music history. His career has spanned the transition from radio to television to streaming, from analogue recording to digital production, from film-dominated music to independent releases. Very few voices have not only witnessed this evolution but continued to remain central to it. His journey stands as both an artistic and industrial reference point for anyone who wants to understand how modern Indian music truly took shape.

What to Watch Next

Fans will now be watching closely for what Sonu Nigam takes on next. Whether it is more independent regional releases, film soundtracks that showcase his classical roots, or the international collaborations he has previously said he is keen on exploring, his upcoming projects will continue to demonstrate the same underlying philosophy — that curiosity, hard work and respect for language remain the truest foundations of great music.

The Bottom Line

The story of Sonu Nigam recording 16 to 17 jingles a day in Delhi is more than just a nostalgic anecdote — it is the origin story of one of India's most technically accomplished and emotionally connected voices. It is the story of how a young singer, long before fame arrived, laid down the linguistic, vocal and cultural foundations that would eventually let him sing in over 32 languages and cross more than 6,000 songs. In a music industry that today often celebrates instant success, Sonu Nigam's Delhi years serve as a powerful reminder that the greatest voices are not created overnight — they are shaped, day by day, jingle by jingle, language by language, until one day the world realises that a legend has quietly been in the making all along.

• Television actress Shivangi Joshi has officially clarified that she is NOT participating in 'Bigg Boss 20'.
• Her clarification came after a video claiming to confirm her participation went viral on social media.
• 'Bigg Boss 20' premieres on September 6, with Salman Khan returning as host.
• Names in the buzz include Rajat Bedi (reportedly confirmed), Geeta Basra and Showik Chakraborty (said to be finalised), with Niti Taylor and Anjali Arora in advanced discussions.
• Shivangi was recently seen as the first runner-up of 'Lock Upp Season 2', with Shreya Kalra winning the trophy at the grand finale on August 5, 2026.

Popular television actress Shivangi Joshi has officially closed the door on one of the biggest reality TV rumours of the season. Amid a swirl of speculation about the 'Bigg Boss 20' contestant lineup, the 'Yeh Rishta Kya Kehlata Hai' star publicly clarified on Tuesday that she is not part of Salman Khan's upcoming Bigg Boss season. Her statement, timed and phrased with clarity, effectively pulls the plug on what had become one of the most viral fan-driven casting narratives online.

The Trigger: A 'Confirmed Contestant' Video Goes Viral

The clarification came in direct response to a video circulating widely on social media, which claimed to confirm her participation in 'Bigg Boss 20'. In the meme-driven, screenshot-friendly world of reality TV fandom, such videos travel fast — often faster than the ability of the celebrity in question to respond. In this case, Shivangi chose to intervene decisively and personally rather than let the narrative harden into perceived fact.

The Actress's Own Statement

Taking to her Instagram Stories, the 'Yeh Rishta Kya Kehlata Hai' actress wrote, "It has come to my attention that a video circulating on social media falsely claims to confirm my participation in Bigg Boss 20. I would like to clarify that I am NOT participating in Bigg Boss 20, and the video is completely fake." The tone was firm, factual and free of ambiguity — a textbook example of a public figure using their own platform to shut down misinformation directly.

Why This Rumour Went Viral

Shivangi Joshi's name has, unsurprisingly, been at the top of every fan-generated Bigg Boss casting wishlist for multiple seasons now. Her enormous fan following built through 'Yeh Rishta Kya Kehlata Hai', combined with her more recent visibility on 'Lock Upp Season 2' — where she finished as first runner-up — makes her a natural candidate for the show. That existing fan appetite is precisely what allowed the fake video to gain traction, feeding into a pre-existing narrative rather than creating one from scratch.

The Bigger Bigg Boss 20 Picture

'Bigg Boss 20' is set to premiere on September 6, with the ever-reliable Salman Khan returning as host — the axis around which every new Bigg Boss season traditionally revolves. As is customary in the run-up to a new season, the internet has been flooded with reports, speculations and unofficial casting lists. However, the makers are yet to officially announce the final contestant lineup, leaving space for a steady stream of both accurate reports and, as this incident illustrates, some outright misinformation.

Names in the Buzz

Several celebrity names have been doing the rounds ahead of the new season. According to reports, actor Rajat Bedi is reportedly confirmed, while Geeta Basra and Showik Chakraborty are said to have been finalised as part of the contestant lineup. Additionally, Niti Taylor and Anjali Arora are reportedly in advanced discussions to join the show. Together, these names hint at a season blending fresh faces, digital-first celebrities, and returning television personalities — a familiar Bigg Boss casting formula.

Why It Matters: The Fake Video Problem

Shivangi's episode is a small but telling case study of a much larger challenge facing the modern celebrity ecosystem — the ability of misinformation to circulate at scale before official denials can catch up. Fake videos, morphed statements and fabricated posters have become common in the run-up to major reality shows, particularly one with as much fan intensity as Bigg Boss. For celebrities, the ability to swiftly and publicly correct the record has become an essential communication skill in itself.

Industry Impact: A Signal for Producers Too

The incident also carries implications for the show's producers and PR machinery. Even before an official contestant lineup is announced, fake casting narratives risk creating audience expectations that may not align with the actual final list. That, in turn, can create early perception problems for the season. Structured, timely and consistent communication from the makers is one of the strongest antidotes to a rumour-driven content environment.

Fan Sentiment: Disappointment Meets Respect

Reactions from Shivangi's fan community to her clarification have been layered. On one hand, many fans have expressed disappointment that she is not entering Bigg Boss 20 — a stage they have long imagined her thriving on. On the other, there has been widespread appreciation for the crisp, dignified manner in which she addressed the fake video head-on. In an era of ambiguous non-denials, a clear, unequivocal statement is often the most respected posture a celebrity can take.

The Salman Khan Factor

Regardless of casting particulars, Salman Khan's return as host once again positions Bigg Boss as one of the most influential reality properties on Indian television. His presence anchors the season commercially, culturally and emotionally, giving even mid-tier controversies a magnified reach. The pressure of casting decisions, in that sense, is not just about individual episodes — it is about maintaining the show's positioning as India's most talked-about reality format.

Shivangi's Recent Highlight: Lock Upp Season 2 Runner-Up Finish

While she is out of the Bigg Boss race, Shivangi Joshi's recent trajectory tells its own compelling story. She emerged as the first runner-up of 'Lock Upp Season 2', with Shreya Kalra taking home the winner's trophy at the grand finale held on August 5, 2026. Her strong performance on Lock Upp had, in fact, further amplified her stock as a natural fit for reality TV — reinforcing why so many fans instinctively believed she would show up in the Bigg Boss house.

What This Means for Her Career Path

By publicly opting out of Bigg Boss 20, Shivangi Joshi is signalling clarity around her project pipeline and personal preferences. Reality TV, particularly formats like Bigg Boss, can be enormously rewarding but equally demanding — physically, emotionally and reputationally. Her decision suggests that she is choosing to steer her career on her own terms, rather than being nudged into moves shaped purely by external expectations.

Why It Matters: The Rise of Celebrity Self-Communication

Shivangi's approach — a direct Instagram Story statement instead of a filtered PR release — reflects a broader shift in how modern celebrities are increasingly relying on their own social platforms for narrative control. It is faster, more personal, and reaches millions of followers directly. In a media environment where speed often defines truth, self-communication has become one of the most valuable tools in a celebrity's crisis-management kit.

Audience Sentiment: A Craving for Authentic Voices

Fans across social media platforms have widely applauded Shivangi's honesty. In a season already dominated by rumour cycles, her willingness to say "no" clearly — and to publicly call out the fake video for what it was — reinforces her image as an artist who values authenticity over spin. That reputation, over time, tends to translate into stronger long-term audience loyalty.

The Bigger Picture

The Shivangi Joshi–Bigg Boss 20 chapter is small in isolation, but it captures a larger truth about the state of Indian celebrity media. Speculation is loud, misinformation travels fast, and the burden of setting the record straight increasingly rests on the shoulders of the celebrity themselves. Shivangi's swift, unambiguous denial is a template many peers may want to study — one that protects both truth and trust.

What to Watch: The Bigg Boss 20 Reveal

For fans of Bigg Boss, the countdown to September 6 is officially on. The makers are expected to roll out the final contestant lineup, teaser promos, and Salman Khan-anchored launch content over the coming days. Every announcement between now and premiere night will be dissected, celebrated, criticised and memed by fans, in a season that promises no shortage of drama — even before the first task is assigned.

The Bottom Line

Shivangi Joshi may not be walking into the Bigg Boss 20 house, but she has once again reminded her fans — and the wider industry — of something arguably more important than any reality show appearance. That in a media landscape often shaped by noise, a single clear, honest sentence from a star can still cut through everything. And that, ultimately, is a form of celebrity power that no fake video can manufacture — or take away.

Also Read: Tanushree Dutta Slams Bollywood 'Veteran' Culture: Trust Character, Not Age

• Filmmaker-producer Vipul Amrutlal Shah has reunited with superstar Akshay Kumar after 13 years for ambitious alien action thriller 'Samuk', which has gone on floors.
• Directed by Kanishk Varma; positioned as a large-scale theatrical survival-action thriller with an international production approach.
• Academy Award-nominated creature-effects designer Alec Gillis — known for work on 'Alien' and 'Predator' — has designed the film's central alien.
• International action team headed by British action director Luke Tumber; project has been in development for over two years.
• Shah and Akshay have previously collaborated on 'Aankhen' (2002), 'Waqt: The Race Against Time' (2005), 'Namastey London' (2007), 'Singh Is Kinng' (2008) and 'Action Replayy' (2010).

One of Hindi cinema's most successful actor-producer partnerships has finally been rekindled. Filmmaker-producer Vipul Amrutlal Shah has confirmed that he is reuniting with superstar Akshay Kumar after 13 years for the ambitious alien action thriller 'Samuk', which has officially gone on floors. The reunion, coming after a decade-plus gap, is being treated as an event moment by both the filmmaker and the actor's fanbase — and the scale of the project only heightens the anticipation.

Vipul Shah's Emotional Note on the Reunion

Talking about coming back together with Akshay after such a long pause, Shah struck a heartfelt tone. "After a gap of 13 years, starting a new journey with Akshay Kumar today is a very, very joyful, happy and proud moment for all of us," he said. He added, "The ambition to create something better and bigger every single time with Akshay Sir has been the hallmark of our journey. We have challenged each other in many ways to keep pushing ourselves and do better, and this time, the challenge is bigger than ever. I hope we create something together that people will absolutely love."

What Is 'Samuk'?

Directed by Kanishk Varma and produced by Vipul Amrutlal Shah, 'Samuk' is being mounted as a large-scale theatrical survival-action thriller. Uniquely for a Bollywood tentpole, the film brings together an international creature and stunt team to explore the alien genre in an Indian setting — a genre space Hindi cinema has historically flirted with but rarely tackled head-on at this scale.

An Alien Genre Bet From Bollywood

Bollywood's tryst with alien and creature-driven sci-fi has been sporadic — with a handful of standout films but no consistent genre pipeline. 'Samuk' represents a serious swing at establishing homegrown, world-class alien storytelling that combines Indian sensibilities with international production standards. The genre gamble is significant, and its success or failure could shape how Indian studios approach speculative-fiction cinema going forward.

Two Years in Development

According to the makers, 'Samuk' has been in development for over two years, with Shah and director Kanishk Varma building a world that fuses military realism, survival elements and alien mythology. The layered creative approach signals that this is not being treated as a genre novelty — it is being architected as a proper franchise-ambition film, backed by disciplined pre-production.

The Alec Gillis Factor: Hollywood-Grade Creature Design

Arguably the biggest technical headline of 'Samuk' is the involvement of Academy Award-nominated creature-effects designer Alec Gillis. Gillis is a legendary name in the space, with credits that include seminal work on 'Alien' and 'Predator' — franchises that essentially defined the creature-feature genre for global cinema. His involvement in designing the film's central alien immediately vaults 'Samuk' into a different production tier and signals the makers' seriousness about visual craft.

International Action Direction: Luke Tumber Leads

Alongside Gillis, British action director Luke Tumber leads the film's international action team. That combination of a globally-experienced action head with a Hollywood-pedigree creature designer suggests 'Samuk' is being engineered to deliver both spectacle and physical intensity of a scale rarely attempted in mainstream Hindi cinema. For action-genre fans, this is a stacked technical setup.

The Shah-Akshay Legacy: A Look Back

Vipul Shah and Akshay Kumar's creative history is one of Bollywood's most productive collaborations. Their first outing together was the multi-starrer heist thriller 'Aankhen' in 2002, followed by the family drama 'Waqt: The Race Against Time' in 2005. The romantic drama 'Namastey London' in 2007 became a cultural moment for the diaspora audience, while Shah produced the blockbuster 'Singh Is Kinng' in 2008. Their last collaboration was 'Action Replayy' in 2010, before the two amicably drifted onto separate creative paths. 'Samuk' now closes that 13-year loop.

Why It Matters: A New Chapter in Akshay Kumar's Genre Play

For Akshay Kumar, 'Samuk' represents another bold step in his continually diversifying filmography. Alongside patriotic dramas, historical films and mainstream comedies, the actor is now leaning into large-format genre cinema. An alien-survival-action thriller is uncharted terrain for him — and stepping into it under a filmmaker with whom he shares deep professional history minimises creative risk while maximising ambition.

Industry Impact: A Signal to Bollywood's Sci-Fi Ambitions

'Samuk' arrives at a moment when Indian audiences are increasingly open to genre-defining sci-fi cinema, thanks in part to the success of Telugu and Tamil films that have taken bold speculative-fiction swings. Bollywood's ability to compete in this space has been widely debated. A Vipul Shah–Akshay Kumar collaboration, backed by Alec Gillis's creature design and Luke Tumber's action choreography, is arguably the most ambitious industry answer to that debate yet.

Audience Sentiment: Anticipation Meets Curiosity

Fan reactions have combined nostalgia for the Shah-Akshay pairing with genuine curiosity about the film's genre and scale. The involvement of an Academy Award-nominated creature designer has become a leading talking point online, with fans framing 'Samuk' as a "next-level Bollywood attempt at sci-fi". The narrative momentum, even at the floors-on stage, is significant — and hard-earned in a market where launch buzz is increasingly difficult to build.

The Road Ahead

With production underway and top-tier international collaborators on board, all eyes are now on how 'Samuk' unfolds through its shoot schedule, VFX build and eventual promotional rollout. If Shah and Varma succeed in delivering the theatrical scale they are aiming for, and Akshay Kumar delivers a performance that matches the ambition of the world around him, 'Samuk' could genuinely reset expectations for what a Bollywood alien-action thriller can look like.

The Bigger Picture

Above all, 'Samuk' is a reminder that some of Hindi cinema's most powerful creative equations don't fade — they simply wait for the right story to bring them back. Thirteen years since their last collaboration, Vipul Amrutlal Shah and Akshay Kumar are picking up not where they left off, but somewhere far more ambitious. And if their track record is any indication, audiences are in for a spectacle worth the wait.

Also Read: Jackie Shroff Honors Achyut Potdar, Gopi Kishan & Paintal

• Actress Tanushree Dutta has questioned Bollywood's tradition of automatically respecting or trusting someone based on age or 'veteran' status.
• In a new video post on Monday, she said she now gives respect based on character, not age: "Never trust a person just for their age."
• Recalled her own stardom era, admitting she wasn't "street smart" and was made a "scapegoat" on a film set despite being the biggest star there.
• Redefined seniority sharply: "There is no senior in Bollywood by age. The one whose stars are high is a senior. The one whose movie is getting a hit is a star."
• In a strongly worded caption, she argued that "veteran" in Bollywood often means a manipulative operator, adding, "demons are also veteran".

Actress Tanushree Dutta, whose voice has consistently pierced Bollywood's carefully guarded silences, is back with another provocative reflection — this time targeting the industry's culture of automatic reverence for age and 'veteran' status. In a video shared on Monday, the 'Aashiq Banaya Aapne' actress declared that she now judges people by character rather than age, warning against blind trust in industry veterans. Her core message: seniority in Bollywood isn't a function of years; it's a function of power, hits, and, sometimes, calculated manipulation.

'Never Trust a Person Just for Their Age'

Reflecting on her personal journey and hard-earned lessons, Tanushree cut through polite showbiz convention with a single line: "Never trust a person just for their age." She added that she now gives respect based on a person's character, not the number on their calendar. It is a rejection of one of Hindi cinema's most entrenched norms — the assumption that longevity in the industry automatically confers wisdom, integrity or benevolence.

Redefining Who a 'Senior' Really Is

The 'Dhol' actress also pushed back against the conventional Bollywood hierarchy that equates seniority with age or vintage. "There is no senior in Bollywood by age. The one whose stars are high is a senior. The one whose movie is getting a hit is a star," she asserted. In a business where power is fluid and box-office cycles rewrite pecking orders overnight, her formulation captures a harsher, more transactional truth about the industry.

Looking Back at Her Own Stardom

Tanushree used the video to look back at a phase when her career was at its peak. "I was a very big star. I may not have been the top number one star, or I may not have been a super duper star, but I was a very big star," she recalled. But even that success, she said, came without the essential armour she now recognises as necessary — industry street-smarts. "I was definitely not street smart. I did not get a chance to learn the grace, mischief, and cunning of God," she admitted candidly.

The 'Scapegoat' Recollection

The actress also recalled a difficult episode on a film set where she felt she was made the target of a coordinated controversy. She claimed she was turned into a "scapegoat" even though she was the biggest star present on that set at the time. Without naming names, she reflected on the dynamics that allowed such a moment to unfold — the alliances, the power play, and her own inexperience in reading the room.

The Caption That Stopped Bollywood's Scroll

Alongside the video, Tanushree posted a caption that quickly began doing the rounds online. "Mujhe bhi yehi laga tha ki aged actor hai, koi kaam nahi de raha, help kar deti hoon. But no, Bollywood mein 'veteran' ka matlab hai shatir-dimag manjha hua khiladi jo ghat ghat ka paani peekar saari chaalbaazi seekh chukar hai, jissko saari media & Public manipulation aati hai. So they can cover up their crimes and real character. Yeh hai real world definition of veteran," she wrote.

She went further: "Never trust a person just for their age. Some of these very evil and negative people with very dark and nefarious intentions towards youngsters are in the category of veteran. They hate young privileged people and will do anything to destroy them. Bollywood has seen this phenomenon time and time again."

'See Them as Souls': The Spiritual Sign-Off

The actress closed her post with a spiritual reframe. "See them as souls. See everyone as a soul before you see age, appearance or background. This world is built by people like us and destroyed by those who wear masks of propriety. Recognise souls and divinity. Demons are also veteran!! They are older than humans, yes the demons are ancient beings. So they are veteran evil, meaning they doing evil for a long time. Some humans are incarnations of demons and rakshasas meant to lead humanity astray. I learnt a big lesson. Today I give respect according to character, not age," she added.

Why It Matters: The Long Shadow of an Unfinished Conversation

Tanushree Dutta is not just any actress reflecting on industry etiquette. She was the catalyst for India's #MeToo movement in 2018, and every subsequent statement from her carries the weight of that landmark moment. Her critique of the 'veteran' construct extends that same conversation — pointing to how seniority can be weaponised as cover for accountability, and how younger entrants are often expected to defer to power rather than question it.

Industry Impact: Cracks in Bollywood's Elder-Reverence Ethos

Bollywood has long operated on layered protocols of deference, where seniors are addressed with elaborate respect and rarely publicly challenged. Statements like Tanushree's chip away at that ethos and hand younger actors a vocabulary to distinguish between earned respect and enforced deference. Whether the industry embraces this recalibration or resists it will shape the workplace culture that emerges in the next decade.

Audience Sentiment: A Divided but Engaged Response

Reactions on social media have been immediate and polarised. A large section of users has praised her for articulating what many industry outsiders have long suspected. Others have argued that she is generalising too broadly and unfairly maligning genuinely respected artists. What is not in dispute, however, is that Tanushree's voice continues to force uncomfortable but necessary conversations that most in Bollywood would rather sidestep.

The Bigger Picture

At its core, Tanushree Dutta's Monday post is a challenge to a system, not a set of individuals. It asks a simple, discomfiting question: what does 'veteran' actually mean in an industry where reputation is often curated more carefully than craft? For now, she has once again positioned herself at the sharp edge of that conversation — and Bollywood, as always, is listening even if it isn't yet ready to reply.

Posting a photo with his arms wrapped around Mana, Shetty expressed his gratitude for her support through every stage of his life and career.

"Through every phase, every high and every storm. My calm My strength My home," Shetty wrote on his official Instagram account. "Here’s to you - today and always. Love you endlessly. Tough Keeping up with you…Happy Birthday Wifey."

Family Celebrations and Tributes

The couple's children—actor Athiya Shetty and actor Ahan Shetty—also published dedicated messages celebrating their mother across their respective social media handles.

Athiya shared a photo accompanied by a caption highlighting Mana's role as the emotional anchor of their household:

"Happy birthday to my whole wide world... nothing is right without you, Mama," Athiya posted.

Ahan shared a quiet moment from a private family gathering alongside a simple message:

"Happy Birthday mom," he wrote.

Suniel and Mana Shetty married on December 25, 1991, following a nearly decade-long courtship, and remain one of the Hindi film industry's most enduring couples.

Recent Visits and Professional Projects

The birthday celebrations follow a recent personal trip to Punjab, where the couple visited the Golden Temple in Amritsar to offer prayers. Media footage recorded during the visit showed the couple interacting with visitors outside the shrine complex and spending quiet time together on the temple grounds.

On the professional front, Shetty was last seen in the ensemble comedy Welcome to the Jungle, appearing alongside an extensive cast including Akshay Kumar, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Disha Patani, and Jacqueline Fernandez.

Looking ahead, Shetty is set to reprise his popular character 'Shyam' in the next chapter of the Hera Pheri franchise, reuniting with longtime co-star Akshay Kumar. Additionally, the actor has joined the cast of an upcoming, untitled action-thriller directed by Sachin Ravi, starring opposite Tiger Shroff.

Shroff’s emotional posts resonated across the film industry, highlighting the contributions of classical artists and character actors whose careers helped shape mainstream Hindi cinema over decades.

Remembering Achyut Potdar: A Legacy on Screen

In a moving homage to Achyut Potdar, Shroff shared a vintage photograph featuring the late actor with the caption, “Always in our hearts #AchyutPotdar. Remembering Achyut Potdar ji on his birth anniversary.” To make the post personal, Shroff layered iconic dialogue audio from their 1992 crime-drama Angaar, directed by Shashilal K. Nair, where Potdar played the role of father to Shroff's character, Jaikishan (Jaggu).

In a moving homage to Achyut Potdar, Shroff shared a vintage photograph featuring the late actor with the caption, “Always in our hearts #AchyutPotdar. Remembering Achyut Potdar ji on his birth anniversary.” To make the post personal, Shroff layered iconic dialogue audio from their 1992 crime-drama Angaar, directed by Shashilal K. Nair, where Potdar played the role of father to Shroff's character, Jaikishan (Jaggu).

Potdar’s journey into acting was unconventional. Born in Jabalpur on August 22, 1934, he served in the Indian Army and worked with Indian Oil before making his feature film debut at age 44 in Govind Nihalani's Aakrosh (1980). Over a career spanning four decades, Potdar appeared in over 125 films and nearly 100 television series. His prominent filmography includes classics such as Ardh Satya, Tezaab, Parinda, Rangeela, Vaastav, and Lage Raho Munna Bhai. Younger audiences widely recognize him for his role as the professor in Rajkumar Hirani's 3 Idiots, famous for the line, "Kehna kya chahte ho?"

Honoring Choreographer Gopi Kishan and Veteran Actor Paintal

Shroff also remembered classical dance pioneer Nataraj Gopi Kishan, sharing a monochrome photograph depicting the maestro mid-performance. Born on August 22, 1935, Gopi Kishan was one of India’s foremost Kathak exponents and film choreographers. At just 17, he became the youngest choreographer in Hindi cinema history with the 1952 film Saqi. Awarded the Padma Shri in 1975, his cinematic legacy includes landmark dance sequences in Jhanak Jhanak Payal Baaje, Umrao Jaan, and Naache Mayuri. He also holds a historic record for a continuous nine-hour and 20-minute Kathak performance.

Celebrating the living legend Kanwarjit Paintal on his 78th birthday, Shroff posted: “Warm Wishes, Paintal ji #HappyBirthday #KanwarjitPaintal.”

Born on August 22, 1948, in Tarn Taran, Punjab, Paintal graduated from the Film and Television Institute of India (FTII) in 1969. Celebrated for his comedic timing in classics like Bawarchi, Jawani Diwani, and Satte Pe Satta, as well as his portrayals of Shikhandi and Sudama in B.R. Chopra's Mahabharat, Paintal later headed FTII’s Acting Department, shaping generations of dramatic talent.

Dholakia, best known for her landmark portrayal of the antagonist Komolika Majumdar in the hit television series Kasautii Zindagii Kay, documented the trip through a video montage shared on her verified Instagram profile. The visual diary captures the duo navigating various London landmarks, interspersing candid travel moments with solo photo ops.

A Friendship Forged in Indian Television History

Accompanying the video post, Dholakia reflected on the enduring nature of their relationship, captioning the post: "We are not just making memories.. we are paving the way for many more @ektarkapoor #travel #dostiyaari #london #urvashidholakia."

To complement the nostalgic tone of the travelogue, Dholakia set the montage to the track "Life Is Crazy," composed by Shankar-Ehsaan-Loy from the soundtrack of the film Wake Up Sid.

The creative partnership between Dholakia and Kapoor dates back to 2001, when Kapoor’s production banner, Balaji Telefilms, cast Dholakia in Kasautii Zindagii Kay. Dholakia's performance as Komolika became a defining fixture of early-2000s Indian television, establishing her as one of the industry's most recognizable screen talents. Over the subsequent two decades, their professional association extended through multiple Balaji Telefilms properties, including the hit fantasy drama Naagin 6, while simultaneously fostering a close personal dynamic away from the set.

Industry Networks and Recent Projects

The London trip follows a broader international gathering reported last week, where Dholakia shared photographs alongside Kapoor and film actress Nargis Fakhri. In that update, Dholakia referred to the creative figures as her "right tribe," emphasizing the importance of supportive professional and personal networks within the high-pressure entertainment industry.

Industry observers note that sustained personal alliances of this duration remain relatively rare within the fast-paced television sector. Beyond her travel updates, Dholakia continues to maintain an active presence on television. She was most recently featured as a contestant on Maa Hai Na, a high-concept cooking reality series hosted by Bollywood actor Shilpa Shetty. The format paired public figures with family members, featuring Dholakia alongside her family in a series of culinary and comedic challenges.

Kapoor, meanwhile, continues to oversee operations at Balaji Telefilms and Balaji Motion Pictures, expanding her slate across digital platforms, traditional broadcast networks, and feature films.

Sharing a photo montage featuring key moments from Vayu’s early childhood alongside his parents and younger brother Rudralokh, Ahuja described the four-year-old as the family's "greatest joy."

"Happy birthday to our precious little Vayu. Four years of sunshine, laughter, mischief and pure magic," Ahuja wrote. "You have brought so much happiness into our lives, and watching you grow into the sweetest, brightest little boy has been one of our greatest joys. May your beautiful smile always shine, your little heart always be filled with love, and that precious sparkle in your eyes never fade."

Ahuja added her blessings for her grandson's future, writing, "You may be little, but you have made the biggest place in our hearts. Lots and lots of love, hugs, and blessings always and forever."

Sonam Kapoor and Anand Ahuja, who married in an intimate Mumbai ceremony in May 2018, welcomed Vayu on August 20, 2022. The couple welcomed their second son, Rudralokh, in March 2026.

Throughout Vayu's early years, the London- and Mumbai-based couple has maintained a protective approach to their children's privacy, selectively sharing glimpses of their home life while keeping their sons' faces largely shielded from public digital platforms.

The birthday celebration comes as Kapoor prepares to resume public engagements following a period focused on her family. Attending a luxury jewelry event in Mumbai on Wednesday evening, the actor shared on social media that she was gradually stepping out from her "postpartum sabbatical."

Since making her feature film debut in Sanjay Leela Bhansali’s 2007 romance Saawariya, Kapoor has built a notable career in mainstream Hindi cinema, starring in critically acclaimed and commercially successful projects such as Delhi-6, Aisha, Raanjhanaa, Khoobsurat, Veere Di Wedding, and the 2016 biographical drama Neerja, which earned her a National Film Award.

Stepping away from the glamour of film sets and public appearances, the War star embraced a rustic aesthetic during her getaway, posing barefoot among dense greenery and wooden outdoor settings. Documenting her time outdoors across her official Instagram channel, Kapoor uploaded a gallery capturing her relaxed mood amidst natural surroundings.

"Found my natural habitat. I’ll take this version of me. barefoot and mildly feral. smile came with the hair flip. just look up," Kapoor captioned the post.

The visual series features Kapoor seated on a weathered wooden bench surrounded by forest foliage. Emphasizing an earthy and grounded atmosphere, one image depicts her mud-dusted feet, while an accompanying video clip captures her playfully flipping her hair with towering trees and a dense canopy framing the background.

The social media update drew immediate engagement from fans and industry peers alike. Fellow actor Raashii Khanna reacted to the post by leaving heart emojis in the comments section, reflecting the warm reception from her contemporary circle.

Kapoor frequently utilizes her digital platforms to maintain an authentic dialogue with her audience, alternating between high-fashion editorial shoots and spontaneous behind-the-scenes glimpses. Prior to sharing her outdoor excursion, the actor had posted portraits clad in an off-shoulder top paired with casual denim.

A Diverse Cinematic Trajectory

Kapoor’s latest social media update arrives during an active phase in her professional career. Since making her feature film debut under the Yash Raj Films banner in the 2013 romantic comedy Shuddh Desi Romance, she has steadily built a varied filmography within commercial Hindi cinema.

Her credits include high-profile projects such as Aditya Chopra’s Paris-set romance Befikre (2016) alongside Ranveer Singh, the action blockbuster War (2019) co-starring Hrithik Roshan and Tiger Shroff, and the progressive romantic drama Chandigarh Kare Aashiqui (2021) opposite Ayushmann Khurrana. She also features in the crime-thriller franchise installment Raid 2 alongside Ajay Devgn.

In addition to feature films, Kapoor has recently expanded her footprint into mainstream music media. She starred in the visual video for the hit track "Aadat," a major collaboration featuring prominent Punjabi music figures Yo Yo Honey Singh and AP Dhillon.

Commenting on the cross-genre project, Kapoor noted that she was drawn to the track's distinctive energy and production scale, expressing enthusiasm for collaborating with two artists whose musical output she has long admired.

Whether headlining major studio releases or sharing quiet moments away from the spotlight, Kapoor continues to balance a busy production calendar with moments of personal retreat, keeping her multi-platform audience closely connected to her journey.

The nostalgia unfolded during a taping of Sony Entertainment Television’s India’s Best Dancer Season 5, where both industry veterans serve as judges. The upcoming episode, themed "India Wala Dance," brings together direct commentary and on-set reflections from both artists regarding their initial meeting during the filming of the hit track Pyaar Kar.

A First Impression on Set

Kapur, who started her career as an assistant choreographer under Shiamak Davar, recalled being struck by Kapoor's demeanor when they met in 1996. At the time, Kapoor was already an established leading star in Indian cinema.

"I was just beginning my journey as an assistant choreographer while you were shooting the Pyaar Kar sequence," Kapur stated during the broadcast. "I met you for the first time and thought you were gorgeous. You were already an established star, but you treated me with a lot of love and respect. I still remember that first glimpse—you were wearing a light blue gown."

Tough Choreography and High Expectations

While the pair did not collaborate directly on feature films following Dil To Pagal Hai, their professional relationship continued across numerous international stage tours and live performances. Kapoor recalled Kapur's rigorous standards as a routine director during those live shows.

"Geeta was there in full force," Kapoor shared during the taping. "She showed me the routine, and I was like, 'What is happening?' The other artists were getting simpler steps, and I was assigned something akin to a Michael Jackson routine. I said, 'Geeta, this isn't fair. You're giving everyone else easy steps.' But Geeta just looked at me and said, 'You can do it.'"

The Legacy of 'Dil To Pagal Hai'

Released in 1997 under Yash Raj Films, Dil To Pagal Hai remains a benchmark for contemporary dance and romance in Hindi cinema. Directed by Yash Chopra, the film starred Shah Rukh Khan as Rahul, Madhuri Dixit as Pooja, Kapoor as Nisha, and Akshay Kumar in an extended guest appearance as Ajay.

The narrative centered on a professional dance troupe led by Rahul, navigating unrequited love and artistic ambition. When Kapoor's character, Nisha, suffers a performance injury, Rahul recruits Pooja, sparking a romantic sequence of events that redefined musical storytelling in Indian film.

The track Pyaar Kar, composed by Uttam Singh with lyrics by Anand Bakshi and vocals by Lata Mangeshkar and Udit Narayan, continues to be cited by music archivists and fans as one of the standout romantic compositions of late-90s Bollywood.

Keeping up with the trend, Kajol shared a few photos of herself looking extremely beautiful in a yellow saree with a red border, paired with a red blouse.

Her stunning ethnic look was completed with a big red bindi, jhumkas and a neat bun for her hair.

However, what caught the attention was the interesting question Kajol asked in the caption.

“When butterflies fall in love...do they feel humans in their stomach?” Kajol wondered, adding a thinking emoji.

In the comment section of the post, netizens praised the K3G actress with encouraging remarks such as “you’re enchanting woman” and “With THAT smile, you’re the reason there are butterflies in everyone’s stomach”.

One of the users even tried to make a logical argument for Kajol’s question: “Madam unke stomach me love hota he tabhi Dron ki tarah udte rahete he,” they wrote.

“If they do, those humans better be paying rent for staying in there,” read another comment.

In the meantime, Kajol celebrated her 52nd birthday on August 5.

Overwhelmed by all the love she received on her special day, Kajol shared a gratitude note on social media, calling herself “lucky” for having such a “delightfully crazy group of people” by her side.

The Maa actress published two pictures of herself stuck in traffic, and penned: “Not going to sit here and write a whole emotional essay, but I really couldn’t let the day end without saying thank you. To every single person who took two minutes out of their day to send a message, make a video, or just drop some love, thank you.”

“So lucky to have such a loyal & delightfully crazy group of people in my corner. Sending you all the tightest hugs imaginable...now go eat a piece of cake on my behalf! Love you guys!” she went on to add.

Kajol celebrated her birthday with actor Vatsal Sheth. Both of them were seen cutting the cake with their respective family members surrounding them.

The Taal director called him “the gem of Hindi cinema” and praised his immense contribution to poetry and lyrics. Taking to Instagram, Ghai wished Gulzar on his birthday and expressed his admiration for his creative legacy. He also thanked the celebrated poet for introducing a unique course in poetry and lyrics writing at Whistling Woods International, which he said is valuable for creative writers, thinkers, directors, producers and musicians.

Ghai further shared a poetic thought while describing Gulzar’s influence and contribution to the world of art and cinema. Sharing a photo, Subhash Ghai wrote: “Happy birthday to our dearest Gulzar Sahab, the gem of Hindi cinema and one of the finest poets of the 21st century. Thank u gulzar saheb for introducing a unique course in poetry n lyrics writing for every creative writer thinker director producer musician at whistlingwoods international Humans are born on this earth many times, but only a few lives are truly Gulzar — filled with beauty, poetry, and meaning. Stay healthy. Stay happy n keep inspiring us.”

In the image, Subhash Ghai can be seen alongside Gulzar, who is seen cutting the ribbon during the inauguration of the poetry and lyrics writing course.

Interestingly, Subhash Ghai and Gulzar share a deep and long-standing creative bond. The director often describes Gulzar as his “guru” and credits him for shaping his understanding of literature, life and storytelling. Their association extends beyond personal admiration. Gulzar has frequently visited Ghai’s Whistling Woods International in Mumbai, where he has interacted with and inspired aspiring filmmakers and writers.

The two have also shared the stage at several cultural events, panel discussions and literary gatherings, where they have reflected on Indian cinema, poetry and its rich lyrical legacy.

The series blends crime, intrigue and dark humour. It also stars Amey Wagh, Vishal Jethwa, Ajitesh Gupta, Jisshu Sengupta and Saswata Chatterjee. The story follows three friends who turn an unexpected opportunity — disposing of dead bodies for a gangster — into an unlikely business, only to find themselves drawn deeper into the criminal world.

Speaking about his role, Ravi Kishan said: “Indranath is someone who refuses to be intimidated by the power and influence that surrounds him, and that conviction is what drew me to the character. What I found particularly interesting was how his arrival begins to disrupt the balance of power in Saribgunj, as he continues to pursue the truth despite the forces working against him. The show brings together crime, intrigue, and dark humor in a distinctive world, and I hope the audiences enjoy watching Clean Up Company as much as I enjoyed making it.”

The series is set in the lawless border town of Saribgunj, where gang rivalries and political influence shape the lives of its people. The trailer, unveiled on Monday, offers a deeper look into the world the three friends become entangled in.

Vishal Jethwa shared: “Raju is flamboyant, quirky and street-smart, with an instinct to seize any opportunity that could elevate his lifestyle. What drew me to the character was the contrast between his carefree exterior and attachment to his family and friends. I had a great time bringing this unpredictable journey to life, and I can’t wait for audiences to experience the world of Saribgunj and discover Clean Up Company on Prime Video.”

Directed and written by Rohan Ghose and co-written by Konarak Mukherjee, the series is set to stream on August 21, 2026, on Prime Video and MX Player.

Zee Studios South, one of the production houses, shared the update on social media: “One more unforgettable character from an unforgettable legend. K. Bhagyaraj as Vaathiyar. #HiMovie. Mark your calendars for AUGUST 28 as the most heartwarming entertainer of the season arrives in theatres. Get ready for the fun-filled Hi, featuring @nayanthara and @kavin.0431. A film directed by @vishnuedavanofficial. A @jenmartinmusic Musical.”

The film was originally scheduled for release on August 14 but has now been postponed to August 28. The Censor Board has cleared it with a U/A certificate.

Jointly produced by Zee Studios South, The Rowdy Pictures and Seven Screen Studios, Hi also features Prabhu, Radhika, Sathyan, Adithya Kathir and Kureishi among others.

Sources close to the unit told IANS that the story unfolds across three cities — Chennai, Coimbatore and Pollachi. They described the film as a family entertainer without any villains.

Vishnu Edavan, making his directorial debut, previously worked as an associate director to Lokesh Kanagaraj on projects including Kaithi, Master and Vikram. He has earlier described Hi as a wholesome family entertainer that speaks about true love.

Expectations are high as this marks the first on-screen pairing of Nayanthara and Kavin.

The film has music by Jen Martin, cinematography by Rajesh Shukla, editing by Philomin Raj and art direction by Shekhar B. Dances are choreographed by Brinda, while stunts are handled by Dinesh Kasi.

The actor took to social media and described her as a “symbol of inspiration, morale, patience,” saying she remains an entire world forever residing in his heart.

In his first post on X, Bachchan wrote: “T 5823 - August 12, Mother’s Birthday! Symbol of inspiration, morale, patience – A complete vast world forever residing in the heart.”

On his personal blog, he repeated the sentiment and explained why he chose not to share a photograph. In Hindi, he wrote that he would not put up a picture because the one who resides forever in the heart cannot be captured in a still.

Teji Bachchan, born Teji Suri on August 12, 1914, was the wife of celebrated Hindi poet Harivansh Rai Bachchan and the mother of Amitabh and his younger brother Ajitabh Bachchan. She passed away on December 21, 2007, in Mumbai at the age of 93, a few months after her grandson Abhishek Bachchan’s wedding to Aishwarya Rai Bachchan.

Teji married Harivansh Rai Bachchan in 1941 and was known for her association with the literary and cultural circles surrounding the poet. She was also a theatre artist and participated in stage productions, including a Hindi adaptation of Shakespeare’s Macbeth.

While Ajitabh has largely stayed away from the film industry and pursued a career in business, Amitabh Bachchan has carved a monumental identity in Hindi cinema over more than five decades. He is currently hosting the quiz reality show Kaun Banega Crorepati.

The quiet, personal tribute marked another year of remembrance for a figure Bachchan has long credited as a source of strength and inspiration.

On Tuesday, the actress took to Instagram and posted a series of pictures from the sets. In the images she is seen posing in front of her make-up chair, enjoying food and drinks, reviewing notes and capturing aspects of her work routine, thereby building anticipation around the project.

Alongside candid moments from the make-up room, she also shared a photograph of her script, hinting at the intense preparation under way for the film. The pictures offer a rare look at the actress’s life behind the camera as she immerses herself in what is being described as a major action entertainer.

She wrote in the caption: “Nothing beats days spent on a film set, this one feels extra special.”

The project has generated significant interest because of the fresh pairing of Pashmina Roshan and Tiger Shroff. Tiger has long regarded Pashmina’s first cousin Hrithik Roshan as his idol. Known for high-octane action spectacles and strong screen presence, Tiger’s collaboration with Pashmina is being keenly awaited by audiences.

The untitled action-thriller is directed by Remo D’Souza. The film officially went on floors on August 1, 2026, in Mumbai and marks a shift into the action genre for Pashmina.

With an intriguing script, an action-packed backdrop and a promising new on-screen pairing, the project is shaping up to be one of the more anticipated films on the horizon. As filming progresses, these behind-the-scenes glimpses have heightened curiosity, leaving fans awaiting further updates and a first look at the entertainer.

Directed by critically acclaimed filmmaker Geetu Mohandas, Toxic weaves a turbulent story centered around the complex dynamic between its central protagonist, Raya, and his son, Ticket. While keeping core plot points under wraps, the newly released preview offers an atmospheric glimpse into a ruthless underworld setting, punctuated by explosive combat and stylistic visual storytelling.

Ensemble Cast and Character Dynamics

The project features a notable ensemble cast, bringing together leading performers from across regional film industries:

• Yash in the central role of Raya

• Nayanthara as Ganga

• Kiara Advani as Nadia

• Tara Sutaria as Rebecca

• Rukmini Vasanth as Melissa

• Huma Qureshi as Elizabeth

Industry analysts observe that the trailer highlights distinct character arcs without revealing the overarching conflict, establishing a dark world where personal motivations clash against organized criminal networks.

Production Milestones and Schedule Shifts

The promotional campaign for Toxic began earlier this year when initial promotional material dropped on Yash’s birthday in January. That preview sparked significant online discussion and brief legal scrutiny after complaints were lodged by local civic groups over scenes filmed at a cemetery setting. Despite the controversy, several prominent film trade organizations backed the production team, noting the creative context of the sequence.

The theatrical timeline for Toxic underwent multiple calendar adjustments before finalizing its current release slot:

• Initial Window: March 2026

• First Postponement: June 2026 (citing regional uncertainty and post-production logistics)

• Final Release Date: August 26, 2026 (announced officially on Father’s Day)

Pan-Indian Scale and Global Ambitions

Jointly produced by Venkat K. Narayana under KVN Productions and Yash’s Monster Mind Creations, Toxic reflects a large-scale pan-Indian production model. Principal photography took place across diverse locations, including Bengaluru, Mumbai, Goa, and Jaipur.

The film has been shot simultaneously in English and Kannada, with localized dubs slated for release in Hindi, Telugu, Tamil, and Malayalam to maximize reach across international and domestic markets.

With technical direction from National Award-winning cinematographer Rajeev Ravi, music composed by Ravi Basrur, and stunt choreography coordinated by Hollywood veteran J.J. Perry alongside Indian action directors Anbariv, Toxic aims to set a new benchmark for Indian action cinema when it arrives in theaters worldwide on August 26.

Speaking to IANS alongside Tejasswi Prakash and Aarush Bhola during promotions for the show at a hotel in the city, Yadav said people earlier held misconceptions about him. A series of misunderstandings, he said, contributed to a certain negative image that he is glad has largely receded.

“It was because of misunderstandings. In life, I have been always like this. People used to make fun of me in between. So that experience has taught me that this is how it is. That’s how people are looking at me,” he said.

Tejasswi Prakash lightened the moment by suggesting that the change in perception was due to friends like her. “Your friends have changed,” she said. When Yadav agreed, she added that they had put good influences in his mind and that he had started doing positive things.

Responding in a tongue-in-cheek manner, Yadav said: “Thank you Teja. She’s right. Since she came into my life, my life has changed. Earlier, people used to think I’m such a useless person. Now staying with her, they say I’m really useless. So this change has come in my life.”

Playground Season 5 blends gaming, entertainment, competition and influencer culture. Built around a virtual playground format, it brings together young creators, gamers and internet personalities who compete in a range of challenges while navigating rivalries, friendships and team dynamics. The season is available to stream on Amazon MX Player.

Yadav’s comments framed the earlier “bad boy” tag as the product of misunderstanding rather than a deliberate persona, while the exchange with Prakash underscored the lighter, collegial tone of the promotional conversation around the new season.

He disclosed that Avika continued shooting and fulfilling professional commitments despite battling a high fever of 103-104 degrees for nearly five days.

Sharing a video, Milind revealed that Avika was admitted to the hospital the previous night after her health deteriorated. “So, Avika has been admitted to the hospital since last night. She has been suffering from 103-104 degrees fever for the last five days,” he said.

Milind praised her unwavering commitment. He shared that despite the high fever, the actress first completed a two-day project shoot, which wrapped up in a single day because of her efficiency. After returning home and taking medicines during a brief break, she travelled to Delhi for an advertisement shoot, unwilling to let producers incur losses due to postponement. He clarified that she travelled only after taking tests to ensure she had not contracted any virus.

“I told her many times that producers will understand. Postpone it. Tell them that you cannot make it. But she said someone’s time will go, someone’s money will go. I want to do as much as I can,” Milind said, adding that he has always admired her respect for her craft and for other people’s time and resources.

Calling her work ethic inspiring, he added: “I have never understood where someone gets so much love for their work, so much respect for their craft. I don’t think many people in this industry do this.”

Milind urged fans to keep the actress in their prayers as she recovers. He also noted the irony that while Avika was battling a high fever, her new song titled Bukhaar was scheduled for release the same day.

“So please support her because she won’t be able to share much today. Let’s promote the song on her behalf. I am proud of you, Avika,” he concluded.

Avika later shared glimpses from her hospital bed on her social media account. In one post she was seen smiling and flashing a victory sign, writing: “The only thing that’s keeping me excited today other than my platelet counts… #Bukhaar releasing tonight at 6!!! P.S. Dengue SUCKS!” Another picture showed her hand with an IV drip attached as she continued treatment.

Avika Gor rose to fame as a child actor with the television show Balika Vadhu, where she played the young Anandi. She later starred in popular shows such as Sasural Simar Ka and successfully expanded her career into the Telugu and Hindi film industries.

Reflecting on archived photographs and behind-the-scenes records, Lulla highlighted how the production transformed the operational scale of costume departments across the Hindi film industry by introducing dedicated, multi-person assistant teams on set.

Creating Grandeur from a Compact Workshop

Speaking about the logistical constraints during early production, Lulla revealed that the dozens of ornate sarees and royal ensembles featured in the period drama were conceptualized and stitched in a modest work environment.

"I was a comparatively new designer back then, and I didn't have a big workshop," Lulla shared in a video retrospective. "My workshop was all of 350 to 400 square feet, with five to six master tailors who cut and stitched the garments with me. How we created those outfits and worked day and night to build the look for 'Devdas' still amazes me."

The scale of the film—which starred Shah Rukh Khan as Devdas, Aishwarya Rai Bachchan as Paro, and Madhuri Dixit as Chandramukhi—demanded unprecedented attention to textile detail, fabric drape, and historical continuity across multi-actor sequences.

Institutionalizing Costume Assistance in Hindi Cinema

To manage the extensive wardrobe needs of main leads and ensemble cast members, Lulla requested dedicated on-set support—a practice that was not standard industry protocol at the time.

"This was the first time I had requested assistance, and Sanjay [Leela Bhansali] gave me five assistants," Lulla noted. "This marked the first time in the history of Indian filmmaking that a designer had five dedicated assistants monitoring looks on set to ensure every frame looked absolutely impeccable."

Elaborating on the structural shift, Lulla added that Devdas helped establish costume design as a formal, highly coordinated department within Indian film production.

"What audiences saw as effortless grandeur was made possible by an entirely new way of working behind the scenes," Lulla stated. "With hundreds of handcrafted looks and intricate continuity across every frame, costume design evolved into a department that demanded precision, strategic planning, and structured collaboration."

Cinematic Legacy and Literary Roots

Based on Sarat Chandra Chattopadhyay’s classic 1917 Bengali novel, Devdas tells the tragic story of a wealthy law graduate whose family rejects his union with his childhood love, Paro. His subsequent emotional spiral into alcoholism leads him to seek solace with the compassionate courtesan Chandramukhi.

Featuring supporting performances by Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge, the film remains a benchmark for grand visual storytelling in Indian cinema. Lulla's pioneering workflow set a new benchmark for costume departments, establishing protocols for continuity, team-led styling, and textile craftsmanship that remain standard across major Indian film productions today.

Appearing as a guest alongside actor Niki Walia on the set of India's Best Dancer Season 5, Juyal shared candid anecdotes about living at Kapur’s rehearsal studio during his early reality television days and consulting her before taking on his breakthrough antagonist role in the action thriller Kill.

From Rehearsal Floors to Mainstream Cinema

Juyal first gained national prominence on Dance India Dance, where his distinctive slow-motion technique and comedic timing established him as a household name while Kapur served on the judging panel. Reflecting on his formative years in Mumbai, Juyal highlighted the open, collaborative environment Kapur maintained for young artists.

"There's so much I can say about Geeta Maa. She is my guru and my coach," Juyal stated during the broadcast. "During my dance reality show days, I practically lived at her studio. All the team members stayed there too. We had so much fun, and the atmosphere was always open and welcoming."

As Juyal began auditioning for film roles, his professional relationship with Kapur remained a cornerstone of his decision-making process. When offered the antagonist role of Fani in Nikhil Nagesh Bhat's high-octane thriller Kill, Juyal sought Kapur’s guidance before committing to the project.

"I remember when I auditioned for 'Kill', the first person I went to was Geeta Maa with my audition," Juyal recalled. "I went to her house to tell her that I had auditioned for the film."

Kapur confirmed the interaction, recalling Juyal's initial hesitation regarding playing a dark, villainous character. She noted his question at the time—"It's a negative role, ma'am. Should I do it?"—before Juyal ultimately chose to accept the part.

"Then I decided to do it. I remember that my acting journey started from there," Juyal added.

Evolving Artistry and Critical Acclaim

Juyal's performance in Kill garnered widespread critical acclaim, earning praise for transforming his public persona from a comedic television presenter into an intense, menacing screen presence.

During the episode, Kapur expressed pride in Juyal’s cinematic growth while acknowledging that audiences still long to see his signature dance moves.

"It's wonderful that you've grown as an actor, but our eyes don't feel satisfied because we don't get to watch you dance enough," Kapur remarked. "Even if you dance a little, it always feels like we want more. The same feeling now applies to your acting too. We miss seeing you on screen, and we always want to see more of you."

The dynamic between Juyal and Kapur underscores a common trend within the Hindi entertainment industry, where reality show platforms act as talent incubators, fostering long-term mentorships that bridge live performance and film acting. With Juyal expanding his portfolio across feature films and digital series, his transition highlights the impact of early industry mentorship on long-term career longevity.

The project represents more than a single production. According to the studio, it forms the first step in a longer-term plan to strengthen and scale Gujarati filmmaking through culturally rooted stories with broader commercial potential.

Sujal Parekh, Chief Business Officer at Zee Music Company, described the move as a strategic investment. “Regional cinema is driving the next phase of India’s entertainment story, and Gujarati cinema represents an incredible opportunity with its rich storytelling legacy and growing audience base. Our foray into Gujarati films is a strategic investment in the future of the industry,” he said.

Parekh added that the studio aims to develop a slate of authentic narratives that can appeal to mainstream audiences. “Tom and Cherry is the first step in a larger vision to take Gujarati cinema and music to a wider national and global audience,” he noted.

Siddharth Randeria brings decades of experience in Gujarati entertainment to the project. Known primarily for his work in comedy theatre, he has earned multiple awards as a writer, director and actor. He has been active on the stage since 1970 and holds the record for the highest number of live performances by an actor, having crossed more than 12,000 shows to date.

His popular Gujjubhai stage series began with Gujjubhai E Gaam Gajaavyu in 2002. The subsequent production Lage Raho Gujjubhai completed 800 performances within three years across various locations worldwide, setting a new benchmark for Gujarati theatre.

Randeria made his Gujarati film debut in 2015 with the successful comedy Gujjubhai The Great, later appearing in its sequel GujjuBhai – Most Wanted. He also featured in a cameo role in Wrong Side Raju and took the lead in Natsamrat, a remake of the 2016 Marathi film of the same name. His film Chaal Jeevi Laiye! went on to become the highest-grossing Gujarati film of all time.

By partnering with an established figure of Gujarati stage and screen, Zee Studios is positioning Tom and Cherry as both a commercial and cultural entry point into the language market. The studio’s stated intention to combine local authenticity with wider reach reflects a broader industry trend of mainstream production houses investing more systematically in regional content.

Gujarati cinema has seen steady audience growth in recent years, supported by a loyal domestic base and an expanding diaspora. The involvement of a major studio is expected to bring additional resources in production, marketing and distribution, potentially elevating the scale of future projects.

For Randeria, the film continues a career that has consistently moved between theatre and cinema while remaining rooted in Gujarati storytelling traditions. His track record of sustained audience connection through live performance and box-office success provides a strong foundation for the collaboration.

As Zee Studios begins its Gujarati journey with Tom and Cherry, industry attention will focus on how the project balances cultural specificity with the commercial ambitions outlined by the studio. The announcement underscores the increasing importance of regional languages in the overall growth strategy of large entertainment companies.

Further details on the film’s cast, plot and release timeline are expected to emerge as production progresses. For now, the project stands as a clear signal of intent from Zee Studios to build a sustained presence in Gujarati cinema.

Speaking to the media after the show’s finale, Shinde was asked if there was anyone she missed during her stay. “I have missed him (Salman Khan) at many places. Because very frankly, a lot of things have not happened in telecast, the way I was talked to. And I am talking about Shivangi Joshi,” she said.

Shinde alleged that she was subjected to age shaming and work shaming during the season. “Age shaming, work shaming… and I remembered that the way Salmanji used to stand for those things, I missed that here,” she added.

She clarified that she did not perceive host Farah Khan as biased toward any contestant. “Whereas I could see Farah ji, that she likes me, there was no such partiality. But there is only one hour telecast, and it runs for 24 hours. So that was very insulting,” Shinde explained.

The actress also raised concerns about the message such interactions convey to viewers, particularly younger audiences. “After that, you are talking that you are playing a very good game. So you are giving this message to the youth of today, that talking to someone rudely, and answering in this way, your good game is visible. I felt very bad about that,” she said.

Praising Salman Khan, Shinde concluded: “And I really missed him. That no one can be like him. No one can.”

Shinde and Khan share a notable association from Bigg Boss 11, which the actress won under his hosting. During that season, Khan was frequently seen intervening in house conflicts and addressing contestants over their behaviour.

Lock Upp Season 2 concluded on August 5. Shreya Kalra emerged as the winner, with Shivangi Joshi finishing as the first runner-up and Yogesh as the second runner-up. Shilpa Shinde placed as the fourth runner-up.

Shinde’s comments highlight the challenges of condensed television edits in reality formats, where 24-hour interactions are reduced to limited broadcast time. Her remarks also reflect on the standards of conduct expected within such shows and the role of hosts in setting those standards.

Having experienced both Bigg Boss and Lock Upp, Shinde drew a clear distinction between the two environments based on her personal experience. Her public appreciation for Khan’s approach underscores the impact his interventions had during her earlier reality show journey.

As discussions around the recently concluded season continue, Shinde’s statements add a perspective on interpersonal dynamics, editing choices and the broader messaging reality television can send to its audience. She maintained that while the host treated her fairly, the overall atmosphere left her wishing for the kind of firm stance she associated with Salman Khan.

The actress’s reflections come shortly after the finale, offering viewers insight into her experience beyond the televised episodes. By speaking openly about the alleged shaming and the absence of a particular style of host intervention, she has contributed to ongoing conversations about fairness and representation in Indian reality television.

Having spent over two decades in front of the camera, Khan observed that long-held assumptions regarding what audiences want on prime-time television are rapidly evolving. Speaking on the industry’s ongoing transition, the actress noted that viewings are no longer confined to a single narrative style or static demographic archetype.

Breaking the Monolith of Television Content

Reflecting on past industry norms, Khan recalled an era when television executives operated under the belief that audiences would consume only specific, singular genres. She highlighted how rural-centric series once dominated prime-time slots, creating an initial blueprint for television success before urban narratives reshaped the landscape.

"Earlier, we believed that audiences preferred only a certain type of content," Khan said during an interview with IANS. "There were shows like 'Balika Vadhu', 'Agle Janam Mohe Bitiya Hi Kijo', and 'Pratigya', which were rooted in rural India. Later, urban shows like 'Kumkum Bhagya' and 'Kundali Bhagya' also became popular."

However, rather than one genre completely replacing another, Khan believes modern audiences have developed an appetite for varied content formats simultaneously.

"What I have realized is that audiences do not prefer just one genre—they enjoy all kinds of stories," she explained. "Every show has its own audience. Some people enjoy urban narratives, some connect with rural stories, while others relate to middle-class families from cities like Delhi, Punjab, or Mumbai."

Universal Themes and Genre Longevity

Beyond regional and socioeconomic settings, Khan emphasized the staying power of mythological sagas, historical epics, and fantasy series. According to the actor, these narratives transcend demographic divides such as age, religion, and regional origin.

"Then there are universal stories like 'Aladdin', mythological shows, and 'Ramayana', which appeal to people across age groups, irrespective of their religion or background," Khan noted. "Therefore, creators should continue making different kinds of shows because every genre has its own audience."

Industry Track Record

Khan began her screen journey in 2003 with the television drama Lipstick, where she played the role of Guddi. Over her twenty-year career, she has accumulated credits across major network productions, including her widely recognized portrayal of Nazneen in the fantasy drama Aladdin – Naam Toh Suna Hoga from 2018 to 2020.

Her perspective comes at a critical juncture for Indian television networks, which are increasingly re-evaluating prime-time scheduling and content investment strategies in response to shifting consumer viewing habits.

On his social media account, Rao shared behind-the-scenes pictures and a still with the lead actors from the promotional shoot. He wrote: “Five years since directing this TVC for Sony’s Bade Achhe Lagte Hain. It was a pleasure working with the show’s incredibly talented lead cast. Time flies, but the memories of creating it remain just as special.”

Disha Parmar reshared the post and expressed her gratitude. “What a pleasure to have worked with you Sir! @gajrajrao,” she wrote.

The promotional campaign directed by Rao was launched ahead of the premiere of Bade Achhe Lagte Hain 2 in 2021. The series, produced by Ekta Kapoor under Balaji Telefilms, premiered on Sony Entertainment Television on August 30, 2021. It starred Nakuul Mehta, Disha Parmar, Shubhaavi Choksey, Sneha Namanandi, Alefia Kapadia, Ajay Nagrath, Aarohi M Kumawat, Abhinav Kapoor and others during its run.

Bade Achhe Lagte Hain 2 served as a successor to the popular 2011 series of the same name. The original, also produced by Ekta Kapoor and Shobha Kapoor under Balaji Telefilms, starred Ram Kapoor and Sakshi Tanwar as Ram and Priya and became one of Indian television’s most-watched romantic dramas.

Gajraj Rao is known for films such as Badhaai Ho, Shubh Mangal Zyada Saavdhan, Maidaan and Lootcase. He has also worked extensively in advertising, having assisted filmmaker Pradeep Sarkar on numerous commercials before taking on directing assignments of his own.

By revisiting the five-year milestone, Rao highlighted a professional collaboration that linked his work in advertising and direction with one of television’s notable relaunches of the past decade. The exchange of appreciation with Disha Parmar underscored the lasting goodwill from the campaign.

In an Instagram post, Pathak reflected on how Saaraa stood by him through both difficult and stronger periods, making him feel accepted and valued. He wrote: “Happy Birthday my world @ssarakhan On your birthday, I only pray that life gives you back all the love, warmth and happiness you have brought into mine. And no matter how many birthdays pass, I promise to keep choosing you, loving you and standing beside you through every version of life.”

He continued: “I don’t just wish you happiness—I wish you peace. I wish you laughter that doesn’t fade. I wish you a life where you always feel as loved as you make me feel. You’ve seen me at my strongest… and at my most broken. And somehow, you never made me feel like I was too much or not enough.”

Pathak described her as more than a spouse. “I hope I spend my whole life making you feel even a fraction of what you make me feel every day. Sometimes I look at you and wonder what I did to deserve a soul as beautiful as yours. You are not just my wife. You are my best friend, my safest place, my greatest blessing and the most beautiful chapter of my life.”

He concluded: “You are my world, Sara. You are my heart outside my body. You are everything I ever desired and so much more than I ever deserved. Happy Birthday, my love. In this life and every life after this—I will always find my way back to you.”

The post was accompanied by a carousel of photographs capturing shared moments from their relationship.

Saaraa Khan and Krishh Pathak formalised their marriage through a court ceremony followed by a larger wedding celebration. They had earlier shared images from their special day along with a note about uniting two faiths, referring to a journey from “Qubool Hai” to “Saat Phere” and describing their relationship as one in which faiths blend rather than divide. Further ceremonial vows had been planned for December.

By marking her birthday with a public message centred on gratitude and steadfast support, Pathak highlighted the personal foundation of their partnership and the role she played during challenging times in his life.

Conceptualised and hosted by Mohammad Nagman Lateef and Aditya Khurana,  the International Iconic Awards has, over the years, established itself as one of the entertainment industry’s most prestigious platforms, recognizing the outstanding contributions of artists, filmmakers, producers, creators, and technicians. The 12th edition continued this legacy with an evening that celebrated achievements while fostering togetherness within the entertainment fraternity.

The blue carpet witnessed an impressive turnout of celebrities including Ekta R. Kapoor, Rajan Shahi, Binaiferr Kohli, Rupali Ganguly, Sunita Ahuja, Tusshar Kapoor, Daisy Shah, Mannara Chopra, Shaad Randhawa, Sanjeeda Shaikh, Tina Ahuja, Seema Pahwa,Niharika Chouksey, Kushal Tandon, Shiny Doshi, Urvashi Dholakia, Sagar Dholakia, Kshitij Dholakia, Aman Gandhi, Shrutika Arjun, Parichay Sharma, Smriti Khanna, Nivedita Basu, Gaurav Bajaj, Surbhi Chandna, Aakansha Chamola, Pamala Serena, Vahbiz Dorabjee, Abhishek Kumar, Aparna Dixit, Adrija Roy, Ruhi Singh, Umar Riaz, Shivam Khajuria, Deepika Singh, Rohit Purohit, Karan V. Grover, Poppy Jabbal, Gauahar Khan, Vihaan Kohli, Prajakta Mali, Manoj Pahwa, Nishant Malkani, Charu Mehra, Vishal Singh, Apara Mehta, Upasana Singh, Sona Mohapatra,Yamini Malhotra, Arshi Khan, and many more, making it one of the most glamorous entertainment events of the year.

The evening celebrated excellence across television, OTT and cinema, honouring individuals whose work has entertained and inspired audiences. Along with the awards, the event also served as a platform for industry leaders, veterans, and emerging talents to come together and celebrate the collective growth of Indian entertainment.

Speaking about the success of the event, Mohammad Nagman Lateef said, “Every year, our aim with the International Iconic Awards is to celebrate the people whose passion and dedication make the entertainment industry so special. Watching so many respected personalities from television, OTT  and cinema come together under one roof is truly gratifying. The love and support that the awards have received over the years motivates us to make every edition bigger and better.”

He added, “The entertainment industry thrives because of the collective efforts of artists, producers, directors, writers, technicians, and countless professionals working behind the scenes. These awards are our way of acknowledging their hard work and inspiring them to continue creating meaningful and memorable content. I congratulate all the winners and nominees and thank everyone who made this evening a grand success.”

With its glittering blue carpet, stellar celebrity attendance, and memorable celebrations, the 12th International Iconic Awards 2026 once again lived up to its reputation as one of the industry’s most awaited award ceremonies. Under the vision and leadership of Mohammad Nagman Lateef, the event continues to grow as a platform that celebrates excellence while bringing the entertainment fraternity together year after year.

Salman shared a still from one of their scenes in the 1990 film Baaghi: A Rebel for Love on his Stories, accompanied by the note: “Shared many good moments with you brother...May you rest in peace.”

In the film, Rawat played the character of Buddha while Salman portrayed the protagonist Saajan Sood.

Pradeep Rawat passed away at the age of 74 on Tuesday. The veteran actor had reportedly been battling a relapse of cancer.

Veteran actor Surendra Pal Singh also paid tribute to his Mahabharat co-star. He uploaded a video of a scene from the series and recalled their association.

“Gone too soon, but never forgotten. @i_pradeeprawat Working alongside Pradeep Rawat ji in Mahabharat is a memory I will always cherish. His dedication, strength, and powerful presence as Ashwatthama left an unforgettable mark on every heart that watched him. Some journeys end, but true legends live forever through their work and the memories they leave behind. Rest in peace, my friend. Om Shanti. #PradeepRawat #Mahabharat #OmShanti,” he wrote.

Surendra Pal portrayed Guru Dronacharya, the royal preceptor of the Kauravas and Pandavas and father of Ashwatthama, in B.R. Chopra’s 1988 television series Mahabharat.

Riteish Deshmukh also remembered the Gajini actor. “I had the privilege of working with Pradeep Rawat ji… a true gentleman with a giant laughter. The room filled with laughter whenever he was around. My deepest condolences to the family and loved ones. May his soul rest in eternal peace,” he posted.

The tributes from colleagues across decades of work underscored the regard Rawat commanded both for his on-screen presence and his personal warmth.

In an Instagram post, Kapoor noted the happy coincidence that he was shooting for the film Dragon at Ramoji Film City in Hyderabad on Kajol’s birthday. He revealed that during the earlier project she had said something to him that he always regarded as a blessing and that eventually proved true.

Taking to his Instagram Stories, he wrote: “It’s such a beautiful coincidence that today is your birthday Kajol, and I’m back at Ramoji Film City shooting for Dragon. It brought back a wonderful memory from years ago.

We were shooting Hum Aapke Dil Mein Rehte Hain here, and I remember you telling me, ‘The way you’re working, I’m sure even years from now when I’m married with kids you’ll still be right here at Ramoji, shooting and giving your best.’ I don’t know whether you meant it as a joke, a compliment, or a blessing, but I always took it as a blessing.

And today, standing here again after all these years, your words came completely true.”

Wishing her on the occasion, he concluded: “Wishing you a very happy birthday. God bless you always. Have a wonderful year ahead, and I hope we get to work together again very soon. Take care, and happy birthday once again! @kajol.”

Directed by Satish Kaushik and produced by D. Ramanaidu, Hum Aapke Dil Mein Rehte Hain is a remake of the 1996 Telugu film Pavitra Bandham.

Kapoor’s recollection linked the current shoot at Ramoji with a light-hearted yet lasting observation Kajol made nearly three decades earlier.

In an Instagram post, Bonnerjee uploaded a clip of the children falling repeatedly while practising skating. The video was accompanied by the text: “No parents like to watch their children fall but maybe, we shouldn't stop every fall because every time they get up.”

In one moment, little Lianna is seen on the floor saying with a smile, “I am not hurt, I am strong,” showing her determination not to give up. Towards the end of the clip, both Lianna and Divisha skate with greater ease, illustrating the progress that comes from repeated attempts.

“They’re learning that falling isn’t the end… getting up is the habit. Your comments,” Bonnerjee wrote in the caption.

Her social media feed frequently features such personal glimpses of her children. In June she shared photographs from the family’s Jamai Shosthi celebration with husband Gurmeet Choudhary and their two daughters. The images showed the four of them seated on the floor enjoying a meal, dressed in traditional red and white attire.

Captioning the post, she wrote: “Jamai Shosthi at its peak, every single year...From Ma’s lovingly prepared feast for her Jamai to watching our babies understand this tradition, dress up with excitement, and enjoy every bit of it as much as we do.. these are the moments that stay with you.. The best memories are often made around home-cooked meals and family traditions passed down with love...#happyjamaishoshti to all our Bengali fam.”

The skating video offered a simple yet resonant message about building resilience through everyday experiences of falling and rising again.

Speaking exclusively to IANS after returning from the Cape Town shoot of the latest season, Bhatt described Shetty as an incredibly motivating host.

“He is amazing as a host. He is so motivating. I mean, it's not possible that if there is a stunt that you are hesitating to do, you are not able to do that stunt. But if Rohit Shetty is standing beside you and he is supporting you, then I feel you will jump into the well of death,” she said.

Her comments come amid the intense physical challenges contestants have been facing on the stunt-based reality show. Recently, actor Gaurav Khanna shared a video showing laser burn marks on his back sustained while performing one of the high-risk tasks.

Earlier, Bhatt had outlined what she believes is essential to win a show like Khatron Ke Khiladi. “I think in order to win that show, it is important that you give 100% in those stunts. Because when you give 100%, then only you will get the content, then only the audience will watch you. Then only the audience will decide whether you are a winning material or not,” she told IANS.

Hosted by Rohit Shetty, Khatron Ke Khiladi 15 features celebrities including Rubina Dilaik, Rithvik Dhanjani, Karan Wahi, Farrhana Bhatt, Jasmine Bhasin, Ruhaanika Dhawan, Vishal Aditya Singh, Gaurav Khanna, Shagun Sharma and others.

Bhatt’s remarks highlight the host’s role in helping contestants push past fear during the high-stakes stunt challenges that define the long-running reality series.

Marking the milestone, Deol shared a heartfelt note expressing gratitude for the love and support he has received throughout his journey in cinema. Taking to Instagram, he posted a video from the film and wrote: “43 years ago, Betaab began my journey in cinema. The love I received the and continue to receive today has been my greatest strength. Grateful for every memory, every film and every person who has been part of this journey. Looking forward to many more years, more stories and more love. #Betaab.”

He also shared the popular song Jab Hum Jawan Honge from the film. The romantic track, sung by Lata Mangeshkar and Shabbir Kumar and featuring Deol and Amrita Singh, went on to become one of the memorable numbers from Betaab.

The 1983 romantic drama, directed by Rahul Rawail, marked Deol’s Bollywood debut opposite Amrita Singh. The film became a major success and established him as one of the promising actors of his generation. It also starred Shammi Kapoor and Prem Chopra. The plot was loosely based on William Shakespeare’s The Taming of the Shrew.

Betaab was launched in 1981 in the presence of legendary personalities including Dilip Kumar, Raj Kapoor, Dharmendra and Saira Banu. Before his official debut, Deol had appeared in a brief uncredited role in the 1982 film Main Intaquam Loonga, which starred his father Dharmendra in the lead.

Upon its release, Betaab emerged as a major box-office success and ranked among the highest-grossing films of 1983. Its popularity led to remakes in other languages, including the Telugu version Samrat (1987) starring Ramesh Babu and the Kannada adaptation Karthik (2011) featuring Karthik Shetty.

Deol’s reflection on the 43rd anniversary underscores the lasting impact of the film that launched his career and the sustained connection he has maintained with audiences over more than four decades.

The family was spotted at the Mumbai airport on Tuesday night. As they exited the terminal, Aishwarya and Aaradhya greeted the airport staff with folded hands and a respectful “Namaste.” Abhishek, walking ahead of them, was seen warmly shaking hands with a staff member before making his way out.

For the journey, Aishwarya opted for an all-black ensemble comprising a long black outfit layered with a matching overcoat. Aaradhya kept her look casual in a black top paired with wide-legged dark trousers and an oversized black leather jacket. Abhishek chose a relaxed travel outfit featuring a pale yellow hoodie under an olive-green printed jacket and denims.

Aishwarya and Abhishek married on April 20, 2007, in an intimate yet star-studded ceremony at the Bachchan residence in Mumbai. The couple welcomed their daughter Aaradhya on November 16, 2011.

The two first met while working on Dhai Akshar Prem Ke in 2001 and later collaborated on films including Kuch Naa Kaho, Umrao Jaan, Guru, Dhoom 2 and Raavan. Aishwarya also made a special appearance in the song Kajra Re from Bunty Aur Babli, in which Abhishek played the lead.

Their friendship deepened during the making of Umrao Jaan and grew stronger while shooting Guru. Abhishek later proposed to Aishwarya in New York shortly after the premiere of Guru. In an interview he recalled taking her to the balcony of the hotel where he had often imagined spending his life with her and asking her to marry him.

The family’s understated return and the courteous greeting to airport staff offered a brief, public glimpse of their personal warmth after the overseas trip.

Speaking about her role, Smriti shared that the series combines futuristic elements with high-intensity action, making it unlike anything she has previously worked on.

'The Concept Felt Ahead of Its Time'

Discussing what attracted her to the project, the actress said the show's blend of artificial intelligence-inspired themes, advanced combat sequences and its fast-paced narrative immediately caught her attention.

“They Chose Wrong Enemy has a very modern concept with AI-driven elements and advanced combat techniques, making it feel ahead of its time. It's also an adaptation of a hugely successful Chinese drama, so the story is gripping and fast-paced,” Smriti said.

She added that the opportunity to learn sword fighting under the guidance of a professional fight master made the experience even more exciting.

“What excited me the most was getting the opportunity to perform sword-fighting sequences for the first time under the guidance of a fight master. That challenge really inspired me to be a part of this project, and I'm sure the audience will enjoy this exciting series.”

Playing a Warrior from Brahmashila

Smriti revealed that she portrays a fearless and disciplined warrior from Brahmashila, a prestigious Gurukul known for training exceptional fighters.

Describing her character, she said:

“I play a brave and highly skilled warrior from Brahmashila. My character is courageous and disciplined. My look is a modern interpretation of a warrior, with a powerful and stylish costume that makes the character visually striking.”

Sword Fighting Was the Toughest Part

The actress admitted that the action scenes proved to be the most demanding aspect of filming, particularly because she had no prior experience with sword combat.

She explained that handling the heavy sword while mastering proper posture, movement and combat techniques required intensive training.

“The sword-fighting sequences were the most challenging because I had never done sword fighting before, and the sword was quite heavy. Our fight master was extremely supportive and guided me throughout.”

She also noted that repeating the same action scenes from multiple camera angles made the process physically demanding but ultimately rewarding.

“I had to learn the correct body posture, movements and combat techniques while staying alert and avoiding injuries. Since every scene was repeated from different camera angles, it was physically demanding but a wonderful learning experience.”

Why Micro-Dramas Are Growing in Popularity

Sharing her views on the rising popularity of short-form content, Smriti believes today's audiences prefer quick, engaging stories that fit into their busy lifestyles.

“I think audiences today have a shorter attention span, and micro dramas fit perfectly into their lifestyle.”

She pointed out that the two-minute episode format allows viewers to consume content conveniently while enjoying a complete story without a lengthy commitment.

According to the actress, performing in micro-dramas also presents a unique acting challenge.

“In micro dramas, there is very little time to establish emotions, so every expression and dialogue has to make an impact immediately. The key is to be honest and natural so the audience connects with the character, even within a short scene.”

Streaming Soon on Kuku TV

Known for her performances in television shows such as Tere Ishq Mein Ghayal, Ghar Ki Lakshmi Betiyann, and Ganesh Leela, Smriti Khaannaa is now expanding her repertoire with the digital format.

Produced by Gamaa Productions, "They Chose Wrong Enemy" is set to stream on Kuku TV, offering viewers a fast-paced action drama that blends AI-inspired storytelling, stylised combat and concise, bite-sized episodes.

In the Instagram post on Monday, Hegde is seen performing the well-known melody. She captioned the video: “This tune has been haunting me the past couple of days. Had to figure out how to play it. Now just waiting for Ryan Gosling to appear.”

The post reflects her playful engagement with fans through personal and casual updates. Earlier, she had shared a video showcasing a new short hairstyle, writing, “I’m a short hair girlie now.” The change drew supportive comments from followers who praised the look.

She had also posted a glimpse of a recent workout session, in which she was seen walking backwards on a treadmill while recording herself. In the clip she wore an orange crop top with matching shorts.

On the professional front, Hegde was recently seen as the leading lady in David Dhawan’s romantic comedy Hai Jawani Toh Ishq Hona Hai, co-starring Varun Dhawan and Mrunal Thakur. She was also associated with the film Jana Nayagan.

By sharing the keyboard performance of the La La Land theme, Hegde offered a brief, informal moment that blended her interest in music with a touch of humour linked to the film’s lead actor. The update continues her pattern of posting personal lifestyle and creative moments alongside professional developments.

Sharing a video on her social media account, Pednekar urged people not to harass others and highlighted the lasting impact such targeting can have on a person’s mental health. The caption of her post read: “Rape and death threats are unacceptable.”

In the video, the actress said she had come across an interview of a young protester who appeared deeply distressed after receiving threats online. “I saw a video on the internet where a young girl who was part of the protest was giving an interview. And she looked visibly broken and shaken. She had a video that went viral. And since then, she has been getting non-stop rape threats and death threats,” Pednekar said.

She added that the girl’s mother and family were also being targeted. “Not only her, but her mother is also getting it. Her family is also getting it. And that is unacceptable.”

Pednekar called for empathy and said disagreement with someone’s views should not lead to the bullying of a young person or the creation of fear. “We cannot bully a young girl. We cannot put a fear psychosis in a young child’s mind because we disagree with their opinion.”

Reflecting on her own experiences as a woman and a public figure, she noted that harassment can leave a deep and lasting effect on mental health. “As women, we suffer a lot of harassment. And as a public figure, I have gone through this experience. And I can’t tell you how much of a deep lasting impact it has on someone’s mental health.”

She concluded by urging people to remain united and focus on the country’s progress. “We all just want one thing. That the country should progress, the country should be good. And by being united, if we keep the right things in the right way, then we will see the right change.”

Pednekar’s statement adds to public calls against the use of violent and sexually aggressive threats as a response to differing opinions, particularly when directed at young individuals and their families.

Speaking to the media following her exit from the show, Choudhary alleged that several of Kalra's statements were manufactured to shape viewer perceptions.

“There are a lot of things that haven't come out on camera. It's good that people have finally caught these things,” Choudhary said. “In the beginning, she kept lying that she does fake PR and negative PR. Now everyone knows who did it. Her proofs are also out”.

Choudhary further claimed that Kalra lacked evidence for allegations made during her months-long stint on the program. “She has made a lot of narratives on the basis of lies," Choudhary stated. "For example, I told Shilpa that she has lied about her parents. Her parents are like that. This has never happened. There was no such conversation. So, I think she was making a narrative”.

The former contestant added that fellow inmate Madhuri Jain Grover had also advised Kalra regarding her claims. "I also told Madhuri that she lies about things to make a narrative... Madhuri had explained that to her, but she didn't understand it, and she lied about it".

With the finale approaching, the remaining contestants competing on the show include Akanksha Chamola, Shilpa Shinde, Ram Kapoor, Yogesh Rawat, Shreya Kalra, Shivangi Joshi, Harshad Chopda, and Varun Yadav (Laila).

The second season of Lock Upp, hosted by Farah Khan and Riteish Deshmukh, features 14 inmates competing inside a jail-themed setup over six weeks, completing tasks to earn in-game currency for daily necessities and privileges.

During a task designed to determine the season's first finalist, Chopda confessed that he had intentionally thrown a previous challenge to allow Joshi to win. The revelation deeply upset Joshi, who had believed her previous victory was achieved solely on merit, leaving her feeling undermined in the competition.

Overwhelmed by the situation, Joshi stepped away from the task, paving the way for Chopda to secure his spot as the first finalist. She was later seen breaking down inside her cell.

Observing her reaction, Chopda approached fellow inmate Shilpa Shinde and asked her to comfort Joshi. However, Shinde declined the request, advising Chopda to stay calm and suggesting that emotional ups and downs are simply part of the game. Contestant Shreya Kalra was also present during the exchange.

Chopda subsequently attempted to speak directly with Joshi, but she exited the cell and declined to discuss the matter further.

The two actors, who previously co-starred in the popular television series Yeh Rishta Kya Kehlata Hai, have maintained a close alliance throughout the season, sparking frequent speculation among housemates and viewers regarding their relationship inside the house.

Speaking to IANS during a promotional event in Mumbai’s BKC area alongside co-stars Jimmy Shergill, Siddharth, and Mihir Ahuja, Bhasin described the project as a major turning point in his career.

"I didn't have to be convinced. It's my biggest project yet," Bhasin said. "Anu sir, the director, had directed me in a commercial for Snapdream 10 years ago when I was 16 years old, and he remembered me during auditions. My research was extensive—I watched all the YouTube videos I could find to get into character."

Directed by Anu Menon, the web series is based on the historic 1999 Kargil War operation of the same name. During the conflict, the Indian Air Force joined forces with the Indian Army to flush out Pakistani military forces and infiltrators from high-altitude posts along the Line of Control. The mission marked the first large-scale deployment of airpower in the Jammu and Kashmir region since the 1971 Indo-Pakistani War.

Operation Safed Sagar is scheduled to begin streaming on Netflix on August 7.

Taking to Instagram, she posted a video compilation of images from the celebration and accompanied it with a note of gratitude towards her friends. “My haldi wasn’t just a celebration... it was a room full of love. Every time I look at these pictures, I notice something new.. a smile, a hug, someone cheering us on, someone making sure everything was perfect. I know people often say they’re lucky to have great friends, but I am the luckiest ever!!!! I must’ve done something really right in life to have earned each one of you,” she wrote.

Winget thanked her friends for planning the day, for their support, and for the moments of laughter that marked the occasion. “Thank you for planning this day, for loving me so fiercely, for making me laugh until my cheeks hurt, and for reminding me that life’s greatest gifts are the people who stand beside you through it all. Happy Friendship Day to my favourite humans. You are, and always will be, one of the greatest blessings of my life,” she added.

The actress recently married businessman William Ishmael. The couple had kept their relationship private for several months before making it public.

Winget was earlier married to actor Karan Singh Grover. The two wed on April 9, 2012, after meeting on the sets of a television show; the marriage ended in divorce in 2014. She has generally preferred to keep her personal life away from the spotlight and has focused on her professional commitments.

Over the years, consistent performances and versatility have established her as one of the more respected faces on Indian television. By sharing the intimate glimpses from her haldi ceremony, Winget highlighted the role of close friendships in marking an important personal milestone, using Friendship Day as an occasion to publicly acknowledge those who stood with her.

The film is directed by choreographer-turned-filmmaker Remo D’Souza and is being produced by Viccky Jain under his newly launched banner VJ Frames, in association with Neeraj Tiwari, Vishal Gurnani and Mukesh Gupta. Principal photography has already commenced.

Speaking about the project, Yadav said: “Joining VJ Frames Film Pvt Ltd’s first action franchise is a really exciting opportunity for me. I’m grateful to Viccky bhai and Remo sir for believing in me and giving me the chance to be part of this project. Sharing the screen with Tiger Shroff and Abhishek Banerjee makes this journey even more special. I’m looking forward to giving it my all and can’t wait for audiences to see what’s in store.”

Jain formally announced the launch of VJ Frames on his birthday on Saturday. Expressing his enthusiasm, he said: “Launching VJ Frames is a dream that has been years in the making, and I couldn’t have asked for a better occasion than my birthday to begin this journey. Cinema has always inspired me, and with VJ Frames, I hope to create stories that entertain, connect with audiences, and leave a lasting impact.”

He added: “Beginning this journey with an ambitious action franchise alongside Remo and an incredible cast makes it even more special. This is just the beginning, and I’m excited for everything that lies ahead.”

Yadav and Jain were recently seen together on the cooking reality show Laughter Chefs – Unlimited Entertainment, which also featured Jain’s wife, actress Ankita Lokhande, as a contestant. The three were frequently observed sharing a warm on-screen equation during the series.

The project marks Yadav’s transition from digital popularity and reality television to mainstream Hindi cinema, while serving as the inaugural production of Jain’s newly established banner.

Taking to his social media account, Rahul shared a carousel of photographs with the simple caption, "Summering."

The pictures capture Rahul strolling through picturesque streets with Athiya, and also relaxing in a lush green park, followed by enjoying meals at a quaint cafe.

Athiya is also seen posing for a cheerful selfie with brother Ahan Shetty and another friend along with Rahul.

Another picture also captures the couple enjoying a quiet meal together.

For the uninitiated, KL Rahul and Athiya Shetty, after dating for a few years, tied the knot on January 23, 2023, in an intimate ceremony at actor Suniel Shetty's farmhouse in Khandala.

The wedding was attended by close friends and family members.

Earlier last year, the couple embraced parenthood with the birth of their daughter, Evaarah, on March 24, 2025. The little one recently celebrated her first birthday in March 2026, with a private family celebration.

For the uninitiated, Athiya is the daughter of Bollywood actor Suniel Shetty and Mana Shetty. She made her acting debut opposite Sooraj Pancholi in "Hero" in 2015 and later appeared in films such as "Mubarakan" and "Motichoor Chaknachoor" alongside Nawazuddin Siddiqui.

Post marriage, the actress went on to embrace motherhood and has taken a sabbatical from the film industry.

Talking about Ahan Shetty, the actor made his Bollywood debut with "Tadap" in 2021, directed by Milan Luthria. The romantic action drama, co-starred Tara Sutaria.

He was last seen in "Border 2," where he was seen alongside Sunny Deol, Varun Dhawan and Diljit Dosanjh.

Taking to Instagram, she posted a series of photographs featuring the trio and referred to them as “gangsters.” In the caption she wrote: “Gangsters #teenkauwe gang We be cool I am just a girrrllll best girl trouble maker lord Bobby Fin.”

The first image showed Shaikh posing in a group selfie with Deol, Gupta, Priyanka Ghose and Chandni. Another photograph captured her making a victory sign alongside Deol. She also shared solo images and pictures with Gupta.

Teen Kauwe, a spy thriller, also stars Ronit Roy, Pavail Gulati and Isha Talwar. The makers unveiled the first look of the series at Prime Video’s 2026 content slate event in March. The story follows an ex-secret agent who was believed to be a mole and presumed dead for seven years. Forced to return, he sets out to identify the traitor who framed him while his own agency pursues him. The narrative blends betrayal, action and psychological intrigue.

Shaikh will next appear in Nyaya, in which she shares the screen with Aneet Padda. The film also features Arjun Mathur, Mohammed Zeeshan Ayyub, Raghubir Yadav and Rajesh Sharma in key roles.

She began her career as a child artiste in films such as Chachi 420 and One 2 Ka 4. She rose to national prominence with her portrayal of wrestler Geeta Phogat in Aamir Khan’s Dangal. Subsequent credits include Ludo, Ajeeb Daastaans, Modern Love Mumbai and Sam Bahadur, in which she played former Prime Minister Indira Gandhi.

Her most recent theatrical release was the romantic drama Gustaakh Ishq, which opened on November 28, 2025. In the film she portrayed Minni opposite Naseeruddin Shah and Vijay Varma.

The Instagram post offers a brief, informal look at the camaraderie among the Teen Kauwe cast as the series moves closer to release.

Posting the image on his social media account, Khatter wrote: “Some reunions feel like no time has passed! @janhvikapoor.” The picture shows the two actors dressed in traditional attire—Khatter in an ivory sherwani with a matching turban and Kapoor in a heavily embroidered maroon lehenga with statement jewellery. They are seated on a staircase, holding hands and posing for the camera.

The photograph appears to have been taken in connection with an advertisement, though Khatter has not publicly confirmed the nature of the project.

The image revived memories of their successful on-screen pairing in Dhadak, released in 2018. Directed by Shashank Khaitan and produced by Dharma Productions, Zee Studios and Cloud 9 Pictures, the romantic drama was the official Hindi remake of Nagraj Manjule’s Marathi film Sairat (2016). It marked Kapoor’s debut as a lead actress and Khatter’s first outing as a solo lead.

Dhadak released on July 20, 2018, a few months after the death of Kapoor’s mother, Sridevi, in February that year. The chemistry between the two young actors was widely noted and established them as one of the more talked-about fresh pairings of that year.

Beyond the film, Khatter and Kapoor have remained friends and have appeared together at industry events over the years. They were most recently seen on screen in Neeraj Ghaywan’s Homebound, which also starred Vishal Jethwa.

Khatter began his career as a child actor in Vaah! Life Ho Toh Aisi! (2005) before making his adult debut in Majid Majidi’s Beyond the Clouds (2017). The latest shared photograph adds another public moment to a professional relationship that began with Dhadak and has continued intermittently across films and appearances.

In a video shared on social media, Karishma walked through the old residence with her parents. Her mother pointed out rooms that once held cherished family memories and recalled the early days of her marriage spent in the same house. “When we got married, we used to sleep on the upper floor of the house. What we had to leave behind in one night… today, years later, we are walking through the streets of Srinagar and reaching our house,” she said.

Karishma’s mother continued to identify spaces that once belonged to different members of the family. “This was our house… This was my bedroom. This was my room. This was dad’s room.” The once sprawling home has since been divided into smaller rented units. “This house is now divided into rooms. Each room is someone’s home on rent,” Karishma noted, adding that the staircase lacked electricity and most rooms remained locked.

As they moved through the house, her mother revisited further fragments of the past. “Dad used to study here… This was your room… We used to sit here… My sister had once fallen from these stairs. Every room is a childhood memory.”

In the accompanying caption, Karishma wrote: “Bahut gayi thodi rahi. 9 seedhiyan thi kabhi, ab sirf 3 reh gayi hain. Zameen badal gayi, ghar badal gaya — par jo yaadein reh gayi thi, woh aaj bhi wahin thi. Saalon baad apna ghar dobara dekhna… alag hi feeling hai. It would have been so much better if it was maintained but ab woh humara toh raha nahi. Every time my parents visit, it’s a mixed feeling – most are memories of childhood and some haunting. Kashmiri pandit home, Kashmir.”

The post resonated widely. Producer and activist Ashok Pandit, himself from Kashmir, responded: “I am speechless & numb. This is a story of each & every Kashmiri Pandit. Thank you Karishma for reliving our roots.”

Kunal Kemmu and his sister have spoken on earlier occasions about their Kashmiri roots and the displacement of Kashmiri Pandits in the early 1990s. The actor was born in Srinagar before the family migrated from the Valley.

The family’s return to the house, now fragmented and altered, brought both the warmth of childhood recollection and the lingering weight of sudden departure. Karishma’s documentation of the visit captures a personal story that mirrors the larger experience of many Kashmiri Pandit families who left their homes under duress more than three decades ago.

In an Instagram post accompanied by video footage, the veteran performer captured the temple’s misty setting, the sound of bells, fluttering prayer flags and the measured footsteps of visitors. She wrote: “Between the mist, the bells, the fluttering prayer flags, and the quiet footsteps of strangers, there was a strange sense of peace. The Mahakal Temple isn’t just a place of worship. It’s a reminder that faith can exist together. Here, Hindu and Buddhist prayers have echoed side by side for generations, on the very hill that gave Darjeeling its name.”

Bhattacharya further reflected on the generations of devotees who have climbed the temple’s ancient steps. “I kept wondering how many people must have climbed these ancient steps carrying hope, gratitude, heartbreak, or simply a quiet conversation with God. I left with a lighter heart.”

In the accompanying video she is heard saying, “Shooting is complete and we are off and we choose to go to the Mahakaal temple.” The footage offers glimpses of the temple’s serene surroundings and the contemplative atmosphere that marked her visit.

The Mahakal Temple, situated on Observatory Hill, has long been regarded as a site where Hindu and Buddhist traditions coexist. Bhattacharya’s observations align with the temple’s established reputation as a shared sacred space, a point she emphasised by noting that prayers from both communities have been offered there for generations.

Bhattacharya began her screen career with supporting roles in films such as Devdas and Lajja. She gained wider recognition in 2000 for her portrayal of the antagonist Payal Mehra in the long-running television series Kyunki Saas Bhi Kabhi Bahu Thi. Subsequent television appearances included Banoo Main Teri Dulhan, Kasamh Se (as Jigyasa), Jhansi Ki Rani (as Sakku Bai) and Badho Bahu. She also featured in a cameo in the film Fiza and later played Sub-Inspector Vimla Bharadwaj in the crime series Delhi Crime alongside Shefali Shah and Rasika Dugal.

Her decision to share the temple visit publicly comes at a moment when many public figures continue to document personal spiritual experiences. By focusing on the coexistence of faiths rather than individual ritual, Bhattacharya framed the Mahakal Temple as a space that transcends singular religious identity and instead affirms the possibility of shared devotion.

The post has drawn attention to a lesser-highlighted aspect of Darjeeling’s cultural landscape—the long-standing practice of joint Hindu-Buddhist worship at a single site. For Bhattacharya, the visit concluded with a sense of lightness, an outcome she attributed to the temple’s atmosphere of quiet coexistence.

In an exclusive conversation with IANS, the Yaariyan actor said Roshan’s depiction of mathematician Anand Kumar stood out for its rawness and authenticity. “I think I understand that when you leave glamour and come to a rawness, it is not challenging but you just have to make people believe that it is you. Because in this way, they never believe you to see you and they don’t even want you to come in this de-glam avatar role,” Kohli observed.

He added that the performance had a wide impact. “The performance that Hrithik Roshan delivered in Super 30 has definitely impacted so many people, including me, who was moved by that performance. That too was a story of students and their children’s studies.”

Kohli drew a thematic parallel with his upcoming film Aryabhatt Ka Zero, while carefully distinguishing the two projects. “Our story in Aryabhatt Ka Zero is around a family. The topic of this film is also education, the struggle for education, the challenges, and today’s youth who feel that he should also get that right. He should get the best education in his life. Even if he does not have the means for it at that time, he has a hope to achieve it with his merit and confidence. I am happy that you connected it in that way. But if you watch the movie, you will find that these two are not identical at all.”

Directed by Kamal Chandra, Aryabhatt Ka Zero explores the origin and significance of the concept of zero (Shunya), the place-value system, and the contributions of the ancient Indian mathematician and astronomer Aryabhata. The film features Sonal Sehgal, Darshana Banik, Naresh Vohra, Alka Amin and Neeraj Sood in key roles, with Shilpa Shinde making a special appearance. It is scheduled for theatrical release on August 7.

Kohli’s remarks highlight the continuing influence of Super 30 on actors drawn to stories centred on education and aspiration. By referencing Roshan’s de-glamorised performance, he underscored the challenge of convincing audiences when established stars step away from conventional screen images. At the same time, he positioned Aryabhatt Ka Zero as a distinct narrative focused on a family’s pursuit of learning and the historical roots of mathematical concepts that remain relevant to contemporary debates on access to quality education.

The conversation reflects a broader interest within Indian cinema in stories that examine merit, opportunity and the value of knowledge, themes that resonated strongly in Super 30 and continue to find expression in newer projects such as Kohli’s forthcoming film.

On the auspicious occasion of Guru Purnima, producer Mahaveer Jain said: “At a time when the world is seeking solutions to wars and conflicts, White comes at the right moment. Through its powerful narrative, it shows the way forward and is a precious gift from India to the world.”

He added, “Vikrant has outdone himself in the film. I am sure that his powerful portrayal of global spiritual leader Gurudev Sri Sri Ravi Shankar, coupled with the film’s profound impact, will mesmerize audiences worldwide.”

“White” is a thriller with human drama set against a political background. It is inspired by the world’s longest and deadliest conflict, the internal war of Colombia, that was resolved by an Indian spiritual master by ancient Indian philosophies and wisdom.

Juan Carlos Gil of Narcos fame serves as the cinematographer, while the cast includes Mexican actor Darío Yazbek Bernal and Panamanian actor Jaime Newball, among others.

The film is directed by ace ad filmmaker Montoo Bassi and backed by leading filmmaker Siddharth Anand, PeaceCraft Pictures and Mahaveer Jain.

Vikrant’s most recent release is Musafir Cafe, a Netflix original Hindi-language series written by Divya Prakash Dubey. The series Vikrant Massey, Vedika Pinto, Mahima Makwana, Adil Hussain, Sadiya Siddiqui, Rajeev Siddhartha, Anubha Fatehpuria and others

It follows three travelers whose lives unexpectedly intertwine. Chander and Sudha share an instant spark. With Preeti, Chander finds steady companionship built on quiet understanding and ease.

Vikrant made his acting debut with the series Dhoom Machaao Dhoom in 2007. He followed it up with notable roles in TV serials such as Dharam Veer, Balika Vadhu and Qubool Hai.

He progressed to Hindi cinema with supporting roles in Lootera and Dil Dhadakne Do, but got his breakthrough with the independent drama A Death in the Gunj.

Massey further starred in streaming series such as Mirzapur, Broken But Beautiful and Criminal Justice. He shot to stardom with 12th Fail, Haseen Dillruba and Love Hostel.

Neeta shared a video of herself talking about making the outfit for the 1991 Yash Chopra directorial, which had the actress in a dual role as both mother and daughter, and Anil Kapoor. The film also had Waheeda Rehman, Anupam Kher, Deepak Malhotra, and Dippy Sagoo.

“Sometimes the simplest outfits require the maximum amount of work. There were two scenes in the film where Sridevi wanted a bandhani skirt with a crop top. One was in a shopping sequence, and the other was when she was narrating her story in front of a palace,” Neeta said in the video.

She added: “The colors required were a blue bandhani and a maroon bandhani. How difficult is it to get a blue or a maroon bandhani? Not difficult, right? But here was the catch. Sridevi said, "Can I get a white bandhani on maroon and a yellow bandhani on blue?" That was absolutely difficult to find.”

“So, what do we do? I asked the master to make the outfits, took them home with fabric paints, and actually painted white bandhani on the maroon fabric and yellow bandhani on the blue fabric. When I took them back and we did the fittings with her, she said, ‘It feels slightly stiff. What is it?’ Because bandhani doesn't usually feel stiff. I said, ‘I painted the bandhani.’ She had such a laugh about it.”

“We don't give up. We just do whatever it takes—whether it's painting, stitching, embroidering, or anything else. But that is the beauty and the fun of creating film costumes.”

She wrote in the caption: “..The best creative decisions are often made when difficulty arises. No hesitation. No compromise.
Just instinct, and the determination to bring a vision to life, exactly when it was needed on the film sets of Lamhe for Sridevi..”

The ‘Jaat’ actor expressed hope that the story resonates with audiences across cultures and borders. Speaking about the selection, Viineet said, “It’s always special when a film begins its journey on an international platform. ‘Pal Bhar Ke Liye’ is a story that is extremely important to all of us, to the society and I’m grateful that its first interaction with audiences will happen at the Indian Film Festival of Melbourne. I hope the film resonates with people across cultures and borders.”

Directed by filmmaker and designer Vikram Phadnis, the film also stars Saiyami Kher and Tahir Raj Bhasin. The movie has been officially selected for its World Premiere at the Indian Film Festival of Melbourne (IFFM), Australia. ‘Pal Bhar Ke Liye’ will make its first-ever public screening at one of the most respected platforms celebrating Indian cinema on the global stage.

Meanwhile, Vineet Kumar Singh was recently featured in films like “Chhaava,” “Superboys of Malegaon,” and “Jaat,” where his performances received appreciation.

In March, Vineet had opened up about the practice of writing Bollywood scripts in Roman despite films being made in Hindi. During an exclusive conversation with IANS, the ‘Chhaava’ actor had revealed that he preferred receiving his dialogues in the Devanagari script. He had pointed out that while Bollywood continues to make Hindi films, much of the work process is still carried out in English.

Vineet shared, “I always tell them to give the dialogues to me in the Devanagari script as I am well-versed in it. Since our dialogues are in Hindi, I feel it is better if the work is also done in the same language. "However, it depends on who prefers what. Everyone is free to make their choices. But if you ask me, it happens for sure that we make movies in Hindi, but most of the work is done in English.”

On Monday, the actor took to his Instagram, and shared a picture with his mother. He wrote in the caption, “Meri Maa hi mera Rab hain. Mera pyaar, mera hausla, meri taaqat. Batwara 1947 main apni Maa aur duniya ki har Maa ko samarpit karta hoon (My mother is my God. My love, my courage, my strength. I dedicate the partition of 1947 to my mother and every mother in the world). Trailer out tomorrow”.

The film is one of the most anticipated releases of the year, and is directed by Rajkumar Santoshi. It also stars Shabana Azmi, Sunny Deol, Preity G Zinta, Karan Deol, Ali Fazal and Abhimanyu Singh. ‘Batwara 1947’ promises an emotional and deeply moving story that explores the human cost of the tragedy while celebrating love, courage, sacrifice and resilience in the face of unimaginable adversity.

The film is set against the backdrop of one of the most defining chapters in India's history, the film revisits the turbulent 1940s, when the Partition changed the lives of millions forever. Amidst fear, loss, and displacement, it tells the inspiring story of a man who chose courage and humanity over hatred.

The film captures hope and resilience that emerged during one of history’s most turbulent chapters. The story has reportedly remained banned in Pakistan, and it adds another layer to the film, making it one of the most intriguing historical releases to look forward to. The film also reunites the dream team of Aamir Khan, A. R. Rahman, and Javed Akhtar, who have worked on the cult-classic ‘Lagaan’. It also marks the much-awaited reunion of Rajkumar Santoshi and Sunny Deol after nearly three decades.

The film is produced by Aamir Khan and Aparna Purohit and is slated for a worldwide theatrical release on August 14, 2026.

Mihir told IANS: “Working with Prajakta was genuinely a lovely experience. She brings a lot of honesty and warmth to every scene, which made it very easy to build the relationship our characters share.”

He added: “Since this was our first project together, there was a certain freshness that naturally found its way on screen. Amidst a story that’s rooted in war, courage and sacrifice, I think the emotional connections between the characters become just as important, and I hope audiences connect with that journey as much as we did while filming.”

Operation Safed Sagar is a military drama inspired by real events.

A source close to the production shared: "Mihir and Prajakta have brought a very natural warmth to their characters. Since this is the first time they are working together, there was a freshness that translated beautifully on screen.

“Their chemistry never feels forced, it grows organically within the story and offers audiences an emotional anchor amidst the larger war narrative. The makers were delighted with how effortlessly they complemented each other."

Directed by Oni Sen, the series is set against the backdrop of the 1999 Kargil War, Operation Safed Sagar tells an untold story of the Golden Arrows Squadron who defied impossible odds. Focusing on the people behind the operation, the series shines a light on their courage, sacrifice and spirit in defining this significant chapter of modern Indian military history.

The drama series stars Siddharth, Jimmy Shergill, Dia Mirza, Adil Hussain, Abhay Verma, Prajakta Koli, Mihir Ahuja, Taaruk Raina, Arnav Bhasin and Amrita Bagchi. It will premiere globally on August 7 on streaming giant Netflix.

The music producer spoke with IANS at his studio in the Andheri West area of Mumbai recently. He shared that AI saves music producers or composers the trouble of explaining to a singer why their voice hasn’t been picked.

He told IANS, “Earlier, I remember that there was once when we had called, I wouldn't name the singer, but a really big singer to sing one of the songs. Imagine telling that big singer, whoever had come, the music director sitting there, and he has to have a call with the singer stating the fact that, 'Hey, listen, your voice is not fitting the bill'. I can't even put it on the producer. So in today's day with AI, I can actually judge that by doing it through AI. So, I don't have to answer to anyone. And everyone gets to hear that song”.

He further mentioned, “Scratch singing also, the singer has to come to the studio for a session. Although in Hindi language, inclusion of certain words is very difficult so you have to either make peace with it or call the scratch singer”.

Earlier, the music composer had shared that he has no favourites when it comes to genres. He said that he can’t put a finger on his favourite genre as he likes to keep his playlist diverse, which adds depth to his music making process.

He earlier told IANS, “Actually, in Bollywood, there is no go-to genre. Even if you see my playlist, my playlist is also mixed with everything possible. It also has different unnamed artistes, I don’t even know some of their names because I enjoy listening to so many different genres and artistes that I get lost in that discovery of music and artistes”.

“So, for me, the go-to genre, I can't say there is any. I have been working in Bollywood for so many years, in every situation, everyone's tempo, scale, everything is different. And to select a certain genre for it, we have to go through a lot of genres”, he added.

The actress also expressed hope that the significant moment leads to a meaningful shift in identifying the cracks and filling them.

She wrote, "May this only make our India stronger and fairer. Today is a monumental moment for our democracy. Citizens that didn't give up and leadership that listened. The youth spoke, their conviction, their courage, and their belief in the power of change was inspiring”.

She further mentioned, “There was so much said on that stage but only the voice of what the students rightly wanted echoed through. To me, accountability is about delivering real, solution-driven change. Identifying the cracks and filling them. True reform, that actually impacts the future discourse of our students. I think for every Indian, whether you are in public office or are an ordinary citizen, the nation, its prosperity, its people and its security should always come first. Jai Hind”.

Dharmendra Pradhan resigned on Saturday, after weeks of massive student protests and consistent people’s movement in the heart of the national capital. The students sought his resignation over exam irregularities, particularly the NEET-UG paper leak. His resignation comes after the brutal crackdown by Delhi Police against protestors at Jantar Mantar on July 20.

The action by the cops flared up the entire nation, and angry citizens poured in huge numbers to support the students at Jantar Mantar. The protests also spread from Delhi to first the metro cities, and eventually small towns. The protests intensified after Sonam Wangchuk was forcibly removed by Delhi Police from the protest site at Jantar Mantar in the early hours of July 18 after completing 21 days of an indefinite hunger strike.

Authorities shifted him to a hospital, citing his deteriorating health, medical advice and compliance with a Delhi High Court order. Sonam Wangchuk has been on a hunger strike demanding the resignation of Union Education Minister Dharmendra Pradhan over alleged irregularities in competitive exams.

Speaking exclusively with IANS, Archana reflected on the enduring popularity of the beloved character and admitted that it has been both a blessing and a failure in her acting journey.

"In a way, Miss Braganza is my victory, and in a way it can also be called my failing that I have not done another character which can overshadow Miss Briganza. It means whatever you wanted to do, you did 20–25 years ago. Now you haven't done anything," she said.

The actress further added, "But if I look at it in a positive way, then yes, it was a great character created by Dharma, and Karan (Johar). And if I played it well, it has stayed in people's minds. Definitely every actor wants to reinvent themselves," she shared.

Archana believes she has taken a step in that direction with her latest project, 'Adarsh Baal Vidyalaya', where she consciously moved away from the image of Miss Braganza.

"What I did in 'Adarsh Baal Vidyalaya' is so far away from Miss Braganza that I hope it also leaves a mark. Every character is not popular because of your talent alone. A film becomes popular because of everyone involved. So I have left Miss Briganza far behind. I am hoping that the public will also leave it somewhere far behind," she said.

Calling the experience of working on 'Adarsh Baal Vidyalaya' one of the most fulfilling moments of her career, Archana said the project reaffirmed her belief that there are still meaningful roles waiting for her.

"For me, the experience of 'Adarsh Baal Vidyalaya' is so unique that when I started acting many years ago, my journey had to come to this point, and I am happy that it has reached that point."

She further expressed gratitude to the makers for trusting her with the role.

"I am very happy that I have reached a place where I can be cast by people like them. You know, when Biswapati Sarkar conceptualised a role and then thought of me as the actor to play it, I felt very happy and proud."

For Archana, being considered by creators for fresh and challenging roles after decades in the industry is a far greater achievement than merely being remembered for one iconic performance.

"After doing all that, if even in this role the creators are watching me and thinking of me, for me that is my real victory," she concluded.

Meanwhile, the actress is receiving some good reviews for her show, Adarsh Baal Vidyalaya that released on OTT on July 24.

The ‘Bade Miyan Chote Miyan’ actor once revealed that he was deeply protective of Karisma during their shoots. Govinda shared that he often found himself focusing more on looking after her than working. Recalling their time together, Govinda, during his appearance on the popular talk show 'Jeena Isi Ka Naam Hai,' praised Karisma for her dedication and discipline. He said she came from a respected family, upheld its values, and earned success through sheer hard work. The ‘Partner’ actor also described her as one of the sincerest actresses he had worked with.

Govinda said, “I always used to say about Lolo that she is very simple and innocent. She would come straight to the shoot, just like the heroines of the 1940s. Her family had such an imprint on my mind. Throughout, more than working, I kept on protecting Lolo. Always, I kept on protecting her.”

Karisma added, “He was always so protective about me. And I want to tell you all something — I have been such a big fan of his ever since I was in school. I used to watch Street Dancer, all those songs, Khudgarz, and everything.”

The actress went on to narrate an incident when she took Govinda’s autograph. “And then I read in the newspaper myself. I must have been very young, like 12-13 years old. That there is a show, Govinda Night. And I went and told my mother and father... ...I have to go for this show. I have to go. No matter what, get the ticket. I have to go. It was the greatest moment when I went for the show. And then I went and met him backstage. And I took his autograph also.”

Govinda also shared a memory from the shoot of ‘Raja Babu,' recalling a scene where Karisma had to stand on top of a water tank. He said the height made her extremely nervous, and she became so frightened that she delivered her dialogue in different tones.

Notably, Govinda and Karisma Kapoor were one of Bollywood’s most loved on-screen pairs in the 1990s. They shared the screen in popular movies like “Raja Babu,” “Coolie No. 1,” “Hero No. 1,” “Haseena Maan Jaayegi,” and “Saajan Chale Sasural,” among others.

The actress shared that her character has covered a great deal of arc as she evolved from someone who believes in doing the right thing to navigating power, grief, revenge and ambition.

What began as a gritty crime drama on streaming has evolved into a cultural phenomenon, with characters, dialogues and moments becoming deeply embedded in popular culture. The streaming show has further expanded to cinematic canvas, and is waiting in the wings for the release.

Reflecting on the journey of the show, Shweta said, “When we started shooting Mirzapur almost eight years ago, none of us could have predicted the journey it would take. As actors, you hope your work connects with people, but very rarely does a show become part of everyday conversations, memes, celebrations and even the language people use. Mirzapur did that. It made us their Guddu Bhaiya and Golu Didi. Today, people don’t just watch the show, they care about the characters and root for them”.

For Shweta, the transition is a testament to the enduring love audiences have shown the series over the years and the emotional investment they’ve made in its characters.

She further mentioned, “That’s why Mirzapur becoming one of the first major Indian streaming franchises to make the leap to the big screen feels so special. It’s not just a film adaptation. It’s the result of years of audience love. Every season ended with people wanting more, revisiting the show, discussing theories and carrying these characters with them. In many ways, this film belongs to the fans as much as it belongs to us”.

The actress also said that the film also represents the continuation of her character, Golu Gupta’s deeply layered journey, a character she has inhabited for nearly a decade.

“What makes me particularly emotional is Golu’s journey. I’ve lived with her for years. She began as a young woman who believed in doing the right thing and gradually transformed into someone navigating power, grief, revenge and ambition. Watching audiences grow alongside her has been one of the most rewarding experiences of my career. Even today, I meet young women who tell me they connected with her resilience, her flaws and her refusal to fit into expectations. That’s incredibly moving”, she added.

The ‘Sanju’ actress shared insights into the emotional depth and strength of her character. At the trailer launch, Dia spoke about the resilience of Air Force wives and how their courage and silent sacrifices inspired her while bringing the role to life. Speaking about portraying Kamalpreet Kaur Dhanoa, Mirza said, “Kamal Maam's part in this story was one of an anchor, somebody who held the women together, who really connected them as a force while their husbands were on the mission and what it meant to her and the women to experience what it was.”

“Even the women that marry into the Air Force don't know what to expect. They may hear stories but you can never really fully prepare for reality when it occurs.”

Dia added, “I think one of the big takeaways for me as a wife and as a woman, and as a mother was this line that 'every single day when their husbands step out of the home they bid them goodbye with a smile on their face even if they've had the biggest fight the night before' and it's a powerful reality to be rooted in and a very very terrifying one and like Amrita so eloquently explained that it's impossible for us to ever truly know but we can try and I think we did.”

“Operation Safed Sagar” will narrate the story of the courage, precision, and sacrifices that shaped the Indian Air Force’s historic mission during the 1999 Kargil War. Set against the backdrop of the Golden Arrows, the IAF squadron whose bravery in the skies played a pivotal role in India’s victory, the upcoming Netflix series will also shed light on the untold stories of the families who stood steadfastly behind the men in uniform.

Dia Mirza essays the role of Kamalpreet Kaur Dhanoa, a woman whose quiet strength and unwavering resilience became an anchor for the families of Air Force officers during one of the nation's most challenging times.

Directed by Oni Sen, “Operation Safed Sagar” also stars Jimmy Shergill, Adil Hussain, Mihir Ahuja, Abhay Verma, Taaruk Raina, and Prajakta Koli. The series will premiere on August 7 on Netflix.

Asha Bhosle sang many iconic songs of the actress, as the two immortalised the songs with their crafts.

The actress reminisced about her timeless artistic partnership and deep personal bond with the late singing legend during the special episode ‘Retro Queens ka Jashan’ of the show. She shared how integral Asha’s vocals were to her iconic screen image, and warmly declared that she could talk about the singer for an entire lifetime.

Helen shared how Asha Bhosle always poured extra passion into any song designated for her by stating, "Asha ji was my favorite and she gave me her voice, and that's how I made history in the film industry, because of her. I've done 250 plus songs with Asha ji, she used to ask the producer-director, 'Who is going to do this song?'and when they said 'Helen', she would give that extra zest into it”.

The actress went on to share an intimate and witty compliment she once received directly from Asha Bhosle during a live show appearance, as she said, "Asha ji ne mujhe ek show pe bulaya tha, as a guest. She was singing on the stage and in between the show unhone kaha, 'Helen ji, agar main mard hoti, toh main aapse shaadi karti (Asha ji had invited me to a show as a guest. She was singing on the stage and in between the show she said, 'Helen ji, if I were a man, I would marry you’) God bless her soul”.

The priceless confession drew grand applause from judges Karisma Kapoor, Geeta Kapur, and Jaaved Jaaferi, celebrating a unmatched musical partnership that defined an era of Bollywood entertainment.

‘India’s Best Dancer’ season 5 airs on Sony Entertainment Television.

The singer shared that although he had poured his heart into the track, he felt it was not the right time to unveil the song and decided to wait for a more suitable moment. Taking to Instagram, Armaan informed fans about his decision and expressed hope that they would understand his choice.

The singer revealed that ‘Gaya Kaam Se’ was originally planned for release on July 22, coinciding with his birthday, but he wanted to share it with listeners when the circumstances felt more appropriate. Armaan posted a video where he said, “Hey everyone, this next song of mine, ‘Gaya Kaam Se’, I poured my heart into it and it is scheduled to release on 22nd of July which is tomorrow, which is also my birthday. But things just don't feel right now and I feel like I want to wait a little longer and give it to you when the time feels right and when we're in better circumstances. So yeah, I hope you understand.”

Armaan Malik’s post comes amid the ongoing controversy surrounding the Cockroach Janta Party’s ‘Chalo Sansad’ march towards Parliament. The march witnessed clashes after police reportedly stopped protesters from proceeding further. Security personnel allegedly used tear gas and batons to disperse the gathering, while several students were detained.

The protest was organized over alleged irregularities in the NEET medical entrance examination, with demonstrators also demanding the resignation of Union Education Minister Dharmendra Pradhan. The march took place alongside activist Sonam Wangchuk’s indefinite hunger strike, during which he was shifted to Safdarjung Hospital by the Delhi Police.

Several celebrities from Bollywood and television have voiced their support and expressed concern over the alleged use of violence against students during the CJP protest march.

Extending his support, Armaan Malik had written, “I don’t claim to have all the answers, and I believe it’s important to understand every issue with care before speaking. But there are some values we should never lose sight of. Students deserve fairness. Peaceful protests deserve respect. Empathy should never be conditional, and dialogue should never be met with indifference. Our country and its people deserve to be heard. Always.”

The film was officially selected in the Competition Section of the festival, held in the Russian capital from July 8 to 12.

Inspired by the real-life story of writer Sarmistha Pritam, Rador Pakhi follows the life of Jyoti, an aspiring writer from Assam who is diagnosed with spinal muscular atrophy at a young age. Despite severe physical challenges, Jyoti's determination to live independently and pursue her literary aspirations forms the emotional core of the film.

Expressing her happiness over the recognition, director Dr Bobby Sarma Baruah described the honour as a proud moment for the entire team. "This journey became even more meaningful as our film received the Jury Special Mention – Super Mama Award. Receiving this recognition on an international platform is truly an honour and a proud moment for our entire team," she said.

Dr Baruah dedicated the award to the cast and crew, acknowledging their commitment in bringing the story to life. "This recognition belongs to every member of our incredible cast and crew, whose passion and hard work made this film possible. I also thank our friends, well-wishers and everyone who believed in us. Your love, prayers and constant support have made this journey possible," she added.

The director said the latest honour would inspire the team to continue creating meaningful cinema capable of resonating with audiences across cultures and geographical boundaries. "This honour inspires us to continue telling stories that touch hearts and transcend borders," she said.

Before its recognition in Moscow, Rador Pakhi had already established a strong presence on the international festival circuit.

The film was selected for the NFDC Film Bazaar Co-Production Market and premiered in the Indian Panorama section of the 55th International Film Festival of India (IFFI) in Goa in 2024.

It was subsequently showcased in the Asian Spectrum section of the 21st Third Eye Asian Film Festival in Mumbai, the 23rd Pune International Film Festival, the Indian Competition section of the 16th Bengaluru International Film Festival, the Indian Film Festival of Melbourne, the 20th International Film Festival of Thrissur and the Mosaic International Film Festival in Canada.

Produced by Basanta Kumar Baruah, Dr Bobby Sarma Baruah and Sulakhyana Baruah, the film features Sulakhyana Baruah, Kamal Lochan, Arun Nath and Bina Patangia in pivotal roles. The latest recognition further strengthens Rador Pakhi's international journey while bringing wider acclaim to Assamese cinema and storytelling from Northeast India.

In an exclusive interview with IANS during promotions of his film 'Bhoot Bangla' he was asked "You all have been pioneers of horror comedy in India, and now, it has become a hit genre. So, how do you feel when you hear such comments?"

Reacting to this, Priyadarshan shared, "We just started it. Then the people, I mean others, took over. We just started with 'Bhool Bhulaiyaa'.

The filmmaker further pointed out that he considers 'Bhool Bhulaiyaa' not to be a horror film, but a psychological thriller.

Shedding further light on the genre, Priyadarshan went on to explain, "So, but it's a very, very nice psychology, I'll tell you something. In a tense film, a little bit of small humour also works in a big way because they are a little tense in the theatre. So, a small sequence of humour will work. But in an out-and-out comedy, you have to really work hard on humour. The most difficult thing. This is something everybody has to accept. I have suffered a lot making comedy films on this. And when I watch my own films, which have become huge hits, when I see them again, I don't feel like laughing. Then finally I think, 'you know, it's gone.' But in the theatre, I see the response. Because ten times you can't see the same scene. But there are people watching it twenty times, thirty times. This is the most difficult thing."

The 'Hera Pheri' maker further went on to admit that every time he tries humour and horror, he ends up getting a shiver.

"I mean, it's very, very difficult, I can say that", Priyadarshan concluded.

Gaurav, who is a proud “mamma’s boy” shared a string of pictures featuring his parents alongside him as he penned a note for his mother.

He wrote: “Ab kya hi kahoon Maa (what do I say mother)... All mothers are just truly incredible. They give us life, nurture us, and are always there to support us with endless love and patience.”

Gaurav shared that “whether it’s making sure we’re fed well, taught well, comforting us after a hard day, or cheering us on through our achievements and failures both, their unwavering care is something we all take for granted.”

He added: “Every day, they find ways to inspire us and remind us that love is limitless. No matter what I’m going through, you always know how to make me feel better. It’s your unconditional and never changing love that I think of when I’m feeling down.”

“You always find the right words to comfort me during hard times. Thank you for making me the way I am Maa. Proudly ! always a Mammas Boy. Happy Birthday Maa.. (and to all the mothers out there who hav their birthdays today, more power to you).”

It was in the Netflix show “Lock Upp: Sach Ya Sazaa” hosted by Farah Khan and Riteish Deshmukh, Gaurav’s wife Akanksha shared that the couple were living separately and are heading for a divorce.

She then made more claims about being a bisexual and Gaurav accepting her despite knowing her sexuality.

The show currently has popular names such as Akanksha Chaudhary, Ram Kapoor, Shreya Kalra, Shivangi Joshi, Harshad Chopra, Sufi Motiwala, Dheeraj Dhoopar, and Varun Yadav aka Laila.

The first edition of “Lock Upp” was hosted by Kangana in 2022. Karan Kundrra was introduced as Jailor for the entire season. Munawar Faruqui was named as the winner.

The second installment will have fourteen inmates, two jailers, and one lock-up for 6 weeks. As per the rules, inmates must complete tasks to earn in-game currency required for even the basic necessities such as food, supplies, and privileges.

Speaking about his return, Badshah said: "Tech can recreate almost anything today but it can't duplicate the emotion, the grit and the truth of an artist. That’s the soul of Hustle.”

Hustle 5 unveils Badshah through a fun, tongue-in-cheek film where an AI-generated version confidently claims to be the perfect Rap Supremo, only for the real Badshah to step in with a mic-drop moment: "Prompt se toh nahi ho paega! Hustle 5 guys, let's keep it real."

“I'm thrilled to return to the Hustle 5 stage to discover the next generation of fearless, culturally true voices.Main milunga aapko Hustle 5 ke stage par!” he added.

Hustle 5 starts on August 8 on JioHotstar and MTV India.

Badshah, whose real name is Aditya Prateek Singh, is known for his high energy songs and commercial sound. He gained widespread recognition after his 2012 single, "Saturday Saturday", was featured in the soundtrack of the 2014 movie, Humpty Sharma Ki Dulhania starring Alia Bhatt and Varun Dhawan.

His notable works in Bollywood films include "Abhi Toh Party Shuru Hui Hai" from Khoobsurat, "Kar Gayi Chull" from Kapoor and Sons, "Garmi" from Street Dancer 3D, "Naina" from Crew, and "Proper Patola" from Namaste England, among others.

He has also collaborated with international artists such as J Balvin and Tainy for the song "Voodoo". The rapper has appeared as a judge on MTV Hustle, Indian Idol, Dil Hai Hindustani, India's Got Talent, and India's Got Latent.

Badshah made his acting debut in August 2019 in the movie, Khandaani Shafakhana starring Sonakshi Sinha.

Ruhaanika shared a picture with Divyanka along with her husband Vivek Dahiya and newborn twins.

Ruhaanika, who worked with the popular television actress in the show Yeh Hai Mohabbatein, wrote: “From playing her little one to holding my Ishima’s little ones… life really has come full circle.”

She added: “I guess I can officially say she’s blessed with three kids now. And the twins couldn’t have asked for a cooler set of parents @divyankatripathidahiya @vivekdahiya.”

Divyanka took to the comment section and wrote: “You taught me how to be a mommy Ruh! Now these tiny ones have so much to learn from their Ruh dee.”

Yeh Hai Mohabatein was one of the longest running Indian television soap opera. The series starred Divyanka Tripathi Dahiya, Karan Patel, Ruhaanika Dhawan, and Aditi Bhatia. The story was initially based on Manju Kapur's 2011 novel Custody, with Yeh Hai Mohabbatein continuing beyond Custody's story in later episodes.

Divyanka and Vivek in May announced on social media that they have welcomed two baby boys.

Vivek wrote on Instagram: “The wait is finally over… ‘The Boys’ are here and life already feels more beautiful than we ever imagined. Mere Karan Arjun aa gaye! Need all your love and blessings as Div and I begin this incredible new chapter of parenthood. #Divek #babyboys #DivekBabies #twins #newparents”

The announcement post read, “We asked for happiness…God said, ‘Take double.’ Blessed with twin baby boys.”

It was on Gudi Padwa in March, when the TV star couple announced that they are all set to become parents. Divyanka and Vivek’s love story kick-started on the sets of their show “Yeh Hai Mohabbatein”. Before getting married in Bhopal in 2016, the couple got engaged in January.

The actress became a household name for playing Vidya Pratapsingh and Divya Shukla in Banoo Main Teri Dulhann and Dr. Ishita Bhalla in Yeh Hai Mohabbatein.

She had participated in the dance reality show Nach Baliye 8 and emerged as the winner. In 2021, she participated at Fear Factor: Khatron Ke Khiladi 11 as a contestant, where she emerged as the runner-up.

The actress shared moments featuring veteran writer-lyricist Javed Akhtar, filmmaker Zoya Akhtar, actor-filmmaker Farhan Akhtar, and Shibani Akhtar. In the group photo, Saba could be seen beaming with joy while posing next to the Akhtar family. In the caption of her post, Saba highlighted her love for cinema and shared that she enjoyed being part of an engaging conversation about movies, storytelling, and much more.

Sharing pictures from her London trip, Said Ali Khan’s sister wrote, “My week.....in london Friends and incredible talent Mahsha'Allah... loved being present during an engaging session of conversation on movies and more....A little poetry too. Organised by @nisau_uk Moments captured. Events with friends and this that n a lot of other! Last but not least.. my first podcast with @bigbollywoodbuffs soon to release! A little teaser .... look out for the entire episode...soon!.”

The carousel also featured a video of Farhan Akhtar reciting popular lines from his well-known poems featured in ‘Zindagi Na Milegi Dobara.’

For the unversed, the Akhtar family, including Javed Akhtar, Farhan Akhtar, Shibani Akhtar, and Zoya Akhtar, travelled to London for a special event titled “Baat: A Conversation with the Akhtars,” held on July 14 at SOAS, University of London.

The event marked the first time that Javed, Farhan, and Zoya came together for such a conversation outside India. They discussed their family’s rich cinematic legacy, the world of poetry, and their individual journeys in the Indian film industry.

During their London visit, Javed Akhtar, Farhan Akhtar, and Shibani Akhtar also attended the Wimbledon finals at the All England Club.

The rapper has created the reality series ‘Legacy’ in association with KR$NA and Kalamkaar co-founder Ankit Khanna. The series brings India's emerging rap talent into the spotlight with a format that prioritises lyricism, originality and mentorship over popularity.

Talking about the show, Raftaar said, "Hip-hop has always been about giving a voice to people who have something real to say. With Legacy, we're creating a platform where talent isn't judged by numbers or popularity, but by skill, hunger and originality. We want people to witness the journey of becoming an artist, because that's where the real story lies”.

Hip-hop emerged from marginalized communities as a powerful medium for storytelling, resistance and self-expression. The genre was born in the Bronx during the 1970s, and gave artistes a platform to address issues such as poverty, racial inequality, police brutality, political injustice and social exclusion.

Meanwhile, ‘Legacy’ is designed to discover and nurture India's next generation of lyricists, performers and storytellers. The series puts the spotlight on raw talent, lyrical ability and artistic growth through a combination of high-stakes challenges, performances and mentorship.

KR$NA said, "India has never lacked talent, it has lacked platforms that truly understand hip-hop. Legacy is about finding artists who respect the craft and are ready to push themselves. If this show inspires even a handful of artists to believe in their voice, we've achieved what we set out to do”.

The series is rooted in the belief that while India has no shortage of hip-hop talent, artists need the right platform to grow. By placing authenticity, discipline and storytelling at its core, the series offers viewers an inside look at the journey of building a career in music while giving emerging artists an opportunity to showcase their craft.

Produced by SVF Entertainment, ‘Legacy’ is available to stream on Kalamkaar Music YouTube channel.

After The Kerala Story, Adah often found herself associated with controversial subjects such as Bastar: The Naxal Story, Tumko Meri Kasam and Gajra to name a few.

Asked if it is a conscious career choice, or are filmmakers now approaching you specifically for such roles, the actress shared that, for her, every character feels equally real once she faces the camera, irrespective of whether the story is inspired by true events or born out of imagination.

She told IANS: “Actually, after ‘The Kerala Story’, I did ‘Sunflower’, where I play a bar dancer in a completely fictional world. Then I did Reeta Sanyal, where I got to play eight different characters… It's adventurous, quirky, and far removed from reality.”

“I also did the Commando OTT series, which is pure action entertainment, and played the same character, Bhavana Reddy, from the Commando franchise.”

The actress added: “My next film is a horror film, which I hope for all of us, isn't based on a true story, and I hope ghosts aren't going to haunt us like that! I'm also doing a Superhero film, which is fictional and a film where I played Devi (goddess) Gajra, then came to me, which was based on true events.”

Adah said that when she’s in front of the camera, it is all the same.

“For me, as an actor, true or fictional, everything is real. When I'm in front of the camera, whether I'm playing this human based on my imagination or on someone who existed, it is all the same for me,” said Adah.

Produced by Vipul Amrutlal Shah under the banner Sunshine Pictures, "Governor" hit the screens on June 12.

Adah is best known for her work in the Vidyut Jammwal-starrer “Commando” franchise. However, she shot to fame with her work in the blockbuster “The Kerala Story.”

“The Kerala Story” told the story of Shalini, a former nursing student from Kerala, who later becomes the wife of a terrorist, testifying to her life story and her journey from being a naive girl to another victim of terrorism.

Adah had made her acting debut with the 2008 Hindi horror film, 1920. She was then seen in films such as Hasee Toh Phasee, Heart Attack, S/O Satyamurthy and Kshanam.

For Rajendra Kumar, Jackie paid a tribute to him on his birth anniversary and for Geeta Kapoor he shared a post on her death anniversary.

Taking to his social media account Jackie, shared a black-and-white portrait of Rajendra Kumar. The picture was accompanied by the note, "Remembering Rajendra Kumar ji on his birth anniversary," along with folded hands emoticons.

The story featured Mohammed Rafi's evergreen song 'Mere Mehboob Tujhe Meri Mohabbat' playing in the background, adding to the nostalgic mood.

In another social media post, the 'Hero' actor remembered legendary playback singer Geeta Dutt. Sharing a vintage photograph of the singer, Jackie wrote, "Geeta Dutt Ji," followed by folded hands emoticons and also mentioned her birth and death dates, "23 Nov 1930 – 20 July 1972."

For the uninitiated, Rajendra Kumar, popularly known as the 'Jubilee Kumar' of Hindi cinema, was one of Bollywood's biggest stars during the 1960s.

Born on July 20, 1929, he delivered a string of blockbuster films including 'Mother India', 'Goonj Uthi Shehnai', 'Dhool Ka Phool', 'Mere Mehboob', 'Sangam', 'Aarzoo', 'Suraj', and 'Jhuk Gaya Aasman'. He passed away on July 12, 1999, at the age of 69.

Talking about Geeta Dutt, she remains one of the most revered voices in Indian cinema.

She was known for her expressive and soulful singing, and lent her voice to numerous timeless classics such as 'Waqt Ne Kiya Kya Haseen Sitam', 'Babuji Dheere Chalna', 'Jaane Kya Tune Kahi', 'Mera Sundar Sapna Beet Gaya', and 'Na Jao Saiyan Chhuda Ke Baiyan'.

Geeta Dutt was married to filmmaker Guru Dutt, and she passed away on July 20, 1972, at the age of 41.

The trailer of the film was unveiled on Saturday, and presents the alarming issue of pesticide farming and its far-reaching impact on society. It is packed with intense drama, powerful performances, and a socially relevant message.

Talking about the film, Shreyas Talpade said, "The trailer captures the emotional core of The India Story. It's a story of an ordinary man's fight against an extraordinary challenge, driven by hope and determination. I believe audiences will relate to its emotions and message, and I'm excited for everyone to experience the film in theatres on July 24”.

The film also stars Kajal Aggarwal, and promises a gripping narrative that uncovers hidden truths while highlighting a growing crisis that affects millions every day.

Kajal Aggarwal said, "Being part of The India Story has been an incredibly meaningful experience. My character stands up for truth despite overwhelming odds, and that spirit is what makes this film so special. I hope the trailer connects with audiences and leaves them eager to witness this powerful story on the big screen”.

The project is backed by co-producers Swati Vinayak Saindane, Anita Jadhav, Vinayak Saindane, Kalpesh Shah, Devyani Khorate, and Prem Joshi, and Sagar B. Shinde.

Presented by Zee Studios in association with MIG Production & Studios, ‘The India Story’ is set to release on July 24, 2026, in Hindi, Telugu, and Tamil.

Taking to his social media timelines to share a statement soon after he won the award at the 72nd National Film Awards for Best Background Score for 'Amaran', G V Prakash said, "I am deeply humbled and immensely grateful to receive the 72nd National Film Award for Best Music Director for the Movie #Amaran. Winning this prestigious honour for the third time is truly a blessing, and I accept it with a heart full of gratitude."

Expressing his gratitude to the Jury and the selection committee for the honour, G V Prakash wrote, "My sincere thanks to the esteemed jury and the selection committee for this incredible recognition. My heartfelt gratitude to our producer Kamal Haasan sir for believing in me and giving me the opportunity to be a part of this beautiful film. My sincere thanks to our director Rajkumar Periasamy for his unwavering support throughout this remarkable journey."

The music director, who also went on to thank the entire cast and crew of the film, highlighted the contribution of his sound engineer Jehovasan in making his work stand out. 

"I extend my heartfelt thanks to Sivakarthikeyan, Sai Pallavi, and the entire cast and crew of Amaran. It has been an honour to collaborate with such an incredibly talented team. A special thanks to my sound engineer Jehovasan, whose dedication and hard work played an invaluable role in bringing this music to life," G V Prakash said. 

He also said he owed this recognition to his beloved family, his wonderful team of musicians and technicians, dear friends, and everyone who had stood by him through every step of his journey.

Finally, he expressed his gratitude to his fans. He said, "Above all, I am forever grateful to my fans. Your unwavering love, constant encouragement, and endless faith in me have always been my greatest strength and inspiration. Every note I compose is dedicated to all of you. This award belongs as much to each one of you as it does to me." 

She also revealed Bollywood superstar Hrithik Roshan's subtle integration into the fancy and 90s themed decoration.

The newly married Anshula revealed that the celebrations were designed as a tribute to the 1990s, a decade that shaped her childhood and also that of many guests.

Sharing a video from the reception on Instagram, Anshula wrote, "The wedding was about where we come from. The party was about who we are."

She added, "If you grew up in the '90s, there was probably something in this room that belonged to your childhood too!"

Anshula revealed that the reception venue was filled with thoughtful details celebrating the era.

One of the biggest highlights was a display dedicated to Hrithik Roshan's blockbuster debut film 'Kaho Naa Pyaar Hai'.

A cassette of the film was placed alongside vintage cameras, old telephones and retro decor.

Apart from the Bollywood nostalgic touch, the decoration also saw a candy cart and a popcorn station set-up to recreate the charm of old-school fairs and movie nights. The venue also featured neon signs, a photobooth and other pictured from inspired by iconic films that defined Bollywood's fine era.

Calling it "the happiest room we walked into", Anshula thanked the team behind the decor for turning."

For the uninitiated, Anshula married longtime boyfriend Rohan Thakkar in larger than life set-up on July 6 in Mumbai.

It was followed by a star-studded reception in Mumbai attended by family members and several celebrities, including Jackie Shroff, Bobby Deol, Arjun Kapoor, Janhvi Kapoor, Khushi Kapoor, Shanaya Kapoor, Anil Kapoor, Sanjay Kapoor, Maheep Kapoor and others.

Talking about 'Kaho Naa... Pyaar Hai’, the movie released in 2000, and marked Hrithik Roshan's debut as a leading hero opposite debutant Ameesha Patel.

Directed by Rakesh Roshan, the movie went on to emerge as one of the biggest blockbuster of the year and turned Hrithik and Ameesha into overnight sensations.

In an exclusive quote shared with IANS, Chohan revealed that she has always been drawn to roles that challenge her as a performer and allow her to explore different shades of storytelling. Talking about her journey with the project, Sheena shared how stepping into a complex character pushed her creatively and helped her discover new aspects of her craft.

Sharing why she gravitates towards challenging roles, Sheena stated, “I’ve always been drawn to roles that demand transformation. For me, growth begins the moment I step into unfamiliar territory. Every character should challenge me—whether physically, mentally, emotionally or psychologically—because that’s where the real learning happens.”

“I always want each character to feel completely different from the last. As a theatre-trained actor, I genuinely enjoy researching a character, understanding their emotions, motivations, body language and the world they belong to. That transformation, from being yourself to becoming someone entirely different, is the most fulfilling part of acting for me.”

Sheena added, “The roles that excite me the most are the ones that push me beyond my comfort zone. Whether they demand intense preparation, emotional vulnerability or a completely new mindset, I embrace every challenge because it helps me grow not just as an actor, but as a person.”

“I’m drawn to layered lead characters that challenge me emotionally, psychologically and physically, and my goal is always to disappear into every role so completely that audiences remember the character long after they’ve left the theatre. I want audiences to remember the person I’m portraying, not just see Sheena Chohan on screen. If a role excites and challenges me, I know it’s probably the right one to take. That’s the kind of storytelling and filmmaking I want to be part of.”

Sheena Chohan is currently awaiting the release of her pan-Indian film ‘Jhatasya Maranam Dhruvam’ alongside JD Chakravarthy. In the film, the actress portrays an intense police officer, a role that demanded rigorous physical, emotional and psychological preparation. The Telugu thriller is scheduled to release in theaters in 2026.

The confusion started after she shared vacation photographs moments after it was revealed her grandmother had passed away.

She got in hot soup after sharing a carousel of her family's getaway on Instagram and captioned "Lake life" around the same time as her mother Kris Jenner announced Mary Jo Shannon had passed away aged 91.

Returning to her post to respond to the criticism and confusion, Kim confirmed it had been scheduled for some time and she had spent the previous few days with Kris and MJ, reports femalefirst.co.uk.

She commented: “This post was scheduled a few days ago before we lost MJ, so its timing came right alongside her passing.

“I’ve been by my mom and grandma’s side this past week, and my heart is completely with my family right now. We love and miss her so deeply, and in the days ahead, we’ll be focusing on celebrating her beautiful life."

Kim later shared a new post which featured a heartfelt tribute to her grandmother.

She wrote: “My sweet Grandma MJ, my best friend, my gossip buddy, my forever twin...You taught all of us the importance of family, and those values are something we’ll carry with us forever!!!!! You were the woman who showed me what it meant to be a hardworking businesswoman.”

"You gave me my very first job at your store in San Diego and taught me lessons about work ethic, strength, and confidence that I’ve carried with me ever since.

"You always believed in me, championed me, and were my safe place. You truly were the matriarch of our family, and your love is woven into all of us. I know you’re at peace now.

"Give Papa Harry, Aunt Karen, and my dad a hug for me.”

“You will always be a part of me, I love you soooooo much and I will miss you forever and ever. YOU ARE THE BEST OF US!!! I know you are up in heaven, looking at all of our Instagram posts of you from your sneaky finsta account you would always use lol (sic)"

The actor reflected on the creative process behind his transformation into the titular character of Digger Rockwell, an oil baron. From false teeth and a Southern accent to cowboy boots, costumes, and body language, the actor revealed that every detail of the character's appearance and physicality was carefully considered in service of the story.

Speaking about the process of building Digger Rockwell and the role that makeup, costume, and physicality played in bringing the character to life, Tom Cruise said, “My process is, I'm absorbing, I'm absorbing, I'm absorbing. With the body, we're communicating a story. I want people to be immersed in a story”.

He also shared details about the elements that helped shape his character, as he shared, “The color of the cowboy boots. What are my shorts like? The sets, the color of the sets. They're beautiful on every single level... You look at the taste of this man. It's very special”.

The actor also revealed that Digger's false teeth became a key part of unlocking the character's voice and personality, saying, “I put the teeth on, and it's like, 'Let's f*in' go’”.

He also spoke about finding the rhythm, and how sets his eyes on the musicality of the character.

He further mentioned, “If you start to feel the musicality of the character, it has a rhythm, and it's not a rhythm like anything else. So the behavior of a character, the movement of a character, these are things that we're looking at on the makeup side. As you're developing, you've got to go, 'Is this our tone? Is it a drama? Is it a comedy? Is it too much?' You're dialing it in”.

He went on, “When we're looking for characters, we're looking for humor, drama, certain constructs, how do we communicate this? Whether it's Les Grossman or Interview With the Vampire, Collateral, or Risky Business, I'm always asking, 'How do I communicate this?' The physicality, the makeup, that is stuff that you find as you are learning how to communicate. You really have to understand the tools, it's not one-size-fits-all. You have to find the communication, the lenses, the color of the makeup”.

He credited director Alejandro G. Inarritu for helping shape the performance, as he said, “Alejandro understands music, and that's the universal language that we're all finding. I think further, 'How do I prepare so that we have time to discover that rhythm?' Everything that I'm doing in terms of training or language or dance, I'm going, 'How do I prepare for these moments?' So I'm thinking about having that ability to be able to play a character like this”.

“It's a lifelong journey of learning and learning and learning”, he added.

Taking to Instagram, the designer shared a rare childhood memory and expressed his love and longing for her through a heartfelt social media post. Sharing throwback photos, Manish wrote, “Happy Birthday dearest Mother today would have been your 95 th Birthday Miss you every Moment and the Entire Family Talks about You and Misses you a lot.”

The first monochrome image shows a young Manish planting a kiss on his mother’s cheek. In the next picture, he can be seen smiling while posing with her for a selfie. Manish also shared pictures of his mother from cherished family moments.

Manish Malhotra's mother, Sudarshan, passed away on March 19, 2026, at the age of 94.

Manish often shared heartfelt posts on social media, expressing his love and appreciation for his mother. Last year, he had celebrated his mother’s birthday with a special gathering at his residence. He had also shared pictures from the celebration, offering a glimpse of the memorable moments with his family. The celebration was attended by several close friends and industry personalities, including Rekha, Karan Johar, Urmila Matondkar, and Manish Malhotra’s cousin and filmmaker Punit Malhotra.

In an earlier Mother’s Day tribute, the fashion designer had lovingly described his mother as his “strength, inspiration and companion.” He had also shared how she supported and encouraged his passion for fashion and films from an early age.

An excerpt from his post read, “My mother My Strength , Inspiration and My Companion as I have always lived with her with only Respect and love .. This morning having tea with her I was thanking her for always encouraging my love for clothes and movies since childhood Happy Mothers Day.”

In his latest post, he recalled an emotional thought about being given the privilege of performing her kanyadaan one day. Kher shared that although the moment is still far away, the very idea fills his heart with affection, warmth, and a sense of responsibility. On Wednesday, the ‘Special 26’ actor took to his Instagram handle to pen a heartfelt birthday note for Vanshika. Sharing her throwback videos and photos, Anupam wrote, “Happy Birthday, my dearest, dearest Vanshika Beta. May God bless you with all the happiness in the world, a long, healthy and beautiful life, and the strength to achieve every dream you dream. You are my child. Even when Satish was with us, I always looked upon you as my daughter… and my friend. Some relationships are not defined by blood; they are defined by love, trust and belonging. Ours is one of them.”

“Sometimes it’s difficult to express love in words, but today I want you to know that I will always be there for you! To protect you, support you, encourage you and stand by you, no matter what life brings. And who knows… one day, many years from now, if you decide to get married, I may even have the privilege of performing your kanyadaan. That day is still far away, but the thought itself fills my heart with affection.”

The 71-year-old actor added, “I love you, beta. Have the happiest birthday ever. And I’m sure your Papa and my bestest friend ever Satish, is smiling from above and sending you his biggest hug and countless blessings today. Happy Birthday, my darling. God bless you. @vanshikakaushik_15 #HappyBirthdayVanshika #Love #Blessings First video is three years old!.”

Anupam Kher and Satish Shah shared a close and cherished friendship that spanned decades. The duo shared screen space in memorable films like “Dilwale Dulhania Le Jayenge” and “Hum Aapke Hain Koun..!.”

Following Satish Shah’s demise on October 25, 2025, Anupam Kher paid an emotional tribute to his dear friend, whom he fondly remembered as “Mere Shah, mere Jahapana.” He also stood by Shah’s wife, Madhu, who suffers from Alzheimer's, during the difficult time.

Interestingly, Anupam Kher has taken on a supportive, father-like role in Vanshika’s life following her father’s passing. He has often been present for her important moments, including school events, and has expressed his affection for her by referring to her as his own daughter.

Vatsal shared a video on Instagram, where the husband and wife duo are seen sitting on a couch and discussing their love story. Recalling the moment, they shared how Vatsal's quick thinking saved Ishita from a dangerous accident during a song shoot.

Ishita and Vatsal first shared that theirs was not a “love at first sight” kind of romance.

Vatsal shared: “It didn't happen with us. Love at first sight, actually, I didn't believe in love. She knows.”

To which Ishita replied: “I never thought this is going to happen. But actually, our story started when we were shooting. Not love story, our friendship started there.”

Vatsal then asked Ishita to share how he proposed to her.

“Ishita: How did we propose? Let's tell the story before the proposal. Our friendship started in Lucknow, where we were shooting for a song sequence. I was about to fall from the first floor and only you came and saved me.”

Vatsal shared that it was a very dangerous situation.

“Ishita was on the first level, we were shooting a song sequence. And her sari was flying. The sequence got over, the director said cut. And while the sari was flying, there were storm fans below. So the sari got stuck and we all were at ease because it got cut.”

“And she was alone upstairs. And suddenly her sari got stuck in the storm fan. And the storm fan was also pulling her.”

He shared that she was standing at the ledge.

Ishita replied: “It all happened in like a second. When I was about to fall, he saw what was happening. And he had the presence of mind to just go and pick up the fan. And the fan was really heavy. It was a very heavy fan.”

Vatsal chimed in: “But the instinct was that I picked up the fan. I don't know how I picked it up. But I picked up the fan so that it wouldn't fall. And as soon as I picked it up, she was at ease. And everyone saw my spot, makeup, everyone saw it. Everyone ran and picked up the storm fan. And cut her sari.”

He quipped: “And I became a hero.”

To which Ishita concluded by saying: “My hero. Well, that's how our friendship started. And unfortunately, the show ended very soon. But our love story started from there.”

The video was captioned: “Hamari Love Story.”

Ishita met actor Vatsal Sheth on the sets of their show Rishton Ka Saudagar - Baazigar in 2016. They got married in 2017. In March 2023, the couple announced their pregnancy and had a baby boy in 2023. The couple had a baby girl in 2025.

Sharing her experience, Shome told IANS that she initially felt hesitant about delivering such a legendary line and even suggested that Sunny Deol himself should perform it. However, the veteran actor encouraged her to present it in her own style, giving her the confidence to make the dialogue her own rather than trying to replicate his iconic performance. Tilottama shared, “The truth is that when I was actually on the set, I wasn't nervous or overly excited. I was somewhere in the middle. I knew it was an iconic dialogue, and I even tried convincing the director that perhaps Sunny sir should deliver it instead. But he didn't agree.”

“I asked Sunny, sir, if he had any objection to me saying such a famous dialogue of his. He immediately replied, "Why would I? Say it in your own way." When I received that kind of encouragement from everyone, I simply made the dialogue my own. I never tried to match Sunny Sir's performance or outperform it. There was no such calculation in my mind.”

Speaking about working with the ‘Gadar’ actor, Tilottama mentioned, “Sunny sir is a very introverted person, and so am I. People often assume actors are naturally extroverted because we face the camera, but that's not always true.”

“What I loved about him was that even in his silence, there was tremendous warmth. Sometimes a person's silence can make the atmosphere uncomfortable, but his silence made everyone around him feel relaxed. Whenever we spoke, he was always kind, respectful and extremely generous. He is a true gentleman, something that feels increasingly rare today,” she added.

In "Ikka," directed by Imtiaz Ali, Tilottama Shome essayed the role of Madhura Banerjee, a determined public prosecutor who faces off against Sunny Deol’s character, Arjun Mehra, a defense attorney, in the courtroom drama.

In an interesting twist, Shome’s character delivered Sunny Deol’s iconic “Dhai Kilo Ka Haath” dialogue in the film, using his legendary line against him during their intense courtroom confrontations. The thriller also featured Akshaye Khanna and Dia Mirza. “Ikka” premiered on Netflix on 10 July.

During an episode of the Jonas Brothers' new Podcasts series, 'Hey Jonas!', featuring Nick, Priyanka Chopra, Kevin Jonas and Joe Jonas, the singer joked that the biggest perk of their nearly eight-year-long marriage has been his access to the latest happenings and gossip in Bollywood.

"So one of the things that I have loved most about these eight years together is all the Bollywood gossip I have got," Nick said.

Priyanka who seemed amused by the confession, teased her husband, saying, "That's what you have loved the most about our whole marriage? His whole feed is filled with the gossip."

She went on to reveal that Nick often knows about Bollywood breakups before she does.

"I don't know when someone's broken up with someone and you are always the one to tell me. It usually happens when I am texting someone and I wil be like, 'Hey, give my love to blah, blah, blah.' And he's like, 'No, they've broken up.' And I'm like, 'Oh, so you keep on the gossip.'"

Nick admitted with a laugh, "Oh yeah, I do."

Kevin and Joe further candidly pressed him to reveal whose updates and gossips he follows, but Nick refused to name names.

"I can't say names. These are friends of ours," he said.

The singer also admitted that he secretly follows a few Bollywood gossip pages.

"There's a couple of accounts that I kind of ghost follow, you know? There's some good tea though. There's like all these storylines that you have got to follow," he added.

Talking about Nick and Priyanka, the couple first met at the 2017 Oscars after-party before beginning to date in 2018.

The couple got engaged later that year and tied the knot in a grand wedding at Jodhpur's Umaid Bhawan Palace in December 2018, celebrating both Christian and Hindu ceremonies

In 2022, they welcomed their daughter, Malti Marie Chopra Jonas, via surrogacy.

Reflecting on her career shifts and life experiences, the ‘Mela’ actress spoke about embracing new beginnings and learning from every twist and turn. Sharing a candid note on Instagram, Twinkle highlighted the importance of adapting to change and finding new paths when life takes unexpected turns. In her recent post, she looked back on her journey, from her early days in the film industry to becoming a writer and creative voice. Twinkle also described it as a mix of successes, setbacks, and fresh beginnings.

Posting her pictures, the 'Mrs. Funnybones’ actress wrote, “You can be the Playboy Bunny, or you can be the one pulling rabbits out of your hat. I’ve changed professions, collected a few plot twists, fallen on my bottom, and climbed back up again. Somewhere along the way, I became a jack of all trades with a degree that insists I’m a master of one :) Have you ever reinvented yourself? What sparked it? Tell me in the comments below.”

The first image featured the ‘Baadshah’ actress striking a sultry pose in a stylish black dress paired with a hat, exuding confidence and elegance. The next picture showcased her in a stunning red dress.

On the personal front, Twinkle Khanna is married to actor Akshay Kumar, and the couple is proud parents to two children — son Aarav and daughter Nitara.

Work-wise, Twinkle was a familiar face in Bollywood during the late 1990s and early 2000s. She appeared in several films, including “Barsaat,” “Jab Pyaar Kisise Hota Hai,” “Baadshah,” and “Love Ke Liye Kuch Bhi Karega.” She later quit acting and transitioned into writing and interior designing.

“Udne Ki Aasha” is all set to enter an emotionally charged new chapter with a seven-year leap. A medical emergency during Sailee and Roshni’s pregnancies leads to a shocking baby swap at birth, leaving Sailee and Sachin believing they have lost their child forever.

Neha said in a statement: “When I first heard about this leap, it genuinely made me emotional because it reminded me how unpredictable life can be. We all imagine how life should unfold, but sometimes it has completely different plans for us. That’s exactly what I felt while reading about Sailee’s journey after seven years.”

“On one level, I was excited because every actor looks forward to playing a completely new phase of their character. But at the same time, I couldn’t stop thinking about everything Sailee has lived through and how much strength it takes to keep moving forward despite it all.

As per the storyline, completely unaware that their son is alive and being raised by Roshni and Tejas, the couple is forced to move on with their lives. Seven years later, Sachin and Sailee have rebuilt their lives in Ganpatipule with their daughter, Poorna. But as the children take centre stage, long-buried secrets and hidden motives threaten to resurface, setting the stage for an emotional journey filled with love, heartbreak, family bonds, and unexpected twists.

Neha added: While shooting these scenes, some moments stayed with me even after the camera stopped rolling because every emotion felt so honest. The kids on the set remind me of my childhood, the masti, the fun, and everything in between.”

“It’s emotional, it’s unpredictable, and it shows a completely different side of Sailee that audiences haven’t seen before. I’m really excited for everyone to experience this new journey.”

‘Udne Ki Aasha’ airs on Star Plus and JioHotstar

Anil took to Instagram, where he shared the poster of a film and also shared a picture of cutting his daughter Kairvina’s birthday cake, who too was born on the same day.

“14 July best day of my life .. this day two most beautiful things happened .. first 46 year back 14 July 1980 I took first shot as director .. #SHRADHDHANJLI with Rakhee Gulzar ji .. god willing became big HIT... (sic),” he wrote as the caption.

He added: “n also 14 July is my little daughter kairvina’s birthday... a best moment god has given me. Happiest birthday my love... little laughter @ Kairvina... (sic).”

The film, which also stars Suresh Oberoi and Deepak Parashar, was released in 1981. “Shradhanjali” follows a woman, who leaves her bitter life in the past and gets married to a man. However, things take a turn when she has to abort her child in order to raise her husband's younger brother.

Talking about the filmmaker, his latest release is Vanvaas. The film stars Nana Patekar, Utkarsh Sharma, Simrat Kaur, Rajpal Yadav, Khushbu Sundar, and Ashwini Kalsekar. Vanvaas explores the complexities of familial relationships, focusing on themes of sacrifice, emotional bonds, and the challenges of sustaining unity in modern times.

Meanwhile, his most recent blockbuster was “Gadar 2”. The sequel to Gadar: Ek Prem Katha, it stars Sunny Deol, Ameesha Patel, and Utkarsh Sharma, all reprising their lead roles from the original, with Simrat Kaur, Manisha Wadhwa, and Gaurav Chopra.

During the Indo-Pakistani War of 1971, Tara Singh returns to India and Pakistan to rescue his imprisoned son Jeete.

Gadar 2 was the fourth highest-grossing Indian film of 2023, the tenth highest-grossing Hindi film of all-time, and the fifth highest-grossing Hindi film in India.

The actor attended the press conference for the film in the city on Monday, and shared that maybe it was his destiny that he was written off by the industry so that he can come back stronger.

He said, “Maybe it was destiny that I was written off many times. People said that now he will not appear in films. I start again. And I pray to God that what I have thought and what people cannot think, this film works its magic. This film is especially for youngsters. When they will see this in the theater. Such a dream will come true. And this is possible. I will not discuss any spirituality in this”.

The actor also shared that he is a firm believer of numerology, and got into it from a very tender age.

He said, “Number 14 is my good luck number. I believe in numerology. My name is also as per numerology. I believed in it at a very young age. I was 14 years old. I was blessed by God. I signed 14 films in a week. Then I saw super-stardom for 14 years. Then I became a member of parliament in the 14th Lok Sabha. I struggled for 14 years. And then I came back to films. This is the first time that I could not wait for more than 5 years. I said, ‘I will start again’. And now I hope that the journey has started from here”.

“When I used to say in the village that I will become a hero, people used to laugh at me. They said, ‘Neither you smoke cigarettes, consume alcohol, non-vegetarian food, garlic, nor onion. How can you become a hero?’. People used to say that if you run in fear, you will become a saint. But this did not happen. I did what my mother had thought. And now I feel that this film is very important for children. That such films should be made. And children should move forward”, he added.

The poster symbolises hope in times of despair, and also sets the tone for the film’s narrative. Sharing the poster, the makers wrote in the caption, “When the world chose sides, HE chose dharma. Watch #Batwara1947 in cinemas this Partition Day, 14th August."

The film is set against the backdrop of one of the most defining chapters in India's history, the film revisits the turbulent 1940s, when the Partition changed the lives of millions forever. Amidst fear, loss, and displacement, it tells the inspiring story of a man who chose courage and humanity over hatred.

The film brings together a stellar ensemble cast featuring Shabana Azmi, Preity G Zinta, Karan Deol, Ali Fazal, Abhimanyu Singh, Khhushi Hajare, and Kanikka Kapur. Produced under the banner of Aamir Khan Productions, the film is directed by Rajkumar Santoshi. The music is composed by A. R. Rahman, with the lyrics penned by Javed Akhtar.

The film captures hope and resilience that emerged during one of history’s most turbulent chapters. The story has reportedly remained banned in Pakistan, and it adds another layer to the film, making it one of the most intriguing historical releases to look forward to.

The film also reunites the dream team of Aamir Khan, A. R. Rahman, and Javed Akhtar, who have worked on the cult-classic ‘Lagaan’. It also marks the much-awaited reunion of Rajkumar Santoshi and Sunny Deol after nearly three decades.

The film is produced by Aamir Khan and Aparna Purohit and is slated for a worldwide theatrical release on August 14, 2026.

Singer Priyanka Mitra, through an emotional social media post, announced the unfortunate demise of Sunila Sharma.

The note read, “With deep grief and love in our hearts, we announce the peaceful passing of our beloved Amma, Sunila Pyarelal Sharma, who left for her heavenly abode on 12 July, 2026, surrounded by the warmth of her family.

Amma lived a life of grace, devotion, and quiet strength – a pillar of unconditional love to all who knew her. While our hearts are heavy, we find comfort knowing she is finally at peace.

We are deeply grateful for the love, prayers, and support of our family and friends during this time. Your work here is beautifully finished, Amma. Rest in eternal peace.In Strength: The Sharma, Nathani, Sirur and Haldipur Family.”

The family informed that the funeral is scheduled to take place at Dattatray Road Crematorium in Santacruz (West), Mumbai, on July 13.

Talking about the legendary music composer, Pyarelal, he was one half of the iconic music composer duo Laxmikant-Pyarelal, and remains one of the most celebrated names in Indian cinema.

Along with the late Laxmikant Shantaram Kudalkar, he composed music for hundreds of Hindi films and delivered timeless classics across five decades.

His body of work includes memorable soundtracks for films such as 'Bobby', 'Karz', 'Amar Akbar Anthony', 'Satyam Shivam Sundaram', 'Mr. India', 'Hero', 'Ram Lakhan', 'Tezaab', 'Ek Duuje Ke Liye' and 'Utsav', among many others.

Most recently, Sunila had appeared as a special guest on the singing reality show 'Indian Idol', along with her legendary musician husband Pyarelal, where they revisited some of the music duo's evergreen compositions and shared anecdotes from their remarkable musical journey.

During the upcoming episode of 'Indian Idol', host Aditya Narayan pointed out that Anand Raj Anand had composed, written and sung the film's iconic title track before asking him about the journey behind its memorable soundtrack.

Recalling how it all began, Anand Raj Anand said, "Kaante ki bahut kamaal ki kahaani hai. Film mein saare 45 saal se upar ke heroes the aur koi heroine bhi nahi thi. Isliye gaane ki gunjaish hi nahi thi. Sirf 'Rama Re' ki wajah se film mein songs add hone shuru hue. Maine Sanjay Gupta sir se kaha ki Sanjay Dutt sahab ko sufi gaane bahut pasand hai, toh ek mehfil rakhwa dijiye. Raat ko kareeb 11:30–12 baje Juhu mein Ajay Devgn ke saamne wale office mein mehfil hui."

(There's a fascinating story behind 'Kaante'. The film featured an ensemble cast of heroes who were all above the age of 45, and there wasn't a female lead. So initially, there wasn't much scope for songs in the film. It was only because of 'Rama Re' that songs gradually became a part of the soundtrack. I suggested to Sanjay Gupta sir that since Sanjay Dutt loves Sufi music, we should organise a Sufi mehfil for him. So, around 11:30 pm or midnight, a mehfil was arranged at an office in Juhu, opposite Ajay Devgn's office.)

He further revealed that while filmmaker Sanjay Gupta was unsure whether the songs would fit into the film, Sanjay Dutt was convinced they deserved a place.

"Maine sabse pehle unhe 'Ishq Samundar' sunaya. Phir 'Maahi Ve' sunaya. Sanjay ji bole yeh gaane film mein fit kaise honge, lekin Dutt sahab bole, 'Kar lenge yaar, gaane achhe lag rahe hain.' Uske baad Sanjay Gupta ne mujhse kaha ki film ke liye ek theme song bhi hona chahiye, jaise James Bond ya Mission: Impossible ka theme hota hai."

(The first song I played for them was 'Ishq Samundar', followed by 'Maahi Ve'. Sanjay Gupta felt that these songs wouldn't fit into the film, but Sanjay Dutt said, "We'll make it work, the songs are really good." After that, Sanjay Gupta told me that the film also needed a signature theme song similar to those in James Bond or Mission: Impossible.)

Speaking about the creation of the film's iconic title track, Anand Raj Anand shared, "Unhone bas itna bataya ki characters collar khade karke, cigarette peete hue, gufa mein baithkar robbery ka plan bana rahe hain. Maine kaha, theek hai, kalam uthaya aur socha ki mukhda toh aapne de hi diya hai 'Collar ko thoda sa upar...' Bas wahin se shuruaat hui. Uss gaane ko poora karne mein mujhe ek hafta laga, aur wahi 'Kaante' ke title track ki shuruaat thi.

(He simply described the scene to me, the characters, with their collars turned up, smoking cigarettes and sitting inside a cave planning a robbery. I picked up my pen and thought, "You've already given me the opening line, 'Collar ko thoda sa upar...'" That's where it all began. It took me about a week to complete the song, and that's how the title track of 'Kaante' came to life.)

Taking to Instagram, Vishal shared an emotional note crediting Rocking Star Yash for playing a pivotal role in the song's journey. 

Vishal wrote, "The kind of love #Tabaahi is getting is surreal! All the credit goes to my big bro @thenameisyash for being the brother, the person & the collaborator he is. He thought of the word “Tabaahi” even before we made the song, and every inch of my creativity belongs to US!"

Going on to call Yash as "simply the BEST", Vishal said that he felt incredibly lucky to have found "a big brother".

"Because of him, I met the maverick magician @geetu_mohandas who has been the energy behind it all. So grateful. Onwards n upwards for #Toxic. Har Har Mahadev." 

Vishal's heartfelt post offers fans a rare glimpse into the collaborative process behind Tabaahi, underscoring Yash's deep creative involvement in Toxic beyond his role as the film's lead.

For the unaware, the makers of director Geethu Mohandas's eagerly awaited action extravaganza, 'Toxic: A Fairy Tale for Grown-Ups', featuring Rocking Star Yash in the lead, last Wednesday unveiled the much-anticipated official music video of 'Tabaahi', the film's first song.

The song was an instant hit and it continues to dominate playlists. The song's striking visuals and Yash-Kiara Advani's intense chemistry in it have only heightened anticipation for the film. 

Directed by Geetu Mohandas, 'Toxic: A Fairy Tale for Grown-Ups' has been written, produced, and headlined by Rocking Star Yash under Monster Mind Creations, in association with KVN Productions. 

Featuring a powerhouse ensemble cast including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, and Huma Qureshi, the much-anticipated action drama is set for a worldwide theatrical release on August 26 this year.

Balaji Telefilms shared a video montage featuring moments from the show featuring Kushal and Shivangi. The video started with a picture of the two actors and had a text overlay that read: “Celebrating 3 years of “Barsatein: Mausam Pyaar Ka.”

The caption read: “Some stories never fade, they just keep pouring back into our hearts.
Celebrating 3 years of Barsatein. @ektarkapoor @shobha9168 @tanusridgupta @therealkushaltandon @shivangijoshi18 #BalajiTelefilms #ShowAnniversary.”

The cheating chatter about Kushal started doing the rounds after Shreya on the reality show “Lock Upp: Sach Ya Sazaa” said that the actor messaged her on social media and flirted with her while dating Shivangi after they shot a promo for “Barsatein: Mausam Pyaar Ka.”

Shreya went on to claim that she took a step back when she got to know that the two were in a relationship and that to avoid misunderstanding with Shivangi, she offered the actress her phone to clear any doubts about who texted first.

“Barsatein: Mausam Pyaar Ka” follows a young, beautiful woman who falls for an influential and handsome man. However, his stubbornness and emotional unavailability unfold a challenging journey for her.

Some netizens expressed their disapproval over the timing of the post.

One said: “Wrong time to celebrate.”

Another questioned the timeline by saying that the controversy just happened and the show had just completed three years just a day after it.

“Well not the right time ekta,” wrote a netizen.

“I don’t think the actor and heroine going to celebrate,” said a user.

The actress essays the role of Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns.

She spoke with IANS during the promotions of the film in the city, and shared how ‘The India Story’ fulfilled her desire to be a part of a courtroom drama.

She told IANS, “So courtroom drama is something that has been on my radar for a very long time. I have been looking for a good, meaty and challenging courtroom drama. So that aspect of my desire was fulfilled through the course of this film. But yes, as an actor I think there was a lot of evolution. There was growth and there was maturity in my performance as well as. I feel I have grown up as an actor, and there were moments which felt very real, and which I did not really have to enact or I did not really have to Imagine myself in that spot. I was actually living that moment. The tears were natural, feelings were natural and emotional struggles were real”.

“Dismay, success, loss, and grief, it all felt very real. So as an actor ,I feel that is something that is extremely challenging/ When you can forget that you are even a part of something you reach that stage of just being, and just co-existing in a particular scene. And not really being or putting an attempt to have a true existence”, she added.

Meanwhile, ‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health.

The film is scheduled for a theatrical release on July 24, 2026.

Samantha uploaded the trailer of 'Lenin' on the Stories section of her Instagram handle, wishing Akhil and the entire team of the drama.

The 'Kushi' actress penned that the project is already giving out blockbuster vibes.

"Wishing Lenin, Akhil Akkineni and the whole team the very best. Big blockbuster vibes already (sic)," Samantha's post on the photo-sharing app read.

Akhil also reshared her post on his official handle and penned, "Thank you so much Sam...my team and me really appreciate your wishes," followed by three folded hands emoji.

For those who do not know, Samantha tied the knot with Akhil's elder brother, and actor Naga Chaitanya, back in 2017. The two got hitched in a lavish ceremony after being in a relationship for many years.

However, in October 2021, Samantha and Naga Chaitanya announced that they had decided to go their separate ways.

Both Samantha and Naga Chaitanya are happily married to their respective partners now. Naga Chaitanya entered matrimony for the second time with actress Sobhita Dhulipala on December 4, 2024, in a traditional ceremony.

On the other hand, Samantha tied the knot with filmmaker Raj Nidimoru on 1 December 2025.

The couple is believed to have met while shooting the Amazon Prime Video series, 'The Family Man 2'.

Samantha is all set to enter a new phase of her life as she is expecting her first baby with husband and filmmaker Raj Nidimoru.

Samantha confirmed her first pregnancy recently during the success meet of her latest release 'Maa Inti Bangaaram'.

The 'Yashoda' actress revealed that she will be taking a maternity break after wrapping up her current work commitments.

“After Maa Inti Bangaaram, I will have to take a small break, given my condition. I’ll have to take maternity leave. After that, I’ll be back with another film for my fans,” Samantha said.

Taking to Instagram, she highlighted how small gestures of support and knowledge can make a significant difference for people managing the condition. Sharing her video, Aishwarya wrote, “Know this if your friend is a Type 1 diabetic Being friends with someone with Type 1 diabetes isn’t complicated but understanding a few things can make a world of difference.”

 “A hypo can look a lot like someone who’s drunk. If we’re acting confused, shaky, or not making sense, we probably need glucose, not insulin. If we seem unusually irritable or emotional, it could be our blood sugar talking. Please don’t take it personally. Know where we keep our low sugar supplies. You may never need them, but if you do, those few seconds matter. Yes, we can eat anything. We just have to dose insulin for it. Plans can change unexpectedly. A stubborn high or a sudden low doesn’t always care about our schedule.”

The ‘Saas Bina Sasural’ actress added, “Don’t assume we’re unhealthy. Type 1 isn’t caused by lifestyle, it’s an autoimmune condition. Chances are we’re carrying a mini pharmacy everywhere we go: insulin, glucose, snacks, sensors, chargers, the list goes on. Sleepovers, road trips, flights, and vacations take a lot more planning than most people realize. Exercise isn’t as simple as “just work out.” It can send our sugars soaring or crashing, so every workout needs strategy.”

 “We’re doing math all day long, counting carbs, calculating insulin, correcting highs, preventing lows. It’s a fulltime job you don’t see.

 If we say no to food, please don’t be offended. Sometimes our blood sugar is making that decision for us. And finally, there is nothing we can’t do. We just have to do it with a little more planning. The more you understand Type 1 diabetes, the safer and more supported your friend will feel. #aishwaryasakhuja #reelsinstagram #type1diabetic #diabetes #diabetesawareness.”

Aishwarya Sakhuja revealed that she was diagnosed with type 1 diabetes in 2018. The actress shared that she developed the condition after taking strong medication a few years earlier, which affected her pancreas.

She admitted that accepting the diagnosis was initially difficult and she felt upset knowing that it could not be reversed. However, with time, Aishwarya adapted to the necessary lifestyle changes, which helped her manage her condition and keep her blood sugar levels under control.

Work-wise, Aishwarya Sakhuja is known for her stint in the shows like “Saas Bina Sasural,” “Main Naa Bhoolungi,” “Trideviyaan,” “Yeh Hai Chahatein," and “Zyada Mat Udd.” She was also a contestant on reality shows “Nach Baliye 7” and “Fear Factor: Khatron Ke Khiladi 7.”

Taking to his social media timelines, actor Dulquer Salmaan wrote, "Love will feel a little extra special with 'Sri Sri'. #DQ41 is #SriSri. #LoveWillSparkAgain. #SLVC10. Starring @dulQuer, @hegdepooja & @Dheekshiths Directed by @ravinelakuditi9 Music by @gvprakash Cinematography by #AnayOmGoswamy Editing by #KotagiriVenkateswaraRao. Production design by @artkolla.Produced by @sudhakarcheruk5 under @SLVCinemasOffl."

It may be recalled that the makers of the film had welcomed well known Telugu actor Jagapathi Babu onboard the unit of the film in February this year.

Taking to its X timeline to wish Jagapathi Babu a happy birthday, well known production house SLV Cinemas, which is producing the film, had said, "Happy Birthday to the versatile @IamJagguBhai Garu. The world of DQ41 gets special with your addition. -Team #DQ41. #SLVC10 Starring @dulQuer, @hegdepooja, @meramyakrishnan, @Dheekshiths. Directed by @ravinelakuditi9. Music by @gvprakash. Cinematography by #AnayOmGoswamy. Editing by #KotagiriVenkateswaraRao. Production design by @artkolla. Produced by @sudhakarcheruk5 under @SLVCinemasOffl. Co-produced by @innamuri8888."

The film, which went on floors in August last year, features Dulquer Salmaan and Pooja Hegde in the lead.

The project was launched with a special pooja ceremony in Hyderabad last year.

While Natural Star Nani had given the clap for the mahurat shot, Buchi Babu had switched on the camera. 'Dasara' director Srikanth Odela had also graced the mahurat ceremony.

Treating the netizens to sneak peeks from the launch ceremony, Dulquer had said, "The much awaited #DQ41 - a heartwarming contemporary love story - launched grandly with a pooja ceremony...Natural Star @nameisnani gave the clap & blockbuster directors @srikanthodela__ & @buchibabu_sana graced the event to bless the team."

Backed by Sudhakar Cherukuri under the banner of SLV Cinemas, the music for the film is being provided by two-time National Award winner GV Prakash.

Apart from Dulquer Salmaan, Pooja Hegde and Jagapathi Babu, the film will also feature Ramya Krishnan and Deekshith Shetty in pivotal roles.

On the technical front, the film has Anay Goswamy as its cinematographer, and Avinash Kolla as the head of the production design.

Touted to be a pan-India project, 'Sri Sri' will reach the audience in five languages.

During the episode, Akanksha revealed that Gaurav was already aware of her sexuality and had also accepted her for it.

Jailer Farah Khan asked Gaurav, "When her second secret was revealed, I even asked her, 'Does Gaurav know about it?"

Akanksha shared that Gaurav was well aware of her secret.

 "Yeah, he accepted me," she was heard saying.

Gaurav added, saying that he believes in accepting someone wholeheartedly.

"I have always said that if you like someone like them completely. So, I have always been that guy," the 'Bigg Boss Season 19' winner shared.

"He was very open-minded, He understood my feelings and everything and he accepted graciously," Akanksha praised Gaurav.

Recently, Akanksha made a shocking revelation on 'Lock Upp 2' that she is bisexual, and even had relationships with females before getting married to Gaurav.

She shared, “Main shaadi se pehle bisexual thi. Mere relations rahey hain kuch ladkiyo ke saath. Bohot zyaada intimate relations nahi rahe hain but I have been in relations with a few females (I was bisexual before marriage. I have been in relations with females, but they were not intimate).”

Akanksha claimed that she thrives in the company of women.

“Mujhe ladkiya pasand hain. Main admire karti hoon, main attract hoti hoon unke taraf. I think mera woh safe space hain. Growing up, mujhe lagta hain ki its a very male-dominated world toh humesha aap mummy, beheno ke taraf jaate ho… kahi na kahi jo comfort zone unse milta hain. I love that feminine energy, I love that comfort and thrive in that. Aise society mein rehte hain jaha log bolte hain ki ladkiya dost nahi rah sakti jealousy hota hain ya competition hota hain. Mere mein woh sab nahi tha, mere liye all females are beautiful. It's a tag that society has given, for me it's pure love (I love women, I admire and am attracted to them. They are my safe space. Growing up, I used to feel that it is a male dominated world and hence one always tends to get closer to their mother and sisters… that comfort one gets from them. The society says that women cannot be friends but it was never like that for me. There was no competition or jealousy) For me all females are beautiful," Akansha added.

Sharing her special connection with the valley, the actress revealed that Kashmir is her nanihal, as her mother belongs to the region. Huma expressed gratitude for the love and warmth she received during her visit, calling it a memorable experience for her and her team.

Taking to Instagram, she shared several videos and photos from her visit and wrote, “What a beautiful return to our nanihal. Bringing #BabyDoDieDo to our nanihal in Srinagar was always going to be special. But the love and warmth we’ve been met with over the last 24 hours has made it something we’ll remember for a very long time.”

The video showed Qureshi watching the film with the audience and surprising them with her unexpected appearance. The actress was seen interacting with fans and sharing the excitement of experiencing the film’s response alongside viewers.

Addressing the media, she said, “First of all, I just want to say Saqib is here, my entire cast is here, and my director is here. We just came to say thank you to Kashmir, because our film is playing over here and we are getting so much love. So, we wanted to come and thank you, and this is our Nanihal. You know, my mother is from here.”

“So, whenever we come here, Saqib and I both, we get so much love. Actually, a show is ending up there. They don't know that we have come. We just want to give them a surprise. We will go to the show and meet you. Thank you. If it gets released, they will leave. We have come for their love.”

On a related note, “Baby Do Die Do,” directed by Nachiket Samant and produced by the Saleem Siblings, stars Huma Qureshi, Sikander Kher, and Chunky Pandey in pivotal roles. The story follows a deaf and mute serial killer in Mumbai who, while carrying out a series of murders for unknown reasons, can only hear the voice of her deceased sister. The crime thriller was released in theaters on July 3.

--IANS

Participating in the pre release event of Love Oh Love, in which his grandson Pavish plays the lead, Kasthuri Raja said, "Among the three directors in my family, It was only Selvaraghavan (Dhanush's elder brother) who came to cinema willingly. Dhanush did not like cinema. Until he completed five or six films, he did not like cinema. When I made 'Thulluvadho Ilamai', he would keep telling me, 'Dad, let me go. I will leave.' He would cry before the shot while shooting for Thulluvadho Illamai."

"Selvaraghavan, on the other hand, is the most educated among the members of my family. He is a medallist. He is a mechanical engineer. I was very particular that my children must not come to cinema. Therefore, I would not even take them to preview shows even. I was very strict," Kasthuri Raja said. 

"However, when Selvaraghavan was in his second year in college, he came to me one day and said that he did not want to go to college and that he wanted to enter cinema," Kasthuri Raja disclosed. 

Kasthuri Raja said he then pointed out to Selvaraghavan the trouble his mother had undergone to get him the college seat. "I told him that cinema had been there before me, it was there during my time now and that it would be there after my time but a college degree was not like that and that if he lost the opportunity to get a degree now, he may not get it again. I lied to him that if he got his degree, I would get him into cinema. Selvaraghavan agreed to complete his education and did so."

Director Kasthuri Raja also spoke highly of the film unit of 'Love Oh Love'. He said, "The true strength of a good film lies in the trust and harmony shared between its producer, director, and actors. Watching the producers of Love Oh Love present a gift to their director even before the film's release reflects the mutual respect and affection within the team. It's equally remarkable how efficiently the film has progressed—from its pooja ceremony to theatrical release in such a short span. I wholeheartedly appreciate the producers, director, and the entire team for their commitment and discipline. Both Pavish and Naga Durga have brought youthful energy, sincerity, and natural performances that beautifully complement the film.” 

Taking to its social media timelines to announce the news that veteran actor Naseeruddin Shah had come onboard the unit of the film, Wunderbar Films, the production house of actor Dhanush, wrote, "A strong addition to the world of #OM.

The veteran #NaseeruddinShah on board the mega biggie. Coming to cinemas worldwide on October 16th 2026."

For the unknown, the film is slated to hit screens on October 16 this year.

Interestingly, the film's title has a tagline called Chapter 1 indicating that there could be a sequel.

A title teaser that the makers had released some time back had showed that the story revolves around those cutting red sanders for a living. Dhanush himself plays a woodcutter in the film. The teaser showed police personnel rounding up woodcutters chopping red sanders illegally. As they hold the workers hostage at gunpoint, Dhanush was seen coming to their rescue.

Wunderbar Films Head Sreyas, while speaking at the title teaser launch event, had disclosed that this would be one of the biggest budget films in Dhanush's career. He had also said that this film would bring back the mass vintage Dhanush that fans had longed to see.

The film, which features Sai Pallavi and Sreeleela as the heroines, has music by Sai Abhyankkar. Cinematography for the film is by Ezhil Arasu. Editing for the film is by Kalaivanan R and costumes are by Kavya Sriram. 

It may be recalled that the makers of the film, had accorded a warm welcome to Malayalam star Mammootty when he came on board the film. Wunderbar Films, one of the production houses that is producing the film, had said, "When the Big M chooses a story, it becomes history. Super excited to welcome Megastar @mammukka onboard #D55! We are honoured! Thank you #Mammootty sir."

It may be recalled that only a few days ago, another production house called R Take Studios had announced that it was joining hands with Wunderbar Films for producing this film.

On Wednesday, Geetika took to her official Instagram handle and revealed that there are mixed feelings as 'Satluj' has finally been able to reach some viewers, despite facing so many hurdles.

Geetika wrote on the photo-sharing app, “For four years, we carried this film quietly in our hearts, hoping for the day we could finally share it with you. Today, that hope feels both fulfilled and unfinished, as Satluj finds its voice in some places while remaining silenced in others.(sic)"

“It was an honour to step into the world of Bibi Paramjit and to stand beside @diljitdosanjh in telling the story of Jaswant Singh Khalra ji and the family whose love endured what words never fully can describe," she went on to add.

Praising the makers for standing their ground, Geetika concluded the post saying, “In admiration of @honeytrehan for his decision. As he always says: #Nirbhau #Nirvair. And as Jaswant Singh Khalra ji always said: #challengethedarkness."

Her post further included a behind-the-scenes photo from the shoot of 'Satluj' in which Geetika was in her character, posing alongside Diljit and two kids.

Earlier, veteran actor Kanwaljit Singh, who is seen as DGP Bitta in 'Satluj', revealed that he received praises for his character from Naseeruddin Shah and Shashi Ranjan.

"I was quite surprised to receive his call. After that, I even got a call from Naseer (Naseeruddin Shah). He started speaking in Punjabi, which he speaks rather poorly. I believe he is the 'God of acting' and hence anything coming from him has a lot of impact", the 'Mrs' actor told IANS.

Following a long battle against censorship, 'Satluj' finally got a digital release on ZEE5. However, it was taken down in India only 2 days after release.

She shared a montage of cherished memories spanning decades of her life.

Taking to her social media account, Riddhima shared a series of pictures and videos featuring special moments with her mother. Alongside the reel, she put up the caption that read, "Happy birthday Ma - My heart, my everything. Love you endlessly."

The birthday tribute included a nostalgic picture of Neetu cradling a baby Riddhima in her arms. Another picture showed the mother-daughter duo posing together during a recent outing. Riddhima also shared an old photograph from Neetu's younger days as a child actor in the movie Do Kaliyan.

She also shared a family picture featuring herself, Neetu and daughter Samaira during a birthday celebration.

Riddhima also have a glimpse from Neera Kapoor's birthday eve celebrations, where Neetu was seen smiling alongside Riddhima and son-in-law Bharat Sahni.

Talking about Neetu Kapoor, formerly known as Neetu Singh, she was one of Hindi cinema's most celebrated actresses.

The actress began her journey in films as a child artist under the name Baby Sonia. She featured in films such as 'Suraj', 'Dus Lakh', ‘Do Kaliyan’ before making her debut as a leading lady opposite Rishi Kapoor in 'Zehrela Insaan' in 1974.

The actress went on to deliver many successful films during the 1970s and 1980s, including 'Khel Khel Mein', 'Rafoo Chakkar', 'Kabhi Kabhie', 'Amar Akbar Anthony', 'The Great Gambler', 'Kaala Patthar', 'Yaarana' and 'Doosara Aadmi' amongst others.

For the uninitiated, Neetu and Rishi Kapoor fell in love while working together during the early years of their careers, with their romance blossoming on the sets of films they starred in togetherin'. The couple tied the knot on January 22, 1980, and welcomed two children, Riddhima Kapoor Sahni and actor Ranbir Kapoor.

Following her marriage, Neetu stepped away from films to focus on her family. After nearly 26 years away from acting, she made her comeback with 'Love Aaj Kal' (2009) in a special appearance before returning in a full-fledged role with 'Do Dooni Chaar' (2010), alongside Rishi Kapoor.

She was last seen as the lead heroine in the recently released movie, Dadi Ki Shaadi which also marked the Bollywood debut of her daughter Riddhima Kapoor Sahni.

The Story

The film unfolds in a remote desert village of Rajasthan, centering on Savitri, a resilient daily wage worker carrying the weight of her family. From the opening frame — her tired walk home under the relentless sun with her children — you’re pulled into her harsh world.

A striking visual of a camel being released into the desert serves as a moving metaphor for the characters’ emotional state: freedom is near, yet the chains of conditioning linger.

After her father-in-law’s death, the story deepens, revealing layers of poverty, an alcoholic husband, societal pressure, and unspoken suffering. Young Omlo, quietly observing everything, becomes the emotional core — a child who dreams of change but feels powerless. The film uses these simple, everyday moments to raise important questions about breaking generational cycles.

Direction

Sonu Randeep Choudhary’s direction is mature and grounded. He steers clear of melodrama, allowing real emotions to breathe on screen. His deep understanding of Rajasthani culture, dialect, traditions, and rural life gives the film an unmatched authenticity. Rajasthan is not just a setting here — it lives and breathes through every frame.

The screenplay flows at a thoughtful pace, yet the emotional honesty keeps you invested till the end.

Standout Performances

• Shambho Mahajan as Omlo is simply brilliant. His innocent face and understated expressions speak volumes without needing big dialogues.
• Sonali Sharmishtha delivers a heartfelt and natural performance as Savitri, capturing pain, helplessness, and inner strength with rare honesty.
• Sonu Randeep Choudhary plays the flawed husband with convincing realism.
• Supporting actors Vandana Gupta, Deva Sharma, and Mahesh Jilowa add depth and credibility to the story.

Music & Technical Brilliance

National Award winners Ghazi Khan Barna and Bhuvan Ahuja provide soulful music that complements the emotions perfectly. Devendra Bhome’s background score elevates several poignant scenes.

Shot authentically in Shri Dungargarh and Bikaner, the cinematography by Wilson Rabinse beautifully captures the vast desert landscapes as well as the intimate village life, making the film visually poetic.

Final Verdict

What makes Omlo special is its refusal to judge characters simplistically. It instead shines a light on the deep-rooted social systems that shape generations. Through a child’s eyes, it explores how witnessed trauma travels forward — and how hope can help break that chain.

This is not a loud entertainer but a quiet, reflective film that stays with you. Honest, culturally rich, and emotionally true, Omlo celebrates Rajasthan’s spirit while telling a universal human story.

If you love meaningful cinema that mirrors society and stirs reflection, put Omlo on your watchlist right away.

During an exclusive interaction with veteran actress Simi Garewal on one of the episodes of her popular chat show, "Rendezvous with Simi Garewal", Vidya recalled the exact moment she was selected for her first Bollywood project.

Vidya had already undergone numerous auditions and had practically given up on the hope of getting the film. However, fate had other plans for her. 

Sharing the incident in her own words, the 'Bhool Bhulaiyaa' actress said, "I was at an Enrique concert, and my cell was off, because I didn't want to be disturbed. A friend of mine was with me, who also worked with Dada, incidentally. So, Dada called him and said, "Where is Vidya? Isn't she at the concert?" So, he said, "Yeah, she is". As I picked up the phone and he said, "Mr. Chopra (Vidhu Vinod Chopra) wants to speak to you"."

Vidya revealed that she was certain he was calling to politely inform her that she did not get the part.

However, to her amusement, the filmmaker said, "Vidya Balan, you are my Purineeta. I've only been wanting to push you to get the best out of you. And I'm investing my faith in you. I know you'll always bring honor to the family."

A cinematic adaptation of Sarat Chandra Chattopadhyay's 1914 Bengali novel of the same name, "Parineeta" also marked the directorial debut of Pradeep Sarkar.

Produced by Vidhu Vinod Chopra, the project starred Sanjay Dutt, Saif Ali Khan, and Vidya Balan in lead roles, along with Raima Sen, Sabyasachi Chakrabarty, and Dia Mirza as the ancillary cast.

The film was released in the cinema halls on 10 June 2005.

--IANS

Disclaimer: Only the headline of this story has been edited by our team. The content remains auto-generated from a syndicated feed provided by a News agency. Any legal liability associated with the content rests solely with the News agency. 

The 'Qubool Hai' actress uploaded a couple of photos from her daily life.

In the first pic from the heartwarming album, Surbhi was seen lovingly holding her baby girl.

Next, we saw the healthy postpartum ladoos, which are considered extremely beneficial for a new mother.

In another adorable click, Subhi was seen lying on her mother's lap, relaxing.

Her latest social media post also had a glimpse of the little munchkin's tiny hands.

Surbhi further went ahead to provide an insight into a crucial corner of her room, where she had kept all baby essentials, such as diapers, clothes, and an electric kettle, among other things.

The 'Naagin 3' actress penned the caption, "Life recently (sic)", followed by an evil eye and sparkles emoji.

Before this, Surbhi provided an initial glimpse of her newborn baby girl.

Taking to her Instagram Stories, she dropped a picture of her little one holding a finger with her tiny hands. 

Although not certain, the baby is most likely holding the hand of Surbhi's husband, Sumit Suri.

"This and nothing else", read the text.

Surbhi welcomed her first child, a baby girl, on June 13, this year

Sharing the happy announcement with her Instagram family, Surbhi dropped an adorable Instagram post that read, "It's a girl...13th June 2026...Love Surbhi & Sumit."

For the caption, she wrote, "(Om) Our daughter is here. Our hearts are filled with love and gratitude", with an evil eye and a sparkles emoji.

Surbhi announced her first pregnancy on social media in February this year.

Publishing a photo of her legs entangled in hubby Sumit's feet with a white pair of tiny shoes placed in between, she penned, "Om, Our greatest adventure begins...Little Love arriving this June."

Surbhi tied the knot with businessman Sumit Suri in October 2024. The lovebirds got married in a hill station in the presence of their family and close friends. 

The 'Kahaani' actress revealed that while her mother was not too enthusiastic about her acting career, he was extremely fond of 'Hum Paanch' as she used to feel that it was a family show.

Speaking to the host, Anupam Kher, Vidya shared, "I got a call from Ektaa (Kapoor) asking if I would like to work in 'Hum Paanch', and 'Hum Paanch' was very popular at that time. It was already on air for the past one year."

Revealing her mother's reaction in her own words, she went on to add, "My mother used to tell my father to make me understand. She would say, "This South Indian girl, you know. If my father were alive, he would never let her be an actor." But she used to like 'Hum Paanch a lot, and she used to feel that it's a family serial, a family show, and because of this, she was very happy that I got a chance to work in 'Hum Paanch'."

Vidya added that she was a part of 'Hum Paanch' for a year and a half, but then she had to quit as she was facing attendance problems in college.

"But the spirit of acting had taken over," she concluded.

"Hum Paanch" aired from 1995 to 1999 and later came back for a second season in 2005 and 2006. 

The core cast of the show starred Ashok Saraf, Vidya Balan, Rakhee Tandon, Bhairavi Raichura, and Vandana Pathak, along with others.

The show revolved around Anand Mathur, who always finds himself in trouble because of his five daughters — Meenakshi, Radhika, Sweety, Kajal, and Chhoti.

He said, “I've turned a few things down. I can't say I regret it, but I couldn't mention them. I can tell you one story about ‘Edward Scissorhands’. I read the script and I went, it's ridiculous, there's a castle at the end of this road and then an Avon lady comes around selling makeup and this kid's got scissors hands. This is nuts, I don't get this at all. And ended up not doing it”.

He further mentioned, “I just said, ‘I don't get it’. Then of course, they cast Johnny Depp, and Tim Burton was relatively unknown at that time too. So that was another unknown sort of commodity. And I go and see the movie and the camera pans over these multi-coloured houses in this very sort of suburban neighborhood and then you see the sort of Dracula castle on the hill. Literally two minutes in, I went, yeah, ‘I get it. I get it’. I just got it too late”.

‘Edward Scissorhands’ tells the story of an artificial man left unfinished by his inventor, leaving him with scissors instead of hands. When he is welcomed into a suburban community, Edward struggles to fit in despite his gentle nature and remarkable artistic talents. Blending fantasy, romance, and social commentary, the film explores themes of loneliness, acceptance, prejudice, and individuality. The film has become one of Tim Burton's most beloved and enduring works.

Sharing the fun incident, John revealed that it was an unlimited thali, and the size of the chapatis was extremely small, hence he ended up eating so many. Not just that, seeing him having so many chapatis, the waiter told John that they also have rice.

As the 'Force' actor appeared on "The Kapil Sharma Show', host Kapil asked him, "Once you ate 64 chapatis in a restaurant. Then the waiter told you, sir, there's rice too."

John revealed the incident in his own words, saying, "After a football match, I went to a Gujarati thali restaurant. And I went there because we were young. And at that time, that unlimited thali and the size of the roti were this much. (Gestures a small size with his hands). So, I ate 64 chapatis, and the waiter told me, "There's rice too". I told him to feed me the rotis first."

Later on, the 'Welcome Back' actor revealed that he also ate rice after finishing those 64 rotis.

Talking about his professional commitments, John is presently busy working on his upcoming action entertainer, 'Force 3', which will also feature Harshvardhan Rane and Tanya Maniktala in key roles, along with others.

Speaking about his next, he revealed that they plan to take the 'Force' legacy forward in a big way with the third instalment.

John said in a statement, “Force has always been a franchise I’ve believed in deeply. What makes it special for me is that it has a certain grit and a strong identity that audiences have connected with over the years.”

“With Force 3, we’re taking that legacy forward in a big way. I’m also really excited to introduce Harsh as an action hero. He has the presence, the energy and the hunger for it, and I think audiences are going to enjoy watching him in this space,” he went on to add.

Sharing a special video montage from the show on Instagram, Ekta wrote, "26 years ago a show came that changed my life. Thank you Sameer sir, Thank you Star Plus, thank you Balaji team, thank you Tanu, thank you Smriti, thank you to all the actors, and of-course above all thank you to the writers and the team who constantly work at making it what it is. Jai Mata Di."

Smriti Irani, resharing Ekta Kapoor's post on her own social media account, wrote, "A lifetime of memories @ektarkapoor. Gratitude towards all who made this 26 year journey possible.”

Actress Parakh Madan, who essays the role of Niyati in the serial, commented, "Thank you Ekta ma'am for making me a part of this legendary show that has redefined the landscape of Indian television. Thank you for your trust and for giving me the chance to bring this character to life."

Meanwhile, actress Ritu Chaudhary Seth, who played Shobha in the show, also celebrated the milestone through a post on her social media account.

Sharing a video from the serial, she wrote, "And just like that it's 26 years today to this iconic show that am so proud and lucky to be a part of!!! Thank you for this one!!!!" while tagging Ekta Kapoor and Balaji Telefilms.

Talking about Kyunki Saas Bhi Kabhi Bahu Thi, the show initially went on air on the 3rd of July 2000.

The family drama revolved around Tulsi Virani and the influential Virani family. The show featured an ensemble cast including Smriti Irani, Amar Upadhyay, Ronit Roy, Sudha Shivpuri, Apara Mehta, Mandira Bedi, Hiten Tejwani, Gauri Pradhan, Mouni Roy and a fine ensemble cast.

The first season ran for about 8 years and went onto become one of the finest and most beloved saas-bahu dramas of Indian Television, and also the longest running show of that time.

25 years post the first season, the reprise version of Kyunki Saas Bhi Kabhi Bahu Thi went on air in August 2025.

Smriti Irani reprised the role of Tulsi while Amar Upadhyay is seen essaying the role of Mihir.

Actress Apara Mehta who essayed the role of Mihir’s mother Savita Virani in the first season, is not a part of the current one.

For the uninitiated, Mihir and Tulsi were considered to be the most iconic on-screen couple back in 2000s.

Over its eight-year run, the season 1 of ‘Kyunki Saas Bhi Kabhi Bahu Thi’ delivered many landmark episodes that went on to become historic moments in history of Indian television.

One of the most memorable storylines was the return of Mihir Virani, played by Amar Upadhyay.

True blue fans of the show would remember how the character of Mihir essayed by Amar Upadhyay was brought back to life, even after he had exited it, due to the high demand by fans and after viewers across the country protested, demanding his comeback.

Another widely discussed episode saw Tulsi Virani shoot dead her own son, Ansh Gujral, after he attempted to sexually assault his wife, Nandini, played by Gauri Pradhan.

The powerful sequence not just shocked audiences but also sparked conversations about domestic abuse and the issue of marital rape in the early 2000s.

The serial also generated debate on a larger aspect with its emotionally charged euthanasia track, where Tulsi honoured the final wish of her bedridden mother-in-law, Savita Virani, played by Apara Mehta, who pleaded to be relieved of her unbearable suffering.

The episode, centred on euthanasia, also known as mercy killing, ignited nationwide discussions on the emotional and difficult concept.

Apart from its strong storyline and memorable characters, ‘Kyunki Saas Bhi Kabhi Bahu Thi' was equally celebrated for its iconic title track.

The opening sequence went on to become one of the most recognisable introductions in Indian television, with Smriti Irani, as Tulsi Virani, welcoming viewers into the Virani household.

The camera followed Tulsi as she walked through the humongous house of Virani family named as Shantiniketan, introducing each actor as the character of the show, in their signature setting.

The director spoke with IANS along with actress Kajal Aggarwal during the promotions of the film in the city.

He said that people slog for long hours to put food on the table but, if the food that is being consumed is poisoned that the hard work goes to waste.

He told IANS, “We work hard to put the food on our plates. If there is poison in your plate, then your hard work is in vain, and it puts your children, and everyone close to them on a serious risk. So, in this film, everything has been told, what is important, what is there and what should be done. This film is for every family. It's for every Indian”.

He further mentioned, “So, after watching this film, you have to pay attention to everything, you won’t be able to sleep thinking about the gravity of the situation in society when it comes to our food. You will be shocked. But, the film also tells you how you can ensure safety".

‘The India Story’ also stars Shreyas Talpade in the lead role. The film explores the issue of pesticide misuse, food adulteration, and their impact on public health. Kajal Aggarwal plays Advocate Archana, a lawyer who joins forces with an ordinary citizen seeking justice against powerful corporate interests accused of endangering lives. Through its courtroom drama and investigative narrative, the film aims to spark discussion about food safety, corporate accountability, and environmental concerns. The film is scheduled for a theatrical release on July 24, 2026.

Recent developments have left Anu disturbed following her mysterious visions at the temple. These unexplained experiences appear to be paving the way for truths hidden for years to finally come to light. The unfolding drama suggests that destiny is intervening, pushing characters toward a confrontation with their past.

Adding to the suspense, Jhende encounters a mystic at a dargah during his journey. The mystic delivers a chilling prophecy, warning that the time has arrived for the past to reclaim its rightful place. He foretells that every buried secret will soon emerge and that a powerful storm is approaching—one capable of changing everyone’s lives forever. The ominous words leave Jhende visibly shaken, as he realises the protective walls around Arya and their shared history may soon crumble.

In a parallel development, Anu receives an unexpected phone call from Jalandhar. Without any warning, he directly asks whether Arya has finally revealed the truth about Rajnandini to her. He presses further, inquiring if Anu knows what really happened to Rajnandini and the circumstances of her death. The abrupt and pointed questions leave Anu stunned and speechless.

These revelations come at a particularly vulnerable moment for Anu. Since her temple visit, she has been haunted by strange visions featuring an unknown woman alongside a younger Arya. Hearing Rajnandini’s name for the first time strengthens her suspicion that the woman in her visions holds a significant connection to Arya’s concealed past.

Jalandhar’s intervention raises multiple pressing questions. Why does he assume Arya has been hiding the truth from Anu? What exactly transpired with Rajnandini? And why has her death gained such critical importance after so many years? The timing of his call suggests deeper motives and long-standing knowledge of the family’s hidden chapters.

As the mystery surrounding Rajnandini deepens, the truth that Arya has guarded so carefully appears on the verge of exposure. Anu, already unsettled by her visions, now faces potential upheaval in her understanding of Arya and their relationship. The possibility that Jalandhar might disclose the complete truth before Arya has the chance to do so himself adds layers of tension and urgency to the narrative.

The central conflict revolves around whether Arya will find the courage to confess his painful past or if external forces will shatter the trust between him and Anu. The episode promises to explore themes of hidden truths, destiny, and the enduring impact of past actions on present relationships.

Tumm Se Tumm Tak has consistently engaged audiences with its blend of emotional depth, family drama, and suspenseful storytelling. This upcoming episode, packed with prophetic warnings, shocking phone revelations, and mounting personal dilemmas, is likely to keep viewers hooked as they anticipate major turning points.

The convergence of Anu’s visions, Jhende’s unsettling encounter, and Jalandhar’s direct confrontation sets the stage for an emotionally charged showdown. As secrets that have remained buried for years begin resurfacing, the characters must navigate the storm of revelations that could redefine their lives and bonds.

Viewers are advised to tune in for what promises to be a pivotal episode filled with suspense, heartfelt moments, and significant plot advancements in Tumm Se Tumm Tak. The drama surrounding Rajnandini’s truth is set to intensify, leaving audiences eager to discover how Arya, Anu, and the rest of the family confront the unfolding realities.

The actress further shared that she eventually adopted the puppy and named her Zoya after her character in the film.

Recalling the heartwarming incident, Raveena said the cast was shooting at a location where there were hardly any animals around, except for a five-month-old stray puppy that would often wander onto the set.

"She slowly became a part of our daily routine. I grew very fond of her. Jacqueline and Disha are also animal lovers, so caring for her became something we all connected over," she said.

The actress added that the puppy gradually became comfortable around the team and would often sit close to them during the shoot. When her schedule came to an end, she decided to give the furry friend a permanent home.

"On my last day, I arranged for her vaccination and brought her to my farmhouse. I have named her Zoya, after my character in the film. She is with me now," Raveena shared.

Known for being an avid animal lover, Raveena has consistently spoken up for animal welfare and has rescued several animals over the years.

The ‘Shool’ star frequently shares glimpses of herself caring for stray dogs, birds and cattle on social media.

Recently, she was seen visiting a spiritual centre where she was seen feeding and affectionately caressing calves and cows.

The actress had also revealed that while travelling to the centre, she spotted a puppy stranded all alone on a highway. Without hesitation, she rescued the animal and took it along with her to the spiritual centre.

On the professional front, Raveena Tandon's latest movie, 'Welcome To The Jungle' which released on June 22 has opened to great reviews from audience and critics alike.

Directed by Ahmed Khan, the comedy entertainer features an ensemble cast including Akshay Kumar, Suniel Shetty, Paresh Rawal, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Lara Dutta, Kiku Sharda, Johnny Lever, Rajpal Yadav and several others.

For the uninitiated, the film is the latest instalment in the popular 'Welcome' franchise.

The film's trailer, unveiled by acclaimed actor Manoj Bajpayee, highlights its unique blend of entertainment and social commentary. Rather than a typical slapstick comedy, Uttar Da Puttar presents a light-hearted satire centered on an ordinary man's belief that aligning with the "right direction" can magically resolve all of life's challenges. Through witty storytelling, the narrative gently challenges viewers to reconsider whether true solutions lie in rituals or in practical action and wisdom.

Annu Kapoor, known for his exceptional comic timing and ability to convey deep emotion, leads the cast in a role that perfectly showcases his versatile talent. The actor brings a relatable everyman charm to the protagonist, balancing humorous sequences with heartfelt moments that resonate with family audiences. His performance promises to deliver the kind of layered portrayal that has defined his illustrious career spanning decades in Indian cinema.

Supporting him is a talented ensemble including Rukhsar Rehman, Brijendra Kala, Pawan Malhotra, Ishtiyak Khan, Jiveshu Ahluwalia, Rajendra Sethi, Sumit Gulati, and Nitin Arora. Each actor contributes to the film's rich tapestry of characters, enhancing its appeal as a complete family entertainer that combines comedy, emotion, and meaningful messaging.

Produced by Promodom Motion Pictures under producer Sandeep Kapoor, Uttar Da Puttar is directed by Ravinder Siwach. The team behind the project emphasizes its core theme: life's important decisions should be driven by karma, effort, and rational thinking rather than superstition or fatalism. The film poses a compelling central question — "What is greater, karma or destiny?" — inviting audiences to ponder while enjoying an engaging cinematic experience.

In today's world, where many still turn to traditional beliefs during difficult times, Uttar Da Puttar arrives as a timely and refreshing take. By wrapping its message in accessible humor, the film avoids being preachy, instead opting for an entertaining approach that encourages self-reflection. Industry observers note that such content can play a subtle yet significant role in shifting mindsets, particularly among younger viewers and families.

The movie is scheduled for a grand worldwide theatrical release on July 24, 2026. With its strong cast, relatable storyline, and positive social undertone, Uttar Da Puttar is expected to appeal to a wide demographic seeking wholesome entertainment that goes beyond mere laughs.

Annu Kapoor's involvement adds considerable credibility and anticipation to the project. Having entertained generations with his distinctive style, the actor continues to choose roles that not only showcase his craft but also contribute meaningfully to cinema. Director Ravinder Siwach and the production team appear confident that the film will strike the right chord with audiences looking for both fun and substance.

As the release date approaches, expectations are building around how effectively Uttar Da Puttar balances its comedic elements with its satirical commentary. Early indications from the trailer suggest it has the potential to become a memorable family outing that leaves viewers smiling and thinking long after the credits roll.

This film represents yet another example of Indian cinema's ability to address social issues through popular mediums like comedy, making important conversations more approachable and enjoyable for the masses. Audiences across India and abroad can look forward to experiencing this unique cinematic offering in theaters starting July 24, 2026.

Also Read: Ayushmann Khurrana's 'Mupapa' with YRF Locks February 2027 Release Date

In an exclusive quote shared with IANS, she praised the song for its emotional sincerity and beautiful melody. Speaking about the song, Shreya shared, “It's always exciting to discover a song that has organically found such a deep connection with listeners. What struck me about 'Kalyani' was the sincerity of its emotion and the beauty of its melody.”

“The song already had a strong identity and a devoted audience, so my intention was not to change that, but to contribute a new perspective to its story. I loved the idea of bringing a Hindi voice into a song that had already transcended language barriers, and I hope listeners enjoy this new chapter as much as we enjoyed creating it.”

After the huge success of 'Kalyani,' ARJN, KDS, RONN, and FIFTY4 have returned with a fresh, reimagined version of the track. Shreya Ghoshal has lent her voice to the newly reimagined version of the track ‘Kalyani.’

Talking about the song, ARJN added, “The response to Kalyani has been beyond anything we imagined. It started as a song that was deeply personal to us and our culture, but watching it travel across regions and resonate with North Indian audiences has been incredible. When the opportunity to collaborate with Shreya Ghoshal came along, it felt like the perfect way to bring the song to a wider audience while staying true to its essence. Her voice brings a completely new emotion to the record while preserving everything people loved about the original.”

KDS shared, “Kalyani has always been a song about emotion first and language second. That’s why it resonated the way it did. Bringing Shreya Ghoshal onto the remix felt like a natural next step because she has a unique ability to make songs feel timeless and universally relatable.

FIFTY4 mentioned, “When we first made Kalyani, we were simply creating something that felt honest to us. The fact that it travelled so far and connected with people beyond Kerala was a reminder that genuine emotion always finds its audience.”

“Having Shreya Ghoshal on the remix takes that journey to another level. She was the perfect fit for Kalyani because she has a rare ability to connect with listeners across languages, and she is equally loved by Malayalam and Hindi audiences. She brings a grace and timelessness to the song that makes it feel both familiar and completely new at the same time.”

The certification locks in the release date for one of the season's more closely watched Telugu films — directed by Venkatesh Maha and presented by actor Mahesh Babu — after the project was moved from an earlier June 5 date.

Certification and bookings

Srichakraas Entertainments, one of the film's production houses, announced the rating on its social media handles and said ticket bookings were open, sharing the film's trailer alongside the July 3 date. Ticketing platforms list the certificate as U/A 16+ and the runtime at about two hours and 50 minutes.

The film and its makers

"Rao Bahadur" is written, directed, and edited by Venkatesh Maha, marking his return to features after the acclaimed "C/o Kancharapalem." It is presented by Mahesh Babu and Namrata Shirodkar under GMB Entertainment, and produced by a group including Anurag Reddy and Sharath Chandra across multiple banners.

Satya Dev plays the title role of an aristocrat. Deepa Thomas is the leading lady, with Vikas Muppala, Bala Parasar, Anand Bharathi, Pranay Vaka, and Master Kiran in pivotal parts, according to IANS.

A psychological drama, not horror

Maha has publicly clarified that the film is a psychological drama with elements of magical realism and dark comedy — not a horror or thriller, as some promotional imagery had suggested. In interviews, he described the narrative as tracing the journey of a royal figure "stuck in the past," and likened the viewing experience to reading a book about the protagonist's inner world.

Satya Dev's transformation

A behind-the-scenes video titled "Into the World of Rao Bahadur," released by the makers, showcased Satya Dev's physical transformation into the aging aristocrat. The footage, as presented by the production, showed the actor undergoing a detailed prosthetics and styling process, including custom contact lenses and period costuming such as an ornate sherwani, pearl necklaces, and a turban. Coverage of the film notes the role required several hours of daily prosthetic makeup.

The video also highlighted the film's large indoor sets and outdoor locations, and its production design.

Technical team

Kartik Parmar handled cinematography, Smaran Sai composed the score, and Rohan Singh led production design, the makers said. The film's first single, "O Sundari," a Carnatic-inspired track, was released earlier this year.

What's next

With certification secured and bookings live, attention turns to the July 3 opening across theatres. Reviews and early box-office numbers will test whether the film's ambitious scale and world-building meet the pre-release interest built through its trailer and BTS campaign.

Also Read: Ayushmann Khurrana's 'Mupapa' with YRF Locks February 2027 Release Date

The film marks the first theatrical tie-up between Yash Raj Films and Posham Pa Pictures. Sameer Saxena directs. Producing duties fall to YRF CEO Akshaye Widhani, who was behind the recent project "Saiyaara."

For YRF, the collaboration is more than a one-off. It fits into Aditya Chopra's larger plan to build a fresh creative and business framework at the studio, with Widhani steering that effort as chief executive.

So what is "Mupapa" actually about? The studio is keeping specifics under wraps, calling it a genre-defying theatrical film built for the big screen. YRF describes it as a fresh, visually striking experience meant to pull audiences in from the first frame, promising tension and edge-of-the-seat moments early on rather than a slow build.

Khurrana has stayed busy in the meantime. He was recently seen in the romantic comedy "Pati Patni Aur Woh Do," alongside Wamiqa Gabbi, Sara Ali Khan and Rakul Preet Singh. Written and directed by Mudassar Aziz, the film worked as a spiritual sequel to the 2019 hit "Pati Patni Aur Woh" and reached cinemas on May 15, 2026.

Reflecting on his role in that film, the actor had earlier spoken warmly about his character, Prajapati. "I found Prajapati to be a man who is honest and whose intentions are clean," he said. "Still, the kind of situations he finds himself in draws laughs, on the surface, it looks like this guy is having a lot of fun."

He went on to explain the comedy that runs underneath. "When you watch him navigate one problem after another in this comedy of errors, you realize he never imagined his life would take such a turn," Khurrana said. "He's quite a star of the jungle, but dealing with three women in the film is a chaos he never imagined would enter his life."

With "Mupapa" now dated and a new studio partnership behind it, Khurrana adds another anchor title to a run that has kept him moving between comedy and more ambitious, format-bending work. Fans will have to wait until early 2027 to see what the YRF and Posham Pa collaboration delivers.

Mumbai,  (IANS) As the World Cup fever rages, Hollywood star Tom Holland joined forces with the football legend Lionel Messi ahead of the release of his upcoming film ‘Spider-Man: Brand New Day’.

A special video released by the makers of the film shows Messi in search of Spider-Man. His search leads him to a quaint coffee shop in New York, where he bumps into Peter Parker. Tom then changes into his Spider-Man, and shows up leaving the football legend mesmerised as the former takes him for a joy ride slinging webs across the city.

‘Spider-Man: Brand New Day’ marks the 4th MCU Spider-Man film, and follows the emotional fallout of ‘Spider-Man: No Way Home’. After Doctor Strange’s spell erases the world’s memory of Peter Parker, he begins a new chapter as a lonely, full-time Spider-Man protecting New York City. The film explores Peter living without the support system of MJ and Ned while facing new threats and changes to his own abilities.

With Marvel leaning into a more grounded, street-level Spider-Man story, the film aims to show Peter finally becoming the independent hero fans have wanted to see. It is scheduled for release in 2026.

Directed by Destin Daniel Cretton, the film is written by Chris McKenna & Erik Sommers, and Justin Kuritzkes. Based on the MARVEL Comic Book by Stan Lee and Steve Ditko, Kevin Feige, Amy Pascal, Avi Arad, and Rachel O'Connor have produced the film. Executive Producers are Louis D'Esposito and David Cain. The film also stars Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando, and Mark Ruffalo.

The film is set to release in India on July 30 in English, Hindi, Tamil, Telugu, Malayalam, and Kannada by Sony Pictures Entertainment India.

--IANS

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The collaboration pushes into territory the Indian streaming scene has barely touched: full-blown horror in the heartland's own language. Daakan leans on the old fears and local legends of Rajasthan to build something the makers describe as atmospheric and culturally rooted, not just scary for the sake of it.

STAGE has built its name on exactly this kind of regional bet. Titles like Saanwari, Punarjanam, Khejdi and Naate have turned the platform into the clear front-runner in India's dialect OTT space, and it has been steadily widening its premium slate. Pairing that audience knowledge with Sunshine's track record, the two companies are betting on a horror experience the regional market hasn't seen before.

Sunshine Productions isn't new to the game. Founded in 1997 by director duo Seema and Sudhir Sharma, the house carries nearly three decades of work across television, OTT and now feature films. Its flagship series Jamnapaar, on Amazon MX, landed among India's Top 10 most-watched originals in 2024–25 according to Ormax, while Yeh Meri Family picked up several Exchange4Media honours, including Best Drama Series. Daakan marks the studio's turn toward Rajasthani supernatural horror.

Parveen Singhal, Co-Founder and CCO of STAGE, said audiences across Bharat stay closely tied to the stories and spirits of their land, yet horror in their own dialect has gone largely unserved. He called Daakan the platform's answer to that gap and described Sunshine, with its knack for niche, youth-leaning content, as the right partner to bring the world to life. He expects the series to set a fresh benchmark for horror in the heartland.

Seema and Sudhir framed the project around their long-running idea of entertainment that stays relevant. For Rajasthan's viewers, they argued, little could be more relevant than a horror tale told in their own voice and built on the lore they grew up with. They praised STAGE for creating a platform that respects the heartland's cultural identity and said Daakan had found the right home.

Launched in 2019, STAGE positions itself as India's first and largest dialect-based OTT service, serving audiences in Haryanvi, Rajasthani, Bhojpuri, Gujarati, Marathi, Bengali and other underserved dialects. With millions of paying subscribers and backing from global investors, the company has worked to prove that regional content can be both authentic and profitable.

Kawale broke through as a lead with the 2024 Marathi feature Janma Runn, which drew notice for his on-screen presence. He has since appeared in Thoda Tuza Thoda Maza, The Legend of Michael Mishra and Aathwa Rang Premacha. Television viewers know him from a long run of popular serials, among them Sasural Simar Ka 2, Shakti, Tulsi Humari Badi Sayani and Molkki. On the digital side, he featured in the Zee5 Marathi series Liftman.

Navya Chakra moves him into darker territory. Directed by Amit Dixit and written by Rohit S. Yadav, the film opens on a string of brutal killings scattered across several states. At first the murders look random, with nothing tying the victims or the suspects together. But as panic spreads and the press closes in, the investigation veers somewhere far more unsettling.

Kawale described the shoot as one of the most satisfying he's done. He said the film blends suspense, emotion and mystery in a way that holds attention from start to finish, and that he's drawn to stories that push him to play different shades of a character. He added that he's eager for audiences to follow the journey the team built on screen.

Working across films, television and OTT has shaped him as a performer, the actor said, with each format teaching him something the others couldn't. His priority, he noted, has stayed the same throughout: take on work that means something and keep evolving. He framed Navya Chakra as another marker on that path and said he hopes viewers connect with it.

That steady climb hasn't gone unnoticed. People in the industry have pointed to his ability to move between languages and formats without losing footing, and the new film lands at a moment when his career is gathering pace.

Navya Chakra is produced by Amit Dixit, Ankita Goyal and Ayush Jain, with Ajit Padwalkar serving as co-producer. The ensemble cast features Jitendraa Bohara, Kawale, Jessica Yadav, Pratiksha Singh, Kshitij Pawar, Sandhya Gemawat, Kailash Chaudhary and Sandeep Rawal in key roles.

The film reaches cinemas on June 26, 2026.

Directed by debutant filmmaker Adhish Rana and produced by Amardeep Rana, Jeena Dil Se appears to have struck a chord with the younger audience through its relatable storytelling and the fresh and original treatment. The film revolves around love, relationships, dreams, friendships and the emotional confusion today’s generation often experiences while balancing personal and professional lives and this subject has struck a chord with the targeted audiences.

The film is getting strong benefit from word-of-mouth among youngsters and couples, especially in urban centres and college-dominated circuits. The film’s grounded emotions, fresh chemistry among the cast , the chartbuster music,and simple yet heartfelt presentation are being appreciated by audiences.

The screenplay by Anuj Kumar and Kiran Sharma, based on Sanjay Prajapati’s story, brings a flavor that connects strongly with Gen-Z viewers. Director Adhish Rana has also been receiving appreciation for presenting modern relationships in a fresh and emotionally engaging manner without relying on over-the-top commercial tropes.

The expectations are now high for the weekend, with Saturday and Sunday expected to witness respectable growth due to positive audience reactions and increasing buzz. If the momentum continues, Jeena Dil Se could emerge as a sleeper success among young audiences.

With its honest emotions, relatable themes and fresh performances,

Jeena Dil Se has clearly begun its theatrical journey on a promising note.

Audi No. 3 of PVR LIDO Cinema was packed with people from the film fraternity. The auditorium was completely full, with some guests even standing to witness the event. Happiness and enthusiasm could be seen on every face.

Festival Director Parag Chahpeker warmly welcomed all the guests and thanked them for their trust and support towards CineDreams International Film Festival. He then invited the Founder and Organiser of the festival, Ayub Khan, to address the audience.

Mr. Ayub Khan appeared emotional yet extremely happy while speaking to the audience. He thanked all the guests and participants for believing in the festival and submitting their films. He said,“You all have trusted CineDreams International Film Festival by submitting your films and supporting us. I will never allow this trust to break. This festival cannot be organized by me alone. If I am standing here today, it is because of my entire team, my Board Members, and Jury Members, many of whom are renowned personalities from Bollywood. Their experience and support are beyond words. Still, if we have made any mistakes or shortcomings, I sincerely apologize. And now, with your permission, let us begin this Award Function.”

The audience responded with loud applause, and the Award Ceremony officially began. Anchor Shwetta Padda and the festival’s Creative Director Saikat Das jointly hosted the evening and started announcing the award winners one by one.

The grand event was attended by several well-known personalities from Bollywood and the entertainment industry including Mr. Herachand Dand of Madhu Entertainment, Rais Ahmad (CMD of RASSAZ Groups), Director Anil Dubey, actor Aashit Chatterjee, Director Rajeev Choudhary, and CineDreams Festival Director Parag Chhapekar.

The event saw the presence of several celebrities including Sakshi Pradhan, Parleen Gill, Himanshu Malhotra, Mohit Malhotra, Chaitali Kohli, Heital Puniwala, Pallavi Purohit, Ssujata Mehta, Rinhee Subberwal, Sujoy Mukherjee and Rohit Bose Roy.

Anup Jalota received award for best actor for Bharat Desh Hai Mera which was received by director Adarsh Jain and Rohit Roy received  award for short film Hunar directed by Sujoy Mukherjee. Rajesh Ranshinage received the award on behalf of actress wife Indira Krishnan.

During the ceremony, the award distribution was paused briefly as Mr. Ayub Khan was once again invited onto the stage. He surprised everyone by announcing a new international festival by his company called Cine Bengal International Film Festival, which will be held on 25th and 26th November in Kolkata at PVR Cinema.

He further mentioned that just as his company had successfully organized Lucknow International Film Festival on 14th and 15th April at Saharaganj PVR Cinema, this would become the company’s third major festival. He invited filmmakers and artists to submit their Feature Films, Short Films, Documentary Films, OTT Films, Music Albums, Ad Films, and Independent Singing Videos for the upcoming festival.

The Award Function continued successfully with great enthusiasm. Winners happily received their trophies and honors. After the event concluded, many participants and celebrities interacted with the media and congratulated Ayub Khan, the founder and organizer and his entire team for organizing such a successful and memorable event.

www.cinedreamsiff.com

Sangita Konar Starring Bengali Feature Film “ Coffee House” Movie released in Cinemas hall on 29th August 2025. Coffee House Movie Title Song Sung by famous Bollywood Singer Vinod Rathod. " Coffee House Kolkata" Song drawing inspiration from the legendary Manna Dey's classic song " Coffee Houser sei Addata Aaj Aar Nei". At the heart of this cinematic experience is the talented and glamorous Sangita Konar, a Canadian Supermodel/Actress/ Beauty Queen Canada .Sangita konar plays the central role as " Sujata".

The Coffee House Film pays tribute to the cultural and emotional significance in Bengali Heritage. The film is being widely anticipated not just for its storyline but also for its cinematic homage to a song that holds special place in Bengali Culture. Coffee House song and movie poised to become one of the most talked about Bengali songs and movies of the year. Coffee House Movie and song  is poised to make a mark in regional cinema while appealing to a global audience.

Sangita Konar is an Award-Winning International Actress and Supermodel, Beauty Queen, Canada, who has made a name for herself in the Entertainment Industry Internationally Worldwide. Her stunning looks made her very popular and famous in the film and modeling industry worldwide. She has also received Diva Gold “Glamorous looks” Award, and “Ms Gorgeous Star Face of The India” Award for her Glamorous looks. Sangita Konar won Beauty Pageant in Canada , Winner India's Next Super Model and Grand Asia Queen. Currently she has been working for Indian Feature Films as Lead Heroine.

Listen Full Song  on YouTube Link Here

Contact Info: Kklog8387@gmail.com

The grand reveal, held recently witnessed an electrifying response from audiences, in the presence of prominent personalities from the worlds of cinema and politics. The event marked not just a launch, but the ignition of a cinematic movement.

MANIKANDAN: THE LAST AVATAR stands as a bold, visionary leap into the future of storytelling — where mythology, emotion, and artificial intelligence converge at an unprecedented scale.

Set in a world governed by logic, where human emotion is deemed inefficient and faith has faded into silence, the film introduces Manikandan — a man shaped in stillness, alongside seven warriors raised within the disciplined shadows of a gurukul under the enigmatic Guru. As systems tighten their grip on humanity, he rises not as a savior, but as an anomaly — something no machine can decode.

Rooted in Indian philosophy and echoing a truth that stretches back 5000 years, the film confronts a haunting and deeply relevant question of life.

More than a film, it is an immersive cinematic experience exploring identity, consciousness, love, and the cost of progress — asking
Is humanity evolving… or quietly being rewritten?

What sets the project apart is its pioneering integration of Artificial Intelligence across the filmmaking process — from scripting and visual creation to post-production — while preserving a deeply human emotional core. The result is a seamless fusion of soul and system.

The film delivers high-intensity action inspired by ancient Indian martial philosophies, paired with a powerful soundscape that blends meditative depth with futuristic intensity — creating a cinematic language that is both rooted and universal.

Ajinkya Jadhav, of Papparazzi Entertainment Company, stated “The response to the first look has been overwhelming. This is just the beginning of something far bigger.”
With the first look now unveiled and momentum building, MANIKANDAN: THE LAST AVATAR is set to take center stage globally. Worldwide Theatrical Release: May 29, 2026
Releasing in five languages, the film aims to transcend borders, delivering a cinematic experience driven by emotion, scale, and innovation. In a world run by logic… one man is beyond calculation.

Written by Kunal Verma and composed by Devv Sadaana, the track blends emotional depth with a contemporary groove. It captures the silent pain of one-sided love while maintaining a catchy rhythm that appeals to younger audiences.

Speaking about the release, Krish said, “We are overwhelmed with the response the song is receiving. ‘Tumne Dil Diya Nahi’ is very close to us emotionally, and it’s great to see listeners connecting with it so quickly.”

Kishore Mondal added, “The love pouring in from audiences means everything. We wanted to create a song that people can feel and relate to, and the initial reactions have been बेहद encouraging.”

Sharing his thoughts, Durgaram Choudhary, Founder of RDC Media, said, “At RDC Media, we believe in backing music that connects instantly with audiences. ‘Tumne Dil Diya Nahi’ has that emotional core and youth appeal which defines today’s music landscape. After the success of our previous release, we are confident this track will resonate strongly across platforms and continue our journey of delivering impactful music.”

With its mix of heartfelt lyrics and modern sound, Tumne Dil Diya Nahi is expected to trend across streaming platforms and social media, further strengthening Krish & Kishore Mondal’s position as consistent hitmakers in the independent music space.

The event took place on Tuesday, April 21, 2026, at SERA Cocktail Room, Andheri West, in the presence of the film’s cast, crew, and industry guests. The film is officially slated for a theatrical release on May 1, 2026.

The launch event saw the actors Sudesh Berry, Shahbaz Khan, Avtar Gill, Gauri Shankar, Armaann Tahil and Nishant, who interacted with the media and shared their experiences of working on the film. Padma Shri awardee Anup Jalota attended as the chief guest, adding prestige to the occasion.

The film’s music was officially released by Red Ribbon Entertainment , marking the beginning of its promotional journey. Lalitya Munshaw, Founder of Red Ribbon Music, was also present and extended her support on the occasion. Speaking about the music, she said,

“Music is fresh, easily hummable, and groovy. Audiences can watch and listen to it on the Red Ribbon Musik YouTube channel.” Songs Bijli Hu Main and Nazron Ne Teri Mujhse are must watch. 

Film produced by Sam Patel (USA) and the late filmmaker Shiva Tripathi, who also directed the project, the film holds deep emotional significance for the entire team. During the event, Sam Patel, along with the cast and crew, paid a heartfelt tribute to Shiva Tripathi, remembering his vision and dedication.

Speaking at the launch, Sam Patel said,

“Pankh Hote To Udd Jate is a dream project that reflects Shiva Tripathi’s vision and passion. Bringing this film to audiences has been an emotional journey for all of us. We are grateful for the love and support and look forward to presenting it in cinemas on May 1.”

The trailer received a positive response from attendees, who appreciated the film’s narrative and performances. The evening concluded with media interactions followed by cocktails and dinner.

With its theatrical release scheduled for May 1, 2026, the film is set to reach audiences across cinemas nationwide.

Produced under the banner of Sonam Tele Films, Antas 2 is the sequel to the successful first installment. The premiere screening turned into a memorable celebration of cinema, with prominent guests from the film industry and Rajasthan’s social circles in attendance. The hall was filled with excitement as viewers reacted positively to the on-screen chemistry and emotional storytelling.

Director Surendra Swami, Producer Suresh Kumar, lead actress Shreya Khanna, actor Alok Bhardwaj, writer Mahesh Runiwal, along with Hinodun MLA Anita Jatav, ACP Amjad Khan, and noted Rajasthani actors including Raj Jangid, Shravan Sagar, RK Sara, Rajveer Gurjar Bassi, Charan Singh Pathik, Radheshyam Piplawa, and Ganesh Maharaj graced the event.

For director Surendra Swami, this marks his first major cinematic venture. Speaking at the premiere, he expressed deep emotion: “The premiere of Antas 2 at Raj Mandir in Jaipur feels like a dream come true. Seeing the love and appreciation from Rajasthani stars and the audience has left me overwhelmed. This film will touch every heart. Our love story, shot on the streets of Jaipur, is ready to captivate viewers.”

The story of Antas 2 unfolds against the breathtaking backdrop of Rajasthan — the bustling streets of Jaipur, the serene lakes of Rajsamand, and the picturesque waters of Udaipur. It narrates a simple yet touching tale of love. Shreya Khanna plays a young woman who arrives in Jaipur in search of her beloved and crosses paths with a humble taxi driver, portrayed by Alok Bhardwaj. Impressed by his simplicity and sincerity, she gradually falls in love with him.

Audiences at the premiere particularly appreciated the natural chemistry between Shreya Khanna and Alok Bhardwaj. Building on the success of the original Antas, this sequel promises to deliver the same emotional connect with fresh charm.

Shreya Khanna shared her thoughts after the screening: “The energy at the Jaipur premiere was incredible. Meeting Rajasthani stars was truly an honour. The audience loved my character and the chemistry with Alok. Shooting in Jaipur taught me the real meaning of simplicity. Antas 2 is a milestone in my career.”

Alok Bhardwaj, who essayed the role of the ordinary taxi driver, said: “Portraying the simplicity of a common man was challenging, but it became a memorable experience under Surendra Sir’s guidance. Hearing appreciation from Rajasthani artists at Raj Mandir brought me immense joy. This is a story of an everyday person that will resonate with every heart.”

Producer Suresh Kumar reflected on the successful evening: “We are proud that Antas 2 received such wonderful support from Rajasthan’s cinema veterans. After the success of Antas, creating this sequel has been a matter of great pride for the team. We left no stone unturned in maintaining quality. The love of the audience remains our ultimate goal.”

Writer Mahesh Runiwal described the film as a beautiful fusion of Bollywood storytelling and Rajasthan’s rich cultural essence. He highlighted how the authentic locations played a vital role in bringing the narrative to life.

Guests at the premiere praised Surendra Swami’s clear vision and the natural performances delivered by the lead pair. Many noted that the film successfully captures the warmth and innocence of a pure love story.

Following the grand response at the Jaipur premiere, the team expressed confidence in the film’s wider appeal. Producer Suresh Kumar also reiterated the commitment to continue filmmaking in Rajasthan and to encourage local talent in the future.

The enthusiastic reception at Raj Mandir Cinema has set a positive tone ahead of Antas 2’s theatrical release. With its roots firmly in Rajasthan’s soil and culture, the film is poised to offer audiences a refreshing and emotionally engaging cinematic experience.

As the lights dimmed and the credits rolled, the sustained applause reflected the audience’s genuine appreciation for this simple, heartfelt tale of love. Antas 2 is now ready to win hearts across theatres nationwide.

- (SCNWire)

The first poster of the upcoming Hindi film Children of God has been unveiled, marking a significant new chapter for Aushim Khetarpal—widely known for his work on Sai Baba–based films and television content. With this project, Khetarpal shifts from spiritual storytelling to a hard-hitting social narrative, bringing focus to themes of identity, rejection, and acceptance within the LGBTQIA+ community.

The film has been made under the guidance of Aushim Khetarpal—an actor and spiritual influencer known for backing socially relevant cinema. He has also been associated with projects based on Sai Baba, reflecting his inclination towards meaningful and inspirational storytelling.

Speaking about the film, Khetarpal said, “Children of God is not just a film—it represents countless unheard voices. It highlights that identity is not defined by society but discovered within. Accepting oneself is the greatest act of courage.”

Directed by Ashish Saxena, the film tells the story of Amit, a young man who faces rejection from his family and society due to his identity. In search of survival and anonymity, he moves to Bhopal, where he finds acceptance within a transgender community and begins to embrace his true self as Amita. However, just as life begins to offer hope, a betrayal threatens to disrupt his journey, until a chance encounter with a mentor helps him rediscover inner strength and self-worth.

The screenplay and dialogues are penned by Rajan Lyallpuri, while the music has been composed by Raja Ali, Rupesh Mishra, and Akshay Raju Saxena. The film features Aushim Khetarpal along with Akash Verma, who plays the dual role of Amit/Amita, and Raadhika Khetarpal in the lead. The supporting cast includes Sarthak Kapoor, Prince Rajeev, NK Singh, Bhavya Singh, Raj Chaudhary, Ranesha Agarwal, Abhishek Sinha, Shobhna Khatri, and Annu Sharma.

Positioned as a social drama with elements of inspiration and coming-of-age storytelling, Children of God aims to highlight issues of identity, dignity, and human rights through an emotionally engaging narrative.

Sunil Sharma, appreciated for his role as Shaukat in the film series, took to social media to convey his emotions. He posted a picture with director Aditya Dhar and described the experience of working on Dhurandhar as “a true blessing.”

In his message, Sunil drew a touching parallel from Indian mythology to explain his feelings. He recalled the story from the Ramayana where Lord Ram was building the Ram Setu to reach Lanka. While the mighty vanar sena carried heavy stones, a tiny squirrel contributed by rolling small pebbles and placing them on the bridge. When Lord Ram noticed the squirrel’s efforts and asked why it was working so hard despite its small contribution, the squirrel humbly replied that if even the smallest part of the bridge carried its effort, it would consider itself truly blessed.

Sunil Sharma wrote, “Being a part of a grand cinematic offering like Dhurandhar feels like a true blessing to me. If even a small contribution in my name has gone into this great creative yajna, I consider myself extremely fortunate.”

He further added, “In the same way, if I have even the slightest contribution in a grand project like Dhurandhar, I feel incredibly grateful and privileged.”

The actor’s humble and sincere words have resonated widely with fans and industry circles, highlighting the sense of fulfilment that comes from being associated with a large-scale, impactful film.

The Dhurandhar duology revolves around the story of Jaskirat Singh Rangi, a convicted criminal who transforms into an Indian agent and travels to Pakistan under the identity of Hamza Ali Mazari to infiltrate the core of terrorism. The latest chapter, Dhurandhar: The Revenge, has been a massive commercial success, having grossed over Rs. 1,700 crore worldwide so far.

Aditya Dhar, the director known for his powerful storytelling and large-scale vision, has received widespread acclaim for both parts of the duology. Sunil Sharma’s message underscores the collaborative spirit and emotional investment that goes into creating such epic cinematic experiences.

For Sunil Sharma, playing Shaukat in this high-stakes narrative appears to have been more than just another role — it has become a deeply meaningful chapter in his career. His analogy of the squirrel reflects a beautiful sense of humility and gratitude, reminding everyone that every contribution, no matter how small it may seem in the larger picture, holds its own value in the making of something grand.

As Dhurandhar: The Revenge continues to draw audiences to theatres, moments like Sunil Sharma’s heartfelt note add a warm, human touch to the blockbuster’s success story. They remind us that behind the massive box-office numbers and grand visuals lie the sincere efforts and emotions of the cast and crew who pour their hearts into these projects.

The actor’s message has not only strengthened his bond with the film’s team in the eyes of the public but has also offered a refreshing perspective on teamwork and dedication in the film industry. In an era where success is often measured purely in numbers, Sunil Sharma’s words serve as a gentle reminder of the joy and privilege that comes from being part of meaningful creative endeavours.

According to industry observers and early reactions shared online, Kashika Kapoor appears set to present a completely fresh and impactful on-screen persona in the film. Even before the official teaser dropped, a short preview clip featuring the actress triggered widespread discussion on social media platforms. Fans and cinephiles alike have been quick to praise her striking screen presence and the evident transformation she brings to the role.

This growing buzz is noteworthy because it reflects not just curiosity about the project, but also the increasing popularity Kashika Kapoor has been enjoying in recent times. Her expressive acting style and visible commitment to every character have earned her a dedicated following. With “Caste,” she seems ready to push her boundaries further, stepping into what many believe could be one of the most defining roles of her career so far.

The film’s title itself suggests a bold thematic exploration, and early indications point towards a narrative that demands depth and intensity — qualities that Kashika Kapoor has consistently demonstrated in her previous work. While complete details about the plot and her exact character remain under wraps, the initial teaser glimpse has been enough to convince many that she is delivering something markedly different from her earlier portrayals.

Social media timelines have been filled with appreciative comments highlighting her powerful presence and the confidence she exudes in the brief footage. Several industry insiders have also taken note of the positive momentum building around the project, indicating that “Caste” could mark a significant milestone for the young actress.

Kashika Kapoor’s journey in the film industry has been marked by steady growth and a willingness to take on challenging parts. Her dedication to her craft has often been highlighted by co-stars and directors who have worked with her. As anticipation for “Caste” continues to rise, it is clear that audiences are eager to see how she translates this dedication into what promises to be a compelling performance.

With all eyes now fixed on the official teaser trailer and eventual release, “Caste” is shaping up to be more than just another film — it could very well become a turning point that solidifies Kashika Kapoor’s place among the promising talents of her generation.

The project has already succeeded in creating pre-release curiosity through minimal but effective visual cues. This organic word-of-mouth and digital excitement speak volumes about the actress’s growing influence and the strong connect she shares with her audience.

As the film industry continues to evolve with newer stories and bolder performances, Kashika Kapoor’s upcoming role in “Caste” stands as a promising example of an artist embracing change and challenging herself. While the full impact will only be known once the film releases, the early signs are undeniably encouraging for both the actress and her fans.

Seerat posted a lovely image of the two inside a private jet, capturing a comfortable, unguarded moment. The picture radiates ease — no posed smiles, just two people enjoying a quiet conversation thousands of feet above the ground. It’s the kind of frame that instantly shows real familiarity and mutual comfort.

Along with the photo, she wrote a beautiful message that many found heartfelt:

“Happy Birthday, Bunny @alluarjunonline ?✨ You’ve always carried both your craft and your relationships with such natural ease — graceful, grounded and authentic. Wishing you endless success, great health and everything that truly aligns with you, on and off screen. Always rooting for you! ?”

Her words beautifully sum up what fans and fellow actors admire most about Allu Arjun — his rare ability to stay real and grounded no matter how high he flies in his career. Often called the Stylish Star, Allu Arjun has earned respect through years of hard work, discipline, and constant evolution. Whether lighting up the screen with his electrifying dance moves or delivering powerful dramatic roles, he brings the same sincerity to everything he does.

Seerat’s note especially highlights how effortlessly he balances his professional life with personal relationships. In an industry known for its pressures and pace, this quality stands out and makes him someone people genuinely root for.

This warm gesture from Seerat feels completely natural. The two have shared a comfortable equation over the years, and her birthday tribute reflects that quiet respect and affection. While celebrity wishes can sometimes feel formal or repetitive, Seerat kept hers honest, personal, and full of warmth — something that clearly came from the heart.

As Allu Arjun celebrates turning 44, he continues to shine as one of Indian cinema’s most loved and successful stars. With a massive fan following across the globe, blockbuster after blockbuster, and a strong reputation for professionalism, his journey remains inspiring. He has shown time and again that true stardom comes from consistency, humility, and passion for the craft.

For fans, Seerat’s post offered a delightful, behind-the-scenes peek into the more personal side of their favourite actor. It reminded everyone that even the biggest stars appreciate simple, sincere gestures from people who know them beyond the glamour.

In today’s world of grand public celebrations, moments like this feel refreshing. Seerat Kapoor’s message quietly emphasised that beyond the success, awards, and spotlight, what truly matters are the real bonds we build along the way. Her words carried appreciation not just for the superstar, but for the person Allu Arjun is — graceful, authentic, and deeply rooted.

The post received an outpouring of love from fans and industry friends, many of whom echoed the same admiration for Allu Arjun’s journey and personality. It also highlighted the beautiful friendships that quietly exist in the film industry, away from the cameras.

As Allu Arjun steps into this new year of his life and career, Seerat’s warm wish adds a lovely personal touch to his celebrations. It serves as a gentle reminder that success feels sweeter when surrounded by people who celebrate your growth with sincerity and kindness.

Here’s wishing the talented Bunny many more years of happiness, good health, blockbuster success, and the same effortless grace that continues to win hearts everywhere.

Produced by Sargun Mehta and Ravie Dubey under Dreamiyata Entertainment, the series has kept viewers hooked with its steady stream of surprising twists and turns. Far from feeling overwhelmed, Ridhima says these narrative shifts actually bring a refreshing wave of creative energy to her work.

“These twists bring a fresh surge of energy. They keep me alert because the emotional graph can change instantly. It pushes me to stay present and respond truthfully,” she shared warmly.

The actor acknowledged that while the twists make her character more layered and interesting, they also raise the bar for her preparation. “It’s a mix of both. There’s always something new to explore, but it also becomes more demanding as I have to quickly adapt to different emotional layers,” she explained with refreshing honesty.

When scenes suddenly change direction, Ridhima’s priority remains delivering reactions that feel genuine and rooted in the moment. “Even if the situation is sudden, the reaction has to feel real. I concentrate on the emotions and motivations in that moment,” she said, highlighting her focused approach to acting.

In the rapid rhythm of daily soaps, the ability to adapt quickly becomes crucial for maintaining the story’s natural flow. Ridhima stressed that flexibility is key to keeping performances believable even when the script takes sharp turns. “Things can change very quickly, so being adaptable is extremely important,” she noted.

Among all types of twists, the actress particularly enjoys emotional and dramatic ones that let her dive deeper into Preeti’s inner world. “They allow me to explore deeper layers of the character. Those moments are challenging but very satisfying,” she revealed, showing her passion for meaningful scenes.

Looking forward, Ridhima gave a small but exciting hint about the upcoming track. While keeping specific details under wraps, she promised viewers an intense, emotion-packed sequence filled with unexpected developments and strong dramatic moments that will keep everyone hooked.

Ridhima Rampal’s calm and enthusiastic attitude towards the demanding nature of television production speaks volumes about her professionalism and dedication. In an industry where storylines evolve at breakneck speed, her willingness to embrace every twist as an opportunity for growth reflects both her experience and love for the craft.

As Tu Juliet Jatt Di continues its engaging journey with its unique blend of drama, emotion, and cultural flavour, Ridhima’s grounded perspective adds authenticity and warmth to her on-screen presence.

Her journey in the show serves as a beautiful example of how actors can turn potential challenges into creative strengths. For Ridhima, every new twist does not create pressure — instead, it brings fresh energy, deeper understanding of her character, and the joy of delivering performances that truly connect with the audience.

Spearheaded by director Rohit Kumar, a world record holder for the 11:11 Music Video Album, the platform is designed for a generation that lives online and dreams without limits. His involvement brings a sharp focus on scale, transparency, and global storytelling, setting the tone for a show that aims to go far beyond entertainment.

Oceaniek’s biggest disruption lies in its accessibility. There are no physical auditions, no regional filters, and no complicated barriers to entry. A smartphone and talent are all it takes. Participants from any part of the world, aged 4 and above, can upload their performances and instantly become part of a competition that could change their lives.

What follows is a high-stakes, high-visibility journey. Over 90 days, digital auditions are expected to attract a diverse wave of performers across genres. The next 30 days shift the power to the audience, as online voting drives popularity, engagement, and fan-building in real time. The climax arrives with a grand finale in London or Mumbai, where the top 50 contestants will perform live on an international stage, turning digital fame into a global spectacle.

The stakes are significant. The prize structure includes ₹3,00,000 for the winner, ₹1,00,000 for the first runner-up, ₹75,000 for the second runner-up, and ₹50,000 each for the third and fourth positions. Combined with international OTT exposure, Oceaniek becomes more than just a contest—it becomes a gateway to recognition, influence, and potential stardom. For many, this could be the first real chance to break into the global entertainment circuit without industry connections.

As digital consumption continues to explode, audiences are no longer just viewers—they are participants, voters, and amplifiers. Oceaniek taps into this shift perfectly, blending reality storytelling with interactive engagement and worldwide reach. It reflects a new era where content is borderless and talent is instantly shareable.

“Oceaniek Stream Will Be On” is quickly turning into a viral catchphrase, symbolizing aspiration, opportunity, and a new kind of fame powered by technology. With a disruptive format and the strategic vision of Rohit Kumar, Oceaniek Global Super Star is not just entering the OTT space—it’s aiming to redefine it on a global scale.

For Audition : https://www.oceaniekstream.com/

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• Tia Bajpai's latest venture, 'Love Mafia', is an international collaboration challenging traditional language constraints in filmmaking.
• The actress is actively preparing for an action-packed debut in Hollywood, marking a significant career shift.
• Her move reflects a growing trend of Indian talent making impactful strides on the global entertainment stage.

Actress and singer Tia Bajpai is charting an ambitious new course in her career, making waves with her upcoming international project, 'Love Mafia'. This venture is poised to redefine narrative storytelling by consciously breaking down linguistic barriers. Simultaneously, Bajpai is meticulously preparing for what promises to be an exhilarating, action-oriented entry into the Hollywood film industry.

Bajpai’s commitment to 'Love Mafia' highlights a fresh approach to global cinema. The project brings together a diverse ensemble, crafting a story where cultural nuances and human emotions transcend spoken language, aiming for universal appeal. Her role in this film is seen as a crucial step in her journey towards international recognition.

Venturing Beyond Borders with 'Love Mafia'

The concept behind 'Love Mafia' resonates deeply with Tia Bajpai's artistic vision of connecting with audiences worldwide. She emphasizes the power of visual storytelling and performance to communicate without relying solely on dialogues in a single language. This approach aligns perfectly with the current global landscape of filmmaking, where collaborations are increasingly common and boundaries are blurring.

Reports suggest that 'Love Mafia' is a challenging yet rewarding experience for Bajpai, pushing her creative boundaries as a performer. The film is currently in advanced stages of production, generating anticipation for its innovative narrative structure and international cast.

Gearing Up for Hollywood Action

Beyond 'Love Mafia', Tia Bajpai has openly shared her aspirations for Hollywood. Unlike many who might seek conventional entry points, she is specifically targeting action-packed roles. This strategic choice underscores her dedication to rigorous physical training and a desire to showcase a different facet of her talent.

The shift towards action sequences requires intensive preparation, something Bajpai has reportedly embraced with full commitment. Her focus on this genre for her Hollywood debut indicates a clear vision and a readiness to tackle the demanding nature of such roles, positioning herself for unique opportunities in the Western film industry.

A Trajectory of Versatility

Tia Bajpai first garnered attention for her strong vocal abilities and later transitioned into acting, starring in several Hindi films. Her career has been marked by a willingness to experiment with different characters and genres. This foundation of versatility now serves as a strong base for her international ambitions.

Her journey reflects a broader trend within the Indian entertainment sector, where artists are increasingly looking beyond domestic markets. This global outreach mirrors the diverse content consumption patterns observed today, where platforms and audiences are truly borderless. This environment allows talents like Bajpai to explore new avenues, much like Tips Films is expanding its distribution network to cater to varied cinematic tastes.

Tia Bajpai's current trajectory, marked by challenging language barriers and preparing for high-octane Hollywood roles, positions her as a dynamic figure to watch in the coming years. Her efforts underscore the evolving landscape of international entertainment, where talent and compelling stories continue to find new homes across the globe.

Keep reading Nav18 News for more updates on this developing story and other entertainment headlines.

In an emotionally charged confrontation, Abhira approached Arman and confessed she had acted out of fear because of Meher. Instead of understanding, Arman lashed out, accusing her of neglecting Myra and misusing Mukti to rebuild their broken relationship. Refusing to hear her side, he removed Abhira’s ring and announced he was severing all ties, leaving their daughter Myra visibly devastated.

The heartbreak intensified when a distressed Myra tripped while trying to run away. Though Arman rushed to comfort her, the little girl begged to be taken away from “strangers,” highlighting the deep emotional damage caused by the ongoing conflict.

Seizing the opportunity, Meher taunted Abhira, asserting full control over Arman and Myra. She warned her to stay away from her upcoming wedding. In a brazen moment, Meher openly confessed to murdering Rajat, claiming no one could ever prove her guilt. Unfazed, Abhira stood firm and declared she would ensure Meher landed behind bars before her wedding — now just 48 hours away.

Determined to gather irrefutable evidence, Abhira took a huge risk with Mukti’s help to access crucial CCTV footage from the school. Narrowly avoiding the matron, she successfully transferred the data. However, as she prepared to forward the proof to Arman, Meher intervened swiftly and smashed her phone.

In a chilling display of dominance, Meher revealed she had already erased all original CCTV recordings and controlled every corner — including Myra’s school. She coldly suggested Abhira accept money and walk away, leaving the young woman stunned and momentarily broken.

Adding to Abhira’s pain, a hurt and confused Myra distanced herself from Mukti, calling their relationship fake. Meanwhile, at the Poddar house, Madhav and Kaveri reflected on the situation and agreed that a reunion between Abhira and Arman now appears nearly impossible.

In the episode’s final devastating twist, Abhira discovered the remaining data was unrecoverable, leaving her without any concrete proof. Despite this complete collapse of her evidence mission, Abhira refused to surrender. She remains fiercely committed to protecting Arman and Myra from Meher’s web of lies and manipulation.

The current high-voltage track has kept audiences glued to their screens with its sharp emotional confrontations, power-packed performances, and relentless twists. Abhira’s resilience continues to win praise, while Meher’s fearless and calculating villainy has injected fresh intensity into the long-running series.

As Meher’s wedding looms large, viewers are eagerly waiting to see if Abhira can uncover a new way to expose the truth or whether Meher’s carefully constructed empire will finally come crashing down.

With consistent strong ratings and gripping storytelling, Yeh Rishta Kya Kehlata Hai continues to prove why it remains one of Indian television’s most beloved and enduring family dramas on Star Plus.

The film, which also features Mrunal Thakur and Pooja Hegde in lead roles, is designed as a complete family entertainer blending high-energy comedy, romance and mass appeal. Supporting cast includes Maniesh Paul, Jimmy Sheirgill, Chunky Panday, Mouni Roy, Kubbra Sait, Rakesh Bedi and others, promising strong ensemble chemistry for multi-generational audiences.

Ramesh Taurani, Managing Director of Tips Films and producer of the project, confirmed the company’s renewed focus on distribution. The banner plans a robust nationwide strategy, leveraging its extensive network to ensure wide accessibility across urban multiplexes as well as single-screen theatres in smaller towns and semi-urban markets.

This marks a notable father-son reunion for David and Varun Dhawan, following their earlier collaboration on the 2020 comedy Coolie No. 1. David Dhawan, renowned for delivering consistent crowd-pleasers with his signature style of fast-paced humour and engaging storytelling, brings decades of expertise to the project. The film’s title draws inspiration from a popular line in his 1999 hit Biwi No. 1, adding a layer of nostalgic connect.

The release date was recently adjusted from June 5 to June 12, 2026, to avoid a clash with Yash’s pan-India film Toxic. In an official statement issued on March 10, 2026, Ramesh Taurani explained the decision: “We would like to clarify that our film Hai Jawani Toh Ishq Hona Hai was originally scheduled for release on 5th June, a date we had announced several months ago. However, after recent developments and considering the prevailing situation, we felt it would be more appropriate to shift our release. We strongly believe that it is always healthier for the industry when filmmakers support one another rather than compete unnecessarily on the same date. In that spirit of solidarity, we have decided to move the release of Hai Jawani Toh Ishq Hona Hai to 12th June and bring our film to the audiences a week later.”

The strategic shift positions the film favourably in the pre-summer window, when families and younger viewers typically seek light-hearted theatrical experiences. Promotional materials describe the project as delivering “love, madness & full-on entertainment,” with colourful visuals, energetic song sequences and the classic Dhawan brand of humour refreshed for contemporary audiences.

Screenplay credits go to Yunus Sajawal and Farhad Samji, while music is expected from the duo Sachin-Jigar. Cinematography is handled by Ayananka Bose, with costumes by Aki Narula and Samidha Wangnoo. The production has undergone prior scheduling adjustments — originally eyed for April 2026 before moving to early June — reflecting careful industry coordination and sensitivity to box-office dynamics.

Tips Films’ decision to self-distribute underscores confidence in the film’s commercial potential as a summer crowd-puller. Industry observers note that the combination of star power, proven directorial expertise and broad family appeal makes it well-suited for strong theatrical performance in an evolving Bollywood landscape that continues to value accessible, entertaining narratives alongside larger spectacles.

As the team gears up for an energetic marketing campaign, anticipation is building around the official trailer and first-look promotions featuring Varun Dhawan alongside the fresh pairing of Mrunal Thakur and Pooja Hegde. The film is scheduled to release worldwide on June 12, 2026, in Hindi with dubbed versions planned for wider reach.

This development not only signals Tips Films’ active return to distribution under Ramesh Taurani’s leadership but also highlights David Dhawan’s enduring ability to craft reliable, audience-friendly entertainers that resonate across generations.

While ‘Addiyaan’ boasts the stellar vocals of music maestro Jasbir Jassi, it is Sakshi’s magnetic screen presence that has become the talk of the town. From her flawless expressions and striking screen appeal to her graceful, energetic dance moves, she commands attention in every single frame. For a rising artist to hold her own and shine so brightly opposite a veteran of Jassi’s stature is a rare feat, signaling the arrival of a major new talent.

Directors, producers, and audiences alike are taking note of Sakshi’s remarkable versatility. In ‘Addiyaan’, she effortlessly balances traditional elegance with modern, commercial flair. Her ability to emote beautifully while carrying the visual narrative of an upbeat, foot-tapping track makes her an ideal fit for leading roles in upcoming music videos, OTT projects, and mainstream cinema.

Speaking about her breakthrough performance, an excited Sakshi Sharma shared, “Being chosen to star opposite a legend like Jasbir Jassi sir in ‘Addiyaan’ was an incredible honor, but I knew I had to bring my absolute best to the table. I love the camera, and I wanted my performance to reflect the vibrant, cultural heartbeat of the song. The overwhelming response from the audience and the industry has been incredibly validating. I am so hungry to do more, explore challenging roles, and continue entertaining audiences on even bigger platforms.”

The track, with music by Seji Dhillon and video direction by Dr. Raman, provides a stunning canvas for Sakshi to display her acting chops and camera-friendly aura. Industry insiders are already noting how her expressive eyes and natural confidence translate seamlessly on screen—qualities that casting directors constantly seek for fresh, engaging content.

As ‘Addiyaan’ rapidly climbs the charts, amasses millions of views, and sparks viral trends across social media, Sakshi Sharma is firmly in the spotlight. With her striking looks, undeniable talent, and fierce dedication, she has proven she can carry a commercial project with effortless charm. The industry is always on the lookout for a complete package, and with this phenomenal performance, Sakshi Sharma has loudly announced that she is exactly that.

Fans and filmmakers eagerly await her next move, as this promising young star is undoubtedly destined for greater heights. ‘Addiyaan’ is currently streaming on all major digital and audio platforms.

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New Delhi [India], April 06: For Anushri, editing has never been tied to one place. Her journey, from Dubai to Mumbai to Los Angeles — has gradually shaped a practice that moves across languages, genres, and different corners of the film industry. 

Having edited films in Hindi, English, Mandarin, and Spanish, Anushri Srinivasan Iyer approaches storytelling with a simple belief: emotion doesn’t belong to one language, and the best films don’t need translation to be felt. 

Anushri’s journey into editing didn’t begin in a film school or on a professional set, but in a classroom in Dubai, where she first opened Adobe Premiere Pro as a high school student. What started as curiosity quickly turned into instinct. That instinct was affirmed early on when she was placed second amongst approximately 45,000 entries in the international CBSE Adobe Creativity Challenge celebrating 150-years of Mahatma Gandhi. She was invited to the Adobe Headquarters in Delhi, and was felicitated by Mr. Shantanu Narayen, The Chairman/CEO of Adobe Inc USA- A moment that marked the beginning of something much bigger. 

While doing her undergraduate studies at Whistling Woods International, Film City Mumbai, her relationship with storytelling began to take shape — not just technically, but creatively and personally. During this time, she directed and edited the short film Radhika, which went on to win multiple awards, including Best Amateur Film at the Sun of the East International Film Festival, The Goa International film festival and Tagore International Film Festival. Anushri’s work gained recognition with the short film Vijaya Dashami, which was selected among the top 100 short films at the Dadasaheb Phalke International Film Festival, Mumbai. Anushri was the Head of the Whistling Woods Earth Charter, where she organized initiatives focused on environmental awareness and the United Nations Sustainable Development Goals. 

It was her move to Los Angeles that marked a turning point. At the American Film Institute Conservatory, where she completed her Masters Degree in Film Editing, Anushri Iyer found herself in an environment that pushed her to refine both her

craft and her voice. Working across a wide range of genres — including comedy, thriller, animation, and horror — she began to understand just how much power an editor holds. 

Her thesis film HIM, screened at the AFI FEST 2025 at the Chinese theater in Hollywood, became a particularly defining project. Anushri’s thesis film ‘HIM’ was selected across various film schools to receive an Amazon Studios AI Grant. Through the grant she explored the various uses of AI in filmmaking. The process changed the way she approached editing, allowing her to better understand the inner lives of characters and guiding her to make choices that felt more deliberate and more intuitive to the story itself. During her time at AFI, she also edited ‘Spectre’ and ‘When the cold wind blows’ which premiered at the Singapore Int Film Festival 2025 and Beyond Fest 2025 Los Angeles 2025. She also volunteered at the SMPTE MTS 2024 and ACE Eddie Awards 2025 and 2026. 

Anushri Iyer has steadily built her presence within the Hollywood Film industry. She has worked as an Assistant Editor on the feature film The Best Summer, which premiered at the Sundance Film Festival which received coverage in major publications such as Variety and Rolling Stone. She also worked as an Assistant Editor on the short film The Window Cleaners, which was part of the For Your Consideration campaign for the Academy Awards. 

Her work extends across both traditional and digital platforms. As a freelance Assistant Editor for Jubilee Media, she contributed to widely viewed digital content, while continuing to edit independent narrative films in Los Angeles. She also served as an Additional Editor on the feature film Where the Wind Blows, which had a theatrical release and is now available on Apple TV and Amazon Prime Video. 

Anushri Srinivasan Iyer is an Avid certified professional and is currently working as a Post-Production Assistant at Sony Pictures for a show to be released in 2026 on Apple TV, while also serving as an Assistant Editor on two upcoming feature films set for release — continuing to build a career that moves fluidly between independent and studio spaces. 

For Anushri, editing isn’t just about assembling footage, it’s about understanding what a moment is really trying to say, and shaping it so it lands honestly with an audience.

Anushri’s editing perspective is shaped by her experiences across film industries, cities, and cultures — but grounded in something simple: paying attention to performances, to rhythm and to the small, often invisible choices that ultimately define how a story is experienced. 

As her learning continues to grow, Anushri remains drawn to stories that feel personal yet resonate widely — stories rooted in emotional truth and human connection. 

Because at its core, she believes cinema works the same way everywhere—it connects through feeling, not language

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• The trailer for 'Bhoot Bangla' has been released, promising a unique blend of comedy and horror.
• It marks the much-anticipated reunion of actor Akshay Kumar and director Priyadarshan.
• Fans have reacted with significant excitement, anticipating a return to their classic cinematic magic.

The digital landscape is buzzing with reactions following the release of the trailer for 'Bhoot Bangla'. This upcoming film, directed by the acclaimed Priyadarshan and starring superstar Akshay Kumar, has immediately captured public attention, hinting at a cinematic experience that promises both laughter and genuine chills.

This project signifies a significant reunion for the iconic actor-director duo, known for delivering some of Indian cinema's most beloved comedy films. Their past collaborations have consistently struck a chord with audiences, establishing a benchmark for the genre.

A Glimpse into the 'Bhoot Bangla' World

The 'Bhoot Bangla' trailer offers a compelling sneak peek into a world where paranormal occurrences meet uproarious situations. It skillfully juxtaposes eerie visuals with Akshay Kumar's signature comedic timing, creating an intriguing narrative that has left viewers curious about the full story. The visuals suggest a sprawling, mysterious mansion, a classic setting for ghost stories, but reimagined with a humorous twist.

Fans are particularly keen to see how the film navigates the fine line between generating genuine scares and inducing hearty laughs. This balance is a hallmark of Priyadarshan's directorial style, especially when collaborating with an actor of Kumar's versatility.

Fan Reactions: Nostalgia Meets Modern Expectations

The online response to the 'Bhoot Bangla' trailer has been largely enthusiastic. Many viewers expressed a wave of nostalgia, recalling the golden era of comedy films delivered by this director-actor pair. Social media platforms are filled with comments anticipating a revival of their classic brand of entertainment.

However, the reactions are not entirely uniform. While a significant portion of the audience is celebrating the return of the duo, some voices have offered a more critical perspective, evaluating whether the film will truly offer something fresh or merely rely on past successes. This mix of anticipation and scrutiny underscores the high expectations placed on the project.

The 'Bhoot Bangla' Premise Unpacked

While specific plot details remain under wraps, the trailer suggests a story centered around a haunted property and a character, presumably played by Akshay Kumar, tasked with or drawn into resolving its supernatural mysteries. The comedic elements appear to stem from the characters' reactions to the paranormal, creating a humorous interplay with the eerie backdrop.

The Enduring Appeal of Comedy-Horror

The genre of comedy-horror has carved a distinct niche in Indian cinema, offering audiences an escape that blends suspense with lighthearted moments. 'Bhoot Bangla' appears poised to add a new chapter to this popular category, leveraging the proven track record of its lead creatives.

The film's reception will also be a testament to how established stars continue to draw immense public interest, not just in their cinematic ventures but also in various other public appearances and endorsements. For instance, the buzz around celebrity presence is often seen across sectors, much like how an event featuring Actor Shruti Marathe unveiling a luxurious show flat garners significant media attention.

What Lies Ahead for 'Bhoot Bangla'

With the trailer now out, the countdown to the film's full release has officially begun. Industry analysts and fans alike will be closely watching how 'Bhoot Bangla' performs, especially given the high expectations fueled by the Akshay Kumar-Priyadarshan partnership. The film is expected to be a significant entry in the upcoming release calendar, attracting a wide audience segment eager for both laughter and a touch of the supernatural.

What makes this project truly special is its star-studded cast. Sneha will share the screen with Bollywood superstar Salman Khan and veteran actor Sanjay Dutt, popularly known as Sanju Baba. Adding further international appeal, the film also features acclaimed Hollywood actress Monica Bellucci in a lead role. Insiders describe ‘7 Dogs’ as one of the most ambitious and expensive films in the history of Arab cinema.

Sneha Sidh’s journey from modelling and music videos to an international feature film is being celebrated across Rajasthan. Her cameo appearance in this high-profile project is being seen not just as a personal milestone but also as a proud moment for Rajasthani talent on the world map.

Originally from Churu, Sneha began her career in modelling and music videos. Through sheer hard work and determination, she gradually built her identity in the entertainment industry. Recently, she launched her own music channel, showcasing her versatile artistic skills. Her selection for ‘7 Dogs’ is being hailed as a significant breakthrough that could open new doors for her career.

For any young artist, working alongside legends like Salman Khan, Sanjay Dutt, and Monica Bellucci is nothing short of a dream come true. The presence of such global names is expected to give the film a massive worldwide platform, and Sneha’s involvement puts a spotlight on emerging talent from smaller towns in India.

Rajasthan has long been known for its rich cultural heritage, vibrant arts, and talented individuals who have made their mark in various fields. Sneha Sidh’s achievement continues this proud tradition, proving that talent from the heartland of India can now reach international shores.

The film ‘7 Dogs’ is currently in advanced stages of production. With its action-packed storyline and heavy use of visual effects, expectations are running high. The growing investment in Saudi Arabia’s film industry has opened new opportunities for artists from across the globe, and projects like ‘7 Dogs’ are clear examples of this expanding cinematic landscape.

Sneha Sidh’s success story serves as an inspiring example for countless young aspirants, especially those from smaller cities and towns. It highlights that with dedication, perseverance, and the right opportunity, dreams that once seemed distant can become reality.

Back home in Rajasthan, the news of her casting has been met with widespread excitement and pride. Local residents, family members, and well-wishers are congratulating Sneha and eagerly awaiting the film’s release. Many believe this is just the beginning of a promising journey for the talented actress.

This achievement is not only a personal triumph for Sneha Sidh but also a moment of pride for the entire state. It reinforces the belief that no dream is too big when backed by talent and hard work. As ‘7 Dogs’ prepares to hit screens in 2026, all eyes are on how this Rajasthan girl makes her mark on the global cinematic stage.

• SP Sargam has officially unveiled the captivating first-look poster for the upcoming music video 'Saadi Farmaish'.
• The video features prominent television and film personalities Ashmit Patel and Akanksha Puri in lead roles.
• The grand poster launch has generated considerable buzz and anticipation among fans and industry observers.

Grand Unveiling Ignites Excitement for 'Saadi Farmaish'

In a significant development for the music and entertainment landscape, SP Sargam has pulled back the curtain on the grand poster for their much-anticipated music video, 'Saadi Farmaish'. The unveiling has swiftly become a talking point, setting a vibrant tone for what promises to be a captivating visual and auditory experience. The event marked a pivotal moment for the team behind the project, as the first official glimpse of the video's aesthetic and mood was presented to the public.

A Glimpse into the Visual World of 'Saadi Farmaish'

The newly released poster offers a compelling visual narrative, immediately drawing attention to its lead stars, Ashmit Patel and Akanksha Puri. Their chemistry, even in a static image, is palpable, hinting at a powerful storyline and engaging performances within the music video. The design elements of the poster are intricate, suggesting a blend of emotion and drama that will define 'Saadi Farmaish'. Industry insiders are already speculating on the themes and musical genre based on this initial reveal, heightening the mystery around the track.

Ashmit Patel and Akanksha Puri Take Centre Stage

The casting of Ashmit Patel and Akanksha Puri has added considerable star power to 'Saadi Farmaish'. Both actors bring a wealth of experience from their extensive careers in film and television, known for their ability to portray diverse characters with depth and conviction. Patel, with his strong screen presence, and Puri, celebrated for her expressive performances, are expected to deliver a memorable act that resonates with a wide audience. Their collaboration in this music video is certainly a pairing to watch.

SP Sargam's Vision for a Musical Spectacle

SP Sargam, a name increasingly associated with quality music productions, appears poised to deliver another hit with 'Saadi Farmaish'. While specific details about the song's composition or lyrical themes remain under wraps, the grandeur of the poster suggests a high-production-value video designed to leave a lasting impression. The team's commitment to creating engaging and memorable content is evident in this latest venture, building on their reputation for delivering compelling musical experiences. The entertainment industry frequently sees such high-profile collaborations, similar to how Rajan Shahi often hosts grand events with TV stars, fostering camaraderie and anticipation for new projects.

Anticipation Builds Among Fans and Critics

The reveal of the 'Saadi Farmaish' poster has successfully captured the imagination of fans, who are eagerly awaiting the full music video. Social media platforms are abuzz with discussions, analyses of the poster, and expressions of excitement for the song and the on-screen pairing. Critics and entertainment journalists are also keenly observing the developments, anticipating how this project will contribute to the ongoing evolution of the Indian music video scene. The grand unveiling has set a high benchmark, creating considerable expectations for the final release.

?️ Share Your Opinion!

What are your first impressions of the 'Saadi Farmaish' poster featuring Ashmit Patel and Akanksha Puri? Share your excitement and predictions for the music video in the comments below!

For more detailed news coverage and exclusive entertainment updates, visit Nav18 News.

The screening offered a first look at the film’s digital debut, building excitement ahead of its release on JioHotstar, where it is set to reach a wider global audience. Guests appreciated the film’s heartfelt narrative that celebrates passion, perseverance, and the power of dreams.

Speaking at the event, producer Shefali Singh Rajput said, “This film has been a labor of love for all of us. The response we received during its theatrical run was truly encouraging, and now with JioHotstar, we are excited to take this story to audiences across the globe. It’s a proud moment to see our vision reach so many more viewers.”

Director Prradip Khairwar added, “Aayushmati Geeta Matric Pass is a story rooted in determination and human spirit. Watching the audience connect with it during this special screening was gratifying. The OTT release will give the film a much wider canvas, and I’m confident it will resonate deeply with viewers everywhere.”

The evening concluded on a high note with engaging conversations, media interactions, and a shared anticipation for the film’s OTT premiere.

With its inspiring storyline and strong performances, Aayushmati Geeta Matric Pass is poised to make a meaningful impact as it begins its next chapter on JioHotstar.

Following the powerful reception to the film’s teaser, the makers unveiled ‘NAMO Re’, a spiritually charged track that has swiftly emerged as the devotional anthem of 2026 which has struck a deep chord with audiences across the country.

Recently, the 2026 Telangana Gaddar Film Awards (honoring 2025 films) were held in Hyderabad, attended by top Tollywood celebrities including Chiranjeevi, Kamal Haasan, Ram Charan, Riteish Deshmukh, Genelia Deshmukh, Nagarjuna, Naga Chaitanya, and Rashmika Mandanna

At the grand TGFA 2026 event in Hyderabad, the spotlight shifted to the film’s leading ladies, Daksha Nagarkar and Nabha Natesh, who delivered a breathtaking live performance on ‘NAMO Re’. Their electrifying stage presence, combined with the song’s divine essence, created a truly mesmerizing moment leaving the audience spellbound and earning roaring applause from the industry’s biggest names in attendance.

Rooted in devotion, ‘NAMO Re’ is a heartfelt tribute to Lord Narayana, celebrating themes of faith, resilience, and spiritual awakening. The song transcends beyond entertainment, emerging as a cultural expression that connects deeply with audiences and evokes a sense of unity and hope.

Helmed by Abhishek Nama and backed by producers Kishore Annapureddy and Nishitha Nagireddy under NIK Studios and Abhishek Pictures, Nagabandham promises to be a cinematic spectacle. The film boasts a compelling ensemble cast featuring Virat Karrna, Nabha Natesh, Ishwarya Menon, Mahesh Manjrekar, and Jagapathi Babu.

More than just a song, NAMO Re’ stands as a powerful celebration of devotion, love, and collective spirit brought alive through stirring lyrics and dynamic choreography. As anticipation for Nagabandham continues to soar, the overwhelming response to ‘NAMO Re’ offers a glimpse into what promises to be an unforgettable cinematic experience.

link:

https://www.instagram.com/reel/DWEcVswCLYJ/?igsh=eXZxY2EwaXBpcnk1

The evening brought together the cast and crew of two of Indian television’s most loved shows—Yeh Rishta Kya Kehlata Hai and Anupamaa—creating an atmosphere filled with warmth, togetherness, and celebration during the holy month of Ramadan.

The gathering witnessed the presence of several well-known faces from the television industry, including Rupali Ganguly, Anita Raj, Sachin Tyagi, Shruti Ulfat, Jaswir Kaur, Adrija Roy, Shivam Khajuria, Samridhii Shukla, Rohit Purohit, and Sikandar Kharbanda, among many others.

The ambiance of the evening reflected the true essence of Iftaar, as the attendees came together to break their fast, share meals, and spend meaningful time bonding beyond their on-screen roles. The beautifully curated Iftaar spread and festive décor further enhanced the celebratory mood, making it a memorable occasion for everyone present.

Speaking about the celebration, Rajan Shahi emphasized the importance of togetherness and gratitude. He shared that such gatherings go beyond rituals and offer an opportunity for the entire team to connect as a family. According to him, the sets of their shows function as a close-knit unit, and occasions like Iftaar allow everyone to pause, reflect, and celebrate collective achievements.

Echoing similar sentiments, Rupali Ganguly expressed how special it feels to celebrate festivals on set. She highlighted that Iftaar symbolizes love, sharing, and gratitude—values that were strongly felt throughout the evening. For her, such moments foster a sense of belonging and make the workplace feel like home.

Anita Raj also reflected on the warmth and positivity that defined the gathering. She noted that celebrations like these allow colleagues to come together beyond work commitments, strengthening bonds and creating lasting memories.

The event concluded on a joyful note, filled with laughter, heartfelt conversations, and a renewed sense of unity. Once again, Rajan Shahi and Deepa Shahi successfully created an occasion that not only celebrated a festival but also reinforced the spirit of inclusivity and camaraderie within the television fraternity.

The Iftaar gathering stands as a testament to how cultural celebrations in professional spaces can foster deeper connections, promote harmony, and create an environment where diversity is truly embraced.

Speaking about the dynamic nature of the entertainment world, Shivangi emphasizes that reinvention is no longer optional. “In an industry that is constantly evolving, reinvention isn’t just important, it’s everything,” she says. With audiences now exposed to a vast array of content across platforms, their expectations have significantly shifted. According to her, viewers today have shorter attention spans and the freedom to switch between genres and formats within seconds.

She explains that sticking to a single image or repeating the same type of roles can quickly lead to stagnation. “If you aren’t evolving, you’re basically standing still while the rest of the world zooms past you,” she notes. This reality, she believes, makes it essential for artists to continuously challenge themselves and explore new creative territories.

Reflecting on her own journey, Shivangi reveals that there was a point when she consciously chose to step outside her comfort zone. While television gave her recognition and immense audience love, she began to feel creatively restricted. “I was getting too comfortable in the TV bubble,” she shares, adding that the repetitive nature of daily soaps started to limit her artistic growth. “It felt like I was doing the same expressions and scenes over and over again,” she admits.

This realization led her to explore opportunities in the OTT space, where storytelling often allows for more nuanced and layered characters. Shivangi says her transition was driven by a desire to portray roles that are “flawed, messy, and real,” rather than idealized, one-dimensional personas. This shift not only broadened her acting range but also helped her connect with audiences in a more authentic way.

For Shivangi, reinvention is not merely about external changes such as new looks or genres—it is an internal process of self-discovery. “It’s 100% about rediscovering yourself,” she explains. She believes that genuine transformation begins within and naturally reflects in one’s work. “You can’t change how people see you until you change how you see yourself,” she adds, highlighting the importance of personal growth in shaping professional identity.

However, breaking away from a familiar image comes with its own set of challenges. Shivangi acknowledges that audiences often take time to accept actors in new avatars. “It’s a constant battle,” she says, noting that resistance to change is a common hurdle in the industry. Despite this, she remains firm in her belief that persistence and resilience are key. “You have to keep pushing and have thick skin,” she adds.

Summing up her philosophy, Shivangi stresses the importance of staying grounded while continuing to evolve. “Stay curious and hungry, but never lose your core,” she concludes. Her journey serves as a reminder that in today’s competitive entertainment landscape, growth and reinvention are not just strategies—they are necessities.

Directed by Abhishek Nama and produced by Kishore Annapreddy and Nishitha Nagireddy of NIK Studios, Nagabandham promises to be a cinematic tour de force featuring rich storytelling and stunning visuals.Nagabandham features an impressive ensemble cast including Virat Karrna, Nabha Natesh, Ishwarya Menon, Mahesh Manjrekar, and Jagapathi Babu.

The entire cast of the film will be seen in the characters that resonate with viewers across India and beyond. The film aims to showcase India’s cultural diversity and spiritual heritage, contributing significantly to modern Indian cinema.

The song is sung by Myscmmee Bose, with lyrics penned by Vimal Kashyap, while the music is composed by the duo Junaid Kumar and Abhe. Visually. 'NAMO Re' is a treat for viewers as it features a graceful jugalbandi between Nabha Natesh and Ishwarya Menon, with both actresses expressing devotion to Lord Narayana through elegant dance movements.

The highlight of NAMO Re is its outstanding choreography by Ganesh Acharya and Shrasti Verma. Shot on massive scale , it features around 1,000 dancers performing various Indian dance forms, making the choreography a lively and visually striking presentation that celebrates India's cultural legacy.

The visual aspect of NAMO Re is enhanced by the detailed set design by Ashok Kumar and cinematography by Sounder Rajan. Their work brings authenticity to the depiction of spiritual environments, using vibrant colors and traditional motifs to craft an immersive, devotional atmosphere.

More than just a song, NAMO Re is a cultural celebration promoting love, devotion, and unity. It aims to inspire hope and a sense of community in a world facing challenges. The combined power of stirring lyrics and dynamic choreography creates an experience that appeals to diverse audiences.

The release of NAMO Re marks a milestone for Nagabandham and Indian artistic expression, highlighting art’s role in advancing spiritual awareness and intercultural bonds.

As anticipation builds for Nagabandham, the excitement surrounding NAMO Re offers a glimpse of an unforgettable cinematic journey.

The image shows the two actresses smiling warmly together—a simple yet meaningful frame taken amid the excitement surrounding the Academy Awards. At the time, Chohan was in the city working on her Hollywood project Nomad, an upcoming adventure-drama directed by Taron Lexton (known for contributions to major franchises like Mission: Impossible). The chance encounter on Sunset Boulevard left a lasting impression on the internationally trained performer.

In her accompanying note, Chohan expressed deep admiration for Priyanka’s journey. She highlighted how the global icon has consistently portrayed strong, empowered women characters with professionalism and versatility, seamlessly bridging Bollywood and Hollywood. “I am so proud seeing Priyanka make India proud on the global stage,” Chohan wrote. “Meeting her and sharing how much I admire her dedication… was truly inspiring. For many Indian actors, she is a powerful example of how talent and determination can break boundaries. Watching her succeed globally makes every Indian feel proud.”

The post, shared via Instagram, ties directly to Priyanka’s recent appearance as a presenter at the Oscars—specifically for the Best International Feature Film category. That moment underscored the increasing recognition of diverse storytelling and international cinema on the world’s most prestigious stage. For Chohan, witnessing Priyanka in that role amplified the sense of national pride and served as a beacon for aspiring artists from India.

Chohan’s own career reflects a similar pursuit of boundary-pushing roles across mediums and geographies. Trained in theatre and with experience spanning Indian cinema, pan-Indian projects, and international ventures, she has built a reputation for emotionally resonant performances. Her work in the Hindi film Sant Tukaram earned widespread praise for its transformative depth, with critics and audiences noting the emotional weight she brought to the screen.

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Looking ahead, Chohan continues to expand her footprint. Nomad marks her Hollywood debut, while upcoming projects include the Telugu film Jhatasya Maranam Dhruvam, the web series Bhayava, and the Tamil production Arjunain Allirani. Beyond acting, she actively serves as a South Asia Ambassador for Human Rights, blending her artistic voice with advocacy for meaningful change.

The resurfaced photograph has sparked warm reactions online, circulating as a gentle reminder of the shared aspirations uniting Indian performers on the international scene. In an industry often defined by competition, moments like these highlight mutual respect and collective pride. Chohan’s words capture that spirit perfectly—celebrating not just individual success, but the doors it opens for others following similar paths.

As Indian talent continues gaining prominence worldwide, stories like this one serve as quiet affirmations: persistence, authenticity, and representation matter. They inspire the next generation to dream bigger, knowing that boundaries are meant to be crossed—one determined step, and one inspiring encounter, at a time.

The star-studded gathering saw the presence of several well-known personalities including producer Ekta Kapoor, producer Rajan Shahi, Rupali Ganguly, Arjun Bijlani, Shiv Thakare, Faisal Shaikh, Krystle D'Souza, Urvashi Dholakia, Riddhi Dogra, Saraa Arfeen Khan, Yuvika Chaudhary, Nivedita Basu, Sneha Jain, Shagun Sharma, Gaurav Bajaj, Umar Riaz, Yamini Malhotra, Arshi Khan, Roop Durgapal, Vineet Raina, Aarushi Chawla, Shiny Doshi, Kirti Verma and Aditya Khurana among many others.

The evening was filled with warmth, celebration and togetherness as guests gathered to break their fast and celebrate the spirit of Ramadan. The beautifully organised evening featured delicious traditional Iftaar delicacies, warm conversations and a festive atmosphere. Guests were especially amazed by the lavish food spread which reportedly included over 250 buffet items, making it one of the most elaborate Iftaar spreads seen at an industry gathering.

Host Mohammed Nagaman Lateef expressed his happiness about the event and said, "Ramadan is a time of gratitude, unity and spreading love. It feels wonderful to see so many friends from the industry coming together to celebrate this beautiful occasion. We are truly honoured that respected personalities like Ekta Kapoor ji and Rajan Shahi ji joined us this evening. Their presence made the celebration even more special."He further added, "Both Ekta Kapoor ji and Rajan Shahi ji have contributed immensely to the Indian television industry. Having them here today along with so many talented artists truly makes this celebration memorable for all of us."

Actress Rupali Ganguly said", "Iftaar gatherings always have such a beautiful and positive vibe. It’s about love, gratitude and togetherness. Mohammed Nagaman has hosted a wonderful evening and it’s lovely to see so many friends from the industry here." She further added, "This is honestly one of the best Iftaar gatherings I have attended. The buffet had around 250 items — the spread is even bigger than what we usually see at many five-star buffets."

Producer Rajan Shahi shared, "It was one of the best Iftaar parties that I have attended till now in Mumbai."

Actress Urvashi Dholakia added, "Ramadan is a very special time and Iftaar parties always bring people closer. The evening was beautiful and full of warmth. It’s always nice to catch up with friends and celebrate together."

The evening turned into a memorable celebration as celebrities enjoyed the festive ambience, interacted with each other, clicked pictures and spent quality time reconnecting with friends from the industry.

The grand Ramadan Iftaar hosted by Mohammed Nagaman Lateef and Samina Mirza truly reflected the spirit of the holy month — bringing people together in celebration, gratitude and harmony.

The event carried added significance because of its timing. The team deliberately aligned the unveiling with Women’s Day to honour the strong, central female characters who drive much of the emotional core in the Rabb Da Radio franchise. The newly released poster captures the same warmth, family-centric values, and heartfelt Punjabi essence that made the earlier films connect so deeply with audiences across generations.

Leading the cast are Tarsem Jassar and Nimrat Khaira, two of the most recognised names in contemporary Punjabi entertainment. Both bring established popularity from their music and acting careers, raising expectations for how their on-screen chemistry will shape the third instalment of the beloved series.

Vehli Janta Films presents the project, with Manpreet Singh Johal serving as producer. Harry Bhatti directs the film, while Jaypee Singh handles cinematography. The press conference saw attendance from several key cast members who form the rich ensemble supporting the leads. Among those present were veteran actors Nirmal Rishi, Ronak Joshi, Jatinder Kaur, Sunita Dhir, Seema Kaushal, Gurpreet Bhangu, Rupinder Rupi, Satwant Kaur, Pawan Johal, Kulbir Virk, Amanjot Amu, Sanshi, and Apneet Bajwa. Their participation underscored the film’s commitment to portraying layered family dynamics and community stories.

The Rabb Da Radio series has built a loyal following over the years by blending romance, drama, village life, and timeless Punjabi traditions without relying on excessive glamour or formulaic twists. Fans appreciate its grounded storytelling and emotional authenticity. With Rabb Da Radio 3, the makers appear intent on preserving that signature tone while introducing fresh faces and perspectives.

The simultaneous release of the poster and the first track has already started conversations online and within Punjabi film circles. The visuals and music snippet suggest continuity in the franchise’s focus on love, gratitude, relationships, and cultural roots—elements that have consistently resonated in Punjab and its diaspora.

As the theatrical release date of 3 April 2026 draws closer, anticipation is steadily rising. Punjabi audiences, who have long embraced family-oriented narratives, are looking forward to another chapter that promises to deliver both nostalgia and emotional depth.

The thoughtful decision to mark International Women’s Day with this launch not only paid tribute to women’s contributions on and off screen but also reinforced the film’s central message of respect, family, and enduring bonds. For now, with the first visuals and sound out in the open, Rabb Da Radio 3 has successfully captured attention and set the stage for what many expect to be one of the standout Punjabi releases of the year.

On the occasion of World Radio Day (13 February 2026), Mobius Films and Rajil Sayani proudly announce Behno Aur Bhaiyo a definitive, soulful and nostalgia-rich feature-length docu-biopic on the legendary radio icon, Ameen Sayani. The announcement comes days before his death anniversary on 20th February, marking a deeply emotional and historic tribute.

Directed by National Award-winning filmmaker Brahmanand S Singh and co-directed by Tanvi Jain, the film traces the extraordinary journey of a voice that united India for over five decades — week after week, generation after generation.

 A Tribute to the Voice That Shaped India’s Musical Memory

Behno Aur Bhaiyo will blend rare family archives, unseen photographs, handwritten scripts and exclusive audio recordings, along with in-depth conversations with some of India’s most celebrated musicians, actors, radio stalwarts and media personalities.

The film promises to be a deeply nostalgic, culturally significant and emotionally resonant tribute to the man whose warmth, tone and signature greeting became an inseparable part of millions of Indian homes.

Beyond the life of Ameen Sayani, the film will also capture the evolution of Indian broadcasting, the golden era of music programming and the cultural shifts that shaped India’s listening habits across generations.

The filmmakers are in conversation with and expect reflections from an illustrious line-up of personalities, including:

Amitabh Bachchan,

Asha Bhosle,

Javed Akhtar,

Jaya Bachchan,

Mahesh Bhatt,

Raju Hirani,

Ramesh Sippy,

Shatrughan Sinha,

Sunil Gavaskar,

Virender Sehwag,

Varun Dhawan

…along with several other eminent names from the worlds of cinema, music, media and broadcasting.

The film is a collaboration between Mobius Films and Rajil Sayani, ensuring exceptional access to personal archives and invaluable memorabilia that chronicle the life and legacy of Ameen Sayani.

Speaking on the announcement, directors Brahmanand S. Singh and Tanvi Jain said:

 “Ameen Sayani is a national memory. This film is a journey through memory, melody and magic. It is our love letter to the man whose voice united India week after week, year after year.